{"id":1078878,"date":"2025-03-03T19:20:00","date_gmt":"2025-03-04T00:20:00","guid":{"rendered":"https:\/\/myscena.org\/?p=1078878"},"modified":"2025-03-03T19:20:00","modified_gmt":"2025-03-04T00:20:00","slug":"les-premieres-cantates-de-bach-la-naissance-dun-genie","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/les-premieres-cantates-de-bach-la-naissance-dun-genie\/","title":{"rendered":"Les Premi\u00e8res Cantates De Bach : La Naissance D’un G\u00e9nie"},"content":{"rendered":"

Bernard Labadie dirige quatre chefs-d’\u0153uvre de jeunesse de J.S. Bach<\/b><\/h4>\n

QU\u00c9BEC, le 3 mars 2025 – Le chef d’orchestre Bernard Labadie pr\u00e9sente un programme exceptionnel consacr\u00e9 aux premi\u00e8res cantates de Johann Sebastian Bach, compos\u00e9es alors que le jeune musicien n’avait que vingt-deux ans. Ces \u0153uvres rares, cr\u00e9\u00e9es entre 1707 et 1708, t\u00e9moignent d\u00e9j\u00e0 d’une ma\u00eetrise stup\u00e9fiante de l’art de la composition sacr\u00e9e et annoncent les futures grandes \u0153uvres du Cantor de Leipzig.<\/p>\n

Le programme comprend quatre cantates majeures : Nach dir, Herr, verlanget mich (BWV 150), Aus der Tiefen rufe ich, Herr, zu dir (BWV 131), la c\u00e9l\u00e8bre Gottes Zeit ist die allerbeste Zeit (BWV 106), aussi appel\u00e9e \u00ab Actus Tragicus \u00bb, et Christ lag in Todes Banden (BWV 4). Ces \u0153uvres, compos\u00e9es \u00e0 M\u00fclhausen et Arnstadt, r\u00e9v\u00e8lent un jeune compositeur qui, bien que profond\u00e9ment marqu\u00e9 par la perte pr\u00e9coce de ses parents, transforme son exp\u00e9rience personnelle en une musique d’une intensit\u00e9 spirituelle rare.<\/p>\n

\"\"

Photo Dario Acosta<\/p><\/div>\n

Chaque cantate illustre un aspect diff\u00e9rent du g\u00e9nie naissant de Bach : la ma\u00eetrise du contrepoint dans la BWV 150, l’expressivit\u00e9 dramatique dans la BWV 131, l’intimit\u00e9 contemplative dans l’\u00ab Actus Tragicus \u00bb, et l’art de la variation sur choral dans la BWV 4. Ces \u0153uvres de jeunesse montrent d\u00e9j\u00e0 la capacit\u00e9 unique de Bach \u00e0 fusionner les styles fran\u00e7ais, italien et allemand dans une synth\u00e8se personnelle puissante.<\/p>\n

Bernard Labadie dirigera l\u2019ensemble, s\u2019inspirant des effectifs originaux que Bach a a connus : un petit ensemble instrumental comprenant fl\u00fbtes \u00e0 bec, violes de gambe, cordes et basse continue, ainsi qu’un ch\u0153ur de solistes. Cette configuration intime permettra d’appr\u00e9cier pleinement la richesse des textures et la subtilit\u00e9 de l’\u00e9criture du jeune Bach.<\/p>\n

Dates des repr\u00e9sentations<\/strong><\/h5>\n
Salle Raoul-Jobin, Palais Montcalm<\/h6>\n

Jeudi 6 mars 2025 \u00e0 19 h 30<\/p>\n

Vendredi 7 mars 2025 \u00e0 19 h 30<\/p>\n

Maison symphonique de Montr\u00e9al<\/h6>\n

Samedi 8 mars 2025 \u00e0 19 h 30<\/p>\n","protected":false},"excerpt":{"rendered":"

Bernard Labadie dirige quatre chefs-d’\u0153uvre de jeunesse de J.S. Bach QU\u00c9BEC, le 3 mars 2025 – Le chef d’orchestre Bernard Labadie pr\u00e9sente un programme exceptionnel consacr\u00e9 aux premi\u00e8res cantates de Johann Sebastian Bach, compos\u00e9es alors que le jeune musicien n’avait que vingt-deux ans. Ces \u0153uvres rares, cr\u00e9\u00e9es entre 1707 et 1708, t\u00e9moignent d\u00e9j\u00e0 d’une ma\u00eetrise<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":1078883,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922,53514,394,17275],"tags":[60222,60979,23862,60976,60975,60974,60977,5385,489,60980,60981,60983,51833,4012,450,60978,45131,60982,60984],"class_list":{"0":"post-1078878","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"category-montreal","9":"category-musique-classique","10":"category-musique-orchestrale","11":"tag-2025-2026-fr","12":"tag-arnstadt","13":"tag-bernard-labadie-fr-6","14":"tag-bwv-106","15":"tag-bwv-131","16":"tag-bwv-150","17":"tag-bwv-4","18":"tag-cantates","19":"tag-choeur","20":"tag-contrepoint","21":"tag-expressivite","22":"tag-flutes-a-bec","23":"tag-j-s-bach-fr","24":"tag-jeunesse","25":"tag-montreal","26":"tag-mulhausen","27":"tag-palais-montcalm-fr","28":"tag-variation","29":"tag-violes-de-gambe"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/feature.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/feature-300x144.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/03\/feature.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1078878"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1078878"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1078878\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1078883"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1078878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1078878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1078878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}