{"id":1082732,"date":"2025-04-18T10:36:01","date_gmt":"2025-04-18T14:36:01","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/lhebdo-lebrecht-songs-from-japan-and-europe-une-boite-a-surprise\/"},"modified":"2025-04-18T15:11:55","modified_gmt":"2025-04-18T19:11:55","slug":"lhebdo-lebrecht-songs-from-japan-and-europe-une-boite-a-surprise","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-songs-from-japan-and-europe-une-boite-a-surprise\/","title":{"rendered":"L\u2019Hebdo Lebrecht | Une bo\u00eete \u00e0 surprise de m\u00e9lodies du Japon et d&#8217;Europe"},"content":{"rendered":"<p class=\"has-drop-cap has-medium-font-size\">Comme tous les critiques, j\u2019aime les surprises, et rien ne m\u2019a plus surpris en ce mois de dimanches de P\u00e2ques que cette d\u00e9licate et brillante association de m\u00e9lodies classiques japonaises et viennoises. Les notes du livret \u00e9tant avares et essentiellement en japonais, je ne peux que deviner, mais j\u2019attribue le choix des chansons tout comme l\u2019interpr\u00e9tation \u00e0 Misaki Kobayashi, soprano faisant apparemment partie du ch\u0153ur de la Radio de Berlin.<\/p>\n<p>Les associations sont si intelligentes qu\u2019elles sont pratiquement symbiotiques. Kobayashi commence par un air printanier de Rentaro Taki (1879-1903) et l\u2019apparie au peu chant\u00e9 <em>Ich liebe dich<\/em> de Beethoven. Et \u2013 qui l\u2019e\u00fbt cru ? \u2013 cela fonctionne brillamment.<\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_98574\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/6fL8q2EtZ8Q?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p>S\u2019ensuit le m\u00eame th\u00e8me printanier compos\u00e9 par Akira Nakada (n\u00e9 en 1951) et W. A. Mozart. J\u2019ai pr\u00e9f\u00e9r\u00e9 ce th\u00e8me de Nakada. Il avait plus de piquant. Un autre personnage appel\u00e9 Nakada est jumel\u00e9 avec une valse de Zemlinsky. Vous vous souvenez de Zemlinsky, l\u2019unique professeur d\u2019Arnold Schoenberg ? On n\u2019arr\u00eate pas le progr\u00e8s.<\/p>\n<p>Si j\u2019\u00e9tais un impr\u00e9sario entreprenant \u00e0 Berlin, je sortirais Misaki Kobayashi de cette chorale radiophonique et je lui offrirais un r\u00e9cital en solo ou un poste au bureau. Ou je l\u2019inviterais \u00e0 d\u00eener. Elle a un esprit vraiment original et une voix de soprano douce et l\u00e9g\u00e8re, sans le moindre tressaillement. Le pianiste est Matthias Veil et l\u2019\u00e9tiquette sort des sentiers battus dans un village appel\u00e9 Nittendorf. Des surprises \u00e0 tous les niveaux.<\/p>\n<hr \/>\n<p>Traduction : A. Venne<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Comme tous les critiques, j\u2019aime les surprises, et rien ne m\u2019a plus surpris en ce mois de dimanches de P\u00e2ques que cette d\u00e9licate et brillante association de m\u00e9lodies classiques japonaises et viennoises. Les notes du livret \u00e9tant avares et essentiellement en japonais, je ne peux que deviner, mais j\u2019attribue le choix des chansons tout comme<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-songs-from-japan-and-europe-une-boite-a-surprise\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":1082713,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,34360,17255],"tags":[61950,61947,61951,61948,61949],"class_list":{"0":"post-1082732","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-lhebdo-lebrecht","9":"category-musique-chorale","10":"tag-akira-nakada-fr","11":"tag-berlin-radio-choir-fr","12":"tag-matthias-veil-fr","13":"tag-misaki-kobayashi-fr","14":"tag-rentaro-taki-fr","15":"type-critique","16":"type-critique-de-disque"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/04\/TYXart_TXA22174_CD_Cover_copyright-1-1024x1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/04\/TYXart_TXA22174_CD_Cover_copyright-1-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/04\/TYXart_TXA22174_CD_Cover_copyright-1-1024x1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1082732"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1082732"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1082732\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1082713"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1082732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1082732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1082732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}