{"id":1085091,"date":"2025-05-23T18:09:38","date_gmt":"2025-05-23T22:09:38","guid":{"rendered":"https:\/\/myscena.org\/?p=1085091"},"modified":"2025-05-24T20:21:44","modified_gmt":"2025-05-25T00:21:44","slug":"lacrima-la-commmande-princiere","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/lacrima-la-commmande-princiere\/","title":{"rendered":"Lacrima\u00a0: la commmande princi\u00e8re"},"content":{"rendered":"<div class=\"I_ZkbNhI D_FY W_6D6F\" data-test-id=\"message-view-body\">\n<div class=\"msg-body P_wpofO mq_AS\" data-test-id=\"message-view-body-content\">\n<div class=\"jb_0 X_6MGW N_6Fd5\">\n<div>\n<div id=\"yiv5494170329\">\n<div>\n<div class=\"yiv5494170329WordSection1\">\n<p class=\"yiv5494170329MsoNormal\">Apr\u00e8s avoir \u00e9t\u00e9 remarqu\u00e9e au Festival d\u2019Avignon et finaliste pour le prix du meilleur spectacle public aux Moli\u00e8res 2024, la magnifique fresque\u00a0<i>Lacrima\u00a0<\/i>de l\u2019autrice et metteuse en sc\u00e8ne fran\u00e7aise Caroline Guiela Nguyen est pr\u00e9sent\u00e9e dans le cadre du 19e\u00a0<a href=\"https:\/\/fta.ca\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Festival TransAm\u00e9riques<\/a> (FTA). Au th\u00e9\u00e2tre Jean-Duceppe, jusqu\u2019au 25 mai et au Festival Carrefour \u00e0 <a href=\"https:\/\/carrefourtheatre.qc.ca\/spectacles-culturels-quebec\/lacrima\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Qu\u00e9bec<\/a>\u00a0du 30 mai au 1<sup>er<\/sup>\u00a0juin.<\/p>\n<p class=\"yiv5494170329MsoNormal\">Inspir\u00e9e par la fabrication de la robe de mari\u00e9e de Kate Middleton par une maison de haute couture,\u00a0<i>Lacrima<\/i> fait le r\u00e9cit d\u2019une commande princi\u00e8re \u00e0 la tr\u00e8s r\u00e9put\u00e9e maison fran\u00e7aise Beliana. La pi\u00e8ce<i>\u00a0<\/i>suit pendant plus de huit mois une trentaine de femmes et d\u2019hommes qui \u0153uvrent \u00e0 la confection de cette robe, sous le sceau du plus strict secret &#8211; dans l\u2019atelier parisien, mais aussi \u00e0 Alen\u00e7on, en Normandie, pour la confection des dentelles et \u00e0 Mumbai en Inde pour les broderies.<\/p>\n<div id=\"attachment_1085145\" style=\"width: 2570px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1085145\" class=\"size-full wp-image-1085145\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-scaled.jpg\" alt=\"Trois ateliers sont r\u00e9unis sur la sc\u00e8ne de Lacrima. Photo Christophe Raynaud de Lage.\" width=\"2560\" height=\"1039\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-scaled.jpg 2560w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-scaled-300x122.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-scaled-600x244.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-1024x416.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-768x312.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-1536x623.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01b_LACRIMA_CarolineGuielaNguyen_G_\u00a9JeanLouisFernandez_CL0A6965-2048x831.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><p id=\"caption-attachment-1085145\" class=\"wp-caption-text\">Trois ateliers sont r\u00e9unis sur la sc\u00e8ne de Lacrima. Photo Jean-Louis Fernandez.<\/p><\/div>\n<p class=\"yiv5494170329MsoNormal\"><i>Lacrima<\/i>\u00a0m\u00eale fiction et th\u00e9\u00e2tre documentaire. Caroline Nguyen, qui dirige le Th\u00e9\u00e2tre national de Strasbourg depuis septembre 2023, r\u00e9unit les trois ateliers sur la m\u00eame sc\u00e8ne pour mettre en lumi\u00e8re le travail et la vie des petites mains. Durant les trois heures de la repr\u00e9sentation, le ballet des ouvri\u00e8res et ouvriers de l\u2019ombre se d\u00e9ploie sur le plateau. Comme dans un thriller psychologique, le public suit la cr\u00e9ation de cette robe de mari\u00e9e exceptionnelle qui a demand\u00e9 4688 heures de travail et qui ne sera port\u00e9e que 27 minutes. La pi\u00e8ce commence par la sc\u00e8ne finale, remontant le temps<b>\u00a0<\/b>et d\u00e9voilant<b>\u00a0<\/b>le triste envers du monde glamour de la haute couture et ses in\u00e9galit\u00e9s. Pench\u00e9s sur les tables de travail, les corps des interpr\u00e8tes traduisent la pression qui accable les personnages.<\/p>\n<div id=\"attachment_1085147\" style=\"width: 2058px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1085147\" class=\"size-full wp-image-1085147\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/07_LACRIMA_CarolineGuielaNguyen_\u00a9JeanLouisFernandez_012.jpg\" alt=\"L&quot;\u00e9cran permet des gros plans des visages des interpr\u00e8tes. Photo Jean-Louis Fernandez.\" width=\"2048\" height=\"1365\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/07_LACRIMA_CarolineGuielaNguyen_\u00a9JeanLouisFernandez_012.jpg 2048w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/07_LACRIMA_CarolineGuielaNguyen_\u00a9JeanLouisFernandez_012-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/07_LACRIMA_CarolineGuielaNguyen_\u00a9JeanLouisFernandez_012-600x400.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/07_LACRIMA_CarolineGuielaNguyen_\u00a9JeanLouisFernandez_012-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/07_LACRIMA_CarolineGuielaNguyen_\u00a9JeanLouisFernandez_012-768x512.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/07_LACRIMA_CarolineGuielaNguyen_\u00a9JeanLouisFernandez_012-1536x1024.jpg 1536w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><p id=\"caption-attachment-1085147\" class=\"wp-caption-text\">L&#8221;\u00e9cran permet des gros plans des visages des interpr\u00e8tes. Photo Jean-Louis Fernandez.<\/p><\/div>\n<p class=\"yiv5494170329MsoNormal\">Un \u00e9cran est suspendu \u00e0 cour centre. Il permet de voir des d\u00e9tails du travail des denteli\u00e8res d\u2019Alen\u00e7on dont le point est unique au monde et inscrit au Patrimoine Culturel immat\u00e9riel de l\u2019UNESCO, et celui des brodeurs de Mumbai, qui \u0153uvrent pour les plus grands noms de la haute couture internationale. L\u2019\u00e9cran partag\u00e9 permet aussi des gros plans des visages des interpr\u00e8tes, lors de communications virtuelles qui se d\u00e9roulent entre le couturier install\u00e9 \u00e0 Londres et les diff\u00e9rent.e.s chef.fe.s d\u2019atelier (appels zoom, textos). Jouant avec les codes du cin\u00e9ma, cette installation offre des plong\u00e9es dans la vie des personnages, r\u00e9v\u00e9lant leurs probl\u00e8mes personnels, de couple ou familiaux &#8211; jusqu\u2019au point de rupture.<\/p>\n<div id=\"attachment_1085201\" style=\"width: 1930px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1085201\" class=\"size-full wp-image-1085201\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-scaled.jpg\" alt=\"L'installation permet une plong\u00e9e dans la vie des personnages. Photo Jean-Louis Fernandez\" width=\"1920\" height=\"2560\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-scaled.jpg 1920w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-scaled-300x400.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-scaled-600x800.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-225x300.jpg 225w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-768x1024.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-1152x1536.jpg 1152w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/05_LACRIMA_CarolineGuielaNguyen_V_\u00a9JeanLouisFernandez-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><p id=\"caption-attachment-1085201\" class=\"wp-caption-text\">L&#8217;installation permet une plong\u00e9e dans la vie des personnages. Photo Jean-Louis Fernandez<\/p><\/div>\n<p class=\"yiv5494170329MsoNormal\">D\u2019abord \u00e9tudiante en sociologie, Caroline Guiela Nguyen \u00e9voque avec justesse et sensibilit\u00e9 les violences au travail, les injustices sociales et les disparit\u00e9s de l\u2019\u00e9conomie mondiale li\u00e9es au monde de la haute couture.<i> Lacrima<\/i> est une pi\u00e8ce \u00e0 la fois touchant et \u00e9ducative, coproduite par le 19e <a href=\"https:\/\/fta.ca\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Festival TransAm\u00e9riques<\/a> et \u00e0 voir dans le cadre du FTA jusqu\u2019au 25 mai et au Festival Carrefour \u00e0 <a href=\"https:\/\/carrefourtheatre.qc.ca\/spectacles-culturels-quebec\/lacrima\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Qu\u00e9bec<\/a>\u00a0du 30 mai au 1<sup>er<\/sup> juin. N\u2019h\u00e9sitez pas \u00e0 vous pr\u00e9senter \u00e0 la porte pour voir si des billets ont \u00e9t\u00e9 annul\u00e9s!<\/p>\n<iframe loading=\"lazy\"  id=\"_ytid_11838\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/IvoGCIew3uI?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s avoir \u00e9t\u00e9 remarqu\u00e9e au Festival d\u2019Avignon et finaliste pour le prix du meilleur spectacle public aux Moli\u00e8res 2024, la magnifique fresque\u00a0Lacrima\u00a0de l\u2019autrice et metteuse en sc\u00e8ne fran\u00e7aise Caroline Guiela Nguyen est pr\u00e9sent\u00e9e dans le cadre du 19e\u00a0Festival TransAm\u00e9riques (FTA). Au th\u00e9\u00e2tre Jean-Duceppe, jusqu\u2019au 25 mai et au Festival Carrefour \u00e0 Qu\u00e9bec\u00a0du 30 mai au<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/lacrima-la-commmande-princiere\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1085143,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013,17036,17243,28147,29949,53514,58076,53513,401],"tags":[62354,62355,58546,23979,62356,62361,62357,58499,62360,62358],"class_list":{"0":"post-1085091","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"category-critiques-de-spectacles","9":"category-la-scena-en-ligne","10":"category-la-scena-plein-feux","11":"category-les-arts-scena","12":"category-montreal","13":"category-quebec-city-fr","14":"category-region","15":"category-theatre-fr","16":"tag-caroline-guiela-nguyen","17":"tag-festival-carrefour","18":"tag-festival-davignon","19":"tag-festival-transameriques-fr-29","20":"tag-haute-couture","21":"tag-injustices-sociales","22":"tag-lacrima","23":"tag-theatre-contemporain-europeen","24":"tag-theatre-national-de-strasbourg","25":"tag-violence-au-travail","26":"type-critique"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01a_Lacrima_cr_Christophe-Raynaud-de-Lage_0076-1024x683.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01a_Lacrima_cr_Christophe-Raynaud-de-Lage_0076-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/05\/01a_Lacrima_cr_Christophe-Raynaud-de-Lage_0076-1024x683.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1085091"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1085091"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1085091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1085143"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1085091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1085091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1085091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}