{"id":1079251,"date":"2025-03-13T16:45:44","date_gmt":"2025-03-13T21:45:44","guid":{"rendered":"https:\/\/myscena.org\/?p=1079251"},"modified":"2025-03-15T18:53:40","modified_gmt":"2025-03-15T23:53:40","slug":"creatures-dans-lunivers-de-tove-jansson","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/creatures-dans-lunivers-de-tove-jansson\/","title":{"rendered":"Cr\u00e9atures: dans l&#8217;univers de Tove Jansson"},"content":{"rendered":"<p class=\"yiv7074048590MsoNormal\">Entre th\u00e9\u00e2tre\u00a0et performance,\u00a0la compagnie L\u2019eau du bain\u00a0propose\u00a0<i>Cr\u00e9atures<\/i>, une dystopie m\u00e9taphorique qui s\u2019inspire de l\u2019univers de\u00a0l\u2019autrice, peintre\u00a0et\u00a0dessinatrice de bande dessin\u00e9e\u00a0finlandaise\u00a0Tove Jansson. \u00c0 Espace Go, jusqu\u201922 mars\u00a0<a href=\"https:\/\/espacego.com\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">https:\/\/espacego.com\/<\/a><\/p>\n<p class=\"yiv7074048590MsoNormal\">Apr\u00e8s\u00a0<i>De glace<\/i>, la premi\u00e8re cr\u00e9ation th\u00e9\u00e2trale immersive tout public de la compagnie bas\u00e9e sur un texte narratif (<i>Le palais de glace<\/i>\u00a0de l\u2019auteur norv\u00e9gien Tarjei Vesaas) L\u2019eau\u00a0du bain\u00a0revient \u00e0 ses amours scandinaves en se demandant si d\u2019une catastrophe peut na\u00eetre quelque chose de positif, un peu comme comme dans\u00a0<i>L\u2019\u00e9t\u00e9 dramatique de Moomin<\/i>\u00a0de l\u2019autrice su\u00e9dophone\u00a0Tove Jansson.<\/p>\n<p class=\"yiv7074048590MsoNormal\">Avec\u00a0<i>Cr\u00e9atures<\/i>, la compagnie commence un cycle consacr\u00e9 \u00e0 l\u2019eau. Car l\u2019eau a envahi la ville. Elle s\u2019infiltre partout, jusqu\u2019\u00e0 la sc\u00e8ne du th\u00e9\u00e2tre o\u00f9 flotte la structure pr\u00e9caire du d\u00e9cor, une construction faite de bric et de broc, sur laquelle onze filles et femmes, \u00e2g\u00e9es de 5 \u00e0 70 ans, se sont r\u00e9fugi\u00e9es. Secousses et pannes d\u2019\u00e9lectricit\u00e9 ponctuent cette cohabitation que cerne une menace diffuse.<\/p>\n<div id=\"attachment_1079258\" style=\"width: 693px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1079258\" class=\"size-full wp-image-1079258\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures-2.jpeg\" alt=\"Cr\u00e9atures est une dystopie po\u00e9tique. Photo: Jonathan Lorange\" width=\"683\" height=\"1024\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures-2.jpeg 683w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures-2-300x450.jpeg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures-2-600x900.jpeg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures-2-200x300.jpeg 200w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><p id=\"caption-attachment-1079258\" class=\"wp-caption-text\">Cr\u00e9atures est une dystopie po\u00e9tique. Photo: Jonathan Lorange<\/p><\/div>\n<p class=\"yiv7074048590MsoNormal\">Comme dans\u00a0<i>White Out<\/i>\u00a0et\u00a0<i>La chambre des enfants<\/i>, la qualit\u00e9 de la lumi\u00e8re, d\u2019un m\u00e9tallique tirant vers le s\u00e9pia, est ce qui frappe d\u2019embl\u00e9e le spectateur.\u00a0L\u2019eau du bain\u00a0veut d\u00e9payser le spectateur et s\u2019adresser d\u2019abord au ressenti. Un clapotis de gouttes qui tombent du plafond ajoute \u00e0 d\u2019ailleurs \u00e0 l\u2019ambiance.<\/p>\n<p class=\"yiv7074048590MsoNormal\">L\u2019utilisation de microphones, d\u2019instruments de musique, acoustiques et \u00e9lectriques et parfois bricol\u00e9s, donnent de la texture au son. Les personnages semblent sortir tout droit d\u2019un conte su\u00e9dois, ou s\u2019\u00eatre \u00e9chapp\u00e9s de\u00a0<i>De glace<\/i>, la production qui \u00e9tait pr\u00e9sent\u00e9e r\u00e9cemment au Prospero et en tourn\u00e9e canadienne.<\/p>\n<p class=\"yiv7074048590MsoNormal\">Certains tableaux sont tr\u00e8s r\u00e9ussis, comme celui qui est \u00e9clair\u00e9 d\u2019un vert uranium ou encore le moment o\u00f9 des nuages de crinolines blanches sont sorties de leurs paniers. L\u2019ensemble laisse n\u00e9anmoins le spectateur sur sa faim\u00a0: il y a un peu trop de manipulations d\u2019accessoires et le texte se perd dans les actions des nombreux protagonistes, qui n\u2019apportent pas tous quelque chose \u00e0 l\u2019intrigue. L\u2019effet po\u00e9tique s\u2019en trouve dilu\u00e9.<\/p>\n<div id=\"attachment_1079256\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1079256\" class=\"size-full wp-image-1079256\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures3.jpeg\" alt=\"Cr\u00e9atures s'inspire de l'univers de l'autrice su\u00e9dophone Tove Jansson. Photo: Jonathan Lorange\" width=\"1000\" height=\"667\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures3.jpeg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures3-300x200.jpeg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures3-600x400.jpeg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures3-768x512.jpeg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-1079256\" class=\"wp-caption-text\">Cr\u00e9atures s&#8217;inspire de l&#8217;univers de l&#8217;autrice su\u00e9dophone Tove Jansson. Photo: Jonathan Lorange<\/p><\/div>\n<p class=\"yiv7074048590MsoNormal\">Les filles et les femmes de\u00a0<em>Cr\u00e9atures<\/em> doivent se battre contre le monde ext\u00e9rieur, elles l\u00e8vent et abaissent une mani\u00e8re de pont-levis pour s\u00e9curiser leur habitat. Cette m\u00e9taphore du franchissement des fronti\u00e8res int\u00e9resse L\u2019eau du bain &#8211; celles qui s\u00e9parent les m\u00e9diums artistiques, qui \u00e9loignent le public de l\u2019\u0153uvre et celles qui isolent les individus. Sur sc\u00e8ne, la passerelle force les com\u00e9diennes \u00e0 emprunter toujours le m\u00eame chemin pour quitter leur abri et le d\u00e9cor, si prometteur, se r\u00e9v\u00e8le \u00eatre un pi\u00e8ge au niveau de la mise en sc\u00e8ne.<\/p>\n<p class=\"yiv7074048590MsoNormal\">L\u2019eau du bain\u00a0\u00e9vite d\u2019imposer une vision unique et tente de laisser le sens \u00e9merger par lui-m\u00eame, d\u2019apr\u00e8s son mandat. Toujours est-il que\u00a0<i>Cr\u00e9atures\u00a0<\/i>plaira aux amateurs d\u2019\u00e9tranget\u00e9.<i>\u00a0Cr\u00e9atures<\/i>, \u00e0 Espace Go, jusqu\u201922 mars\u00a0<a href=\"https:\/\/espacego.com\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">https:\/\/espacego.com\/<\/a><\/p>\n<p class=\"yiv7074048590MsoNormal\">Cr\u00e9atures, mise en sc\u00e8ne d\u2019Anne-Marie Ouellet; avec Rasili Botz, Marie-\u00c8ve Fontaine, Nadia Gagn\u00e9, Jasmine Guilbault, Lican-Marie Leduc, Jane Mappin, Sophie McPhail-Guay, Charlotte Richer, Camille Schryburt-Cellard, In\u00e8s Sinou et Jeanne Sinou.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Entre th\u00e9\u00e2tre\u00a0et performance,\u00a0la compagnie L\u2019eau du bain\u00a0propose\u00a0Cr\u00e9atures, une dystopie m\u00e9taphorique qui s\u2019inspire de l\u2019univers de\u00a0l\u2019autrice, peintre\u00a0et\u00a0dessinatrice de bande dessin\u00e9e\u00a0finlandaise\u00a0Tove Jansson. \u00c0 Espace Go, jusqu\u201922 mars\u00a0https:\/\/espacego.com\/ Apr\u00e8s\u00a0De glace, la premi\u00e8re cr\u00e9ation th\u00e9\u00e2trale immersive tout public de la compagnie bas\u00e9e sur un texte narratif (Le palais de glace\u00a0de l\u2019auteur norv\u00e9gien Tarjei Vesaas) L\u2019eau\u00a0du bain\u00a0revient \u00e0 ses amours<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/creatures-dans-lunivers-de-tove-jansson\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1079252,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013,17036,17243,28147,29949,53514,17292,49502,401],"tags":[61095,61096,17511,53270,57754,24449,61094],"class_list":{"0":"post-1079251","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"category-critiques-de-spectacles","9":"category-la-scena-en-ligne","10":"category-la-scena-plein-feux","11":"category-les-arts-scena","12":"category-montreal","13":"category-multimedia-fr","14":"category-points-forts","15":"category-theatre-fr","16":"tag-creatures","17":"tag-dystopie-metaphorique","18":"tag-espace-go","19":"tag-leau-du-bain-fr","20":"tag-performance-fr","21":"tag-theatre-fr-19","22":"tag-tove-jansson","23":"type-critique"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures.jpeg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures-300x200.jpeg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/creatures.jpeg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1079251"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1079251"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1079251\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1079252"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1079251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1079251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1079251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}