{"id":1077597,"date":"2025-02-04T14:15:13","date_gmt":"2025-02-04T19:15:13","guid":{"rendered":"https:\/\/myscena.org\/?p=1077597"},"modified":"2025-02-04T14:15:13","modified_gmt":"2025-02-04T19:15:13","slug":"critique-de-disque-quatuor-cobalt-reflets-du-temps","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-de-disque-quatuor-cobalt-reflets-du-temps\/","title":{"rendered":"Critique de disque | Quatuor Cobalt, <em>Reflets du temps<\/em>"},"content":{"rendered":"<blockquote>\r\n<p><b><i>Reflets du temps<\/i><\/b><\/p>\r\n<p><span style=\"font-weight: 400;\">Quatuor Cobalt\u00a0: Guillaume Villeneuve et Diane Bayard, violon; Cl\u00e9ment Bufferne, alto; Fran\u00e7ois Leclerc, violoncelle.<\/span><\/p>\r\n<p><span style=\"font-weight: 400;\">GFN Classics, 2025<\/span><\/p>\r\n<\/blockquote>\r\n\r\n<p class=\"has-drop-cap has-medium-font-size\">D\u00e9j\u00e0 connus pour leurs concerts \u00e0 grand d\u00e9ploiement, GFN Productions ont r\u00e9cemment perc\u00e9 le milieu du disque. Pour Reflets du temps du jeune <a href=\"https:\/\/www.quatuorcobalt.com\/\">Quatuor Cobalt<\/a>, paru sous l\u2019\u00e9tiquette GFN Classics, ils ont fait appel au r\u00e9alisateur renomm\u00e9 Carl Talbot. R\u00e9sultat : un album intime o\u00f9 l\u2019on sent bien l\u2019alchimie entre les musiciens.<\/p>\r\n\r\n<p><span style=\"font-weight: 400;\">Le titre renvoie \u00e0 l\u2019approche \u00ab\u00a0historiquement inform\u00e9e\u00a0\u00bb du groupe. Pour leur premier opus, Guillaume Villeneuve et ses complices jouent sur instruments d\u2019\u00e9poque et nous m\u00e8nent ainsi \u00e0 travers plusieurs p\u00e9riodes comme si nous y \u00e9tions, \u00e0 commencer par le si\u00e8cle de Mozart. L\u2019ensemble interpr\u00e8te le <\/span><i><span style=\"font-weight: 400;\">Quatuor en si b\u00e9mol majeur<\/span><\/i><span style=\"font-weight: 400;\">, op. 3 n<\/span><span style=\"font-weight: 400;\">o<\/span><span style=\"font-weight: 400;\"> 2, de Maddalena Lombardini Sirmen, publi\u00e9 vers 1769. Pour une oreille habitu\u00e9e au style classique, cette \u0153uvre ne propose rien de vraiment novateur. Elle offre n\u00e9anmoins de beaux passages de violons \u00e0 la tierce et une bonne r\u00e9partie au violoncelle qui t\u00e9moignent de l\u2019entente musicale du quatuor.<\/span><\/p>\r\n<p><span style=\"font-weight: 400;\">Autre si\u00e8cle, autre compositrice. Fanny Mendelssohn, la plus connue des trois, se voit mise \u00e0 l\u2019honneur par l\u2019inclusion de son <\/span><i><span style=\"font-weight: 400;\">Quatuor en mi b\u00e9mol majeur<\/span><\/i><span style=\"font-weight: 400;\">, H.277. C\u2019est encore l\u2019intimit\u00e9 qui prime. Les instrumentistes s\u2019\u00e9changent des lignes musicales et se r\u00e9pondent dans un dialogue rapproch\u00e9. On retient particuli\u00e8rement l\u2019allegretto<\/span><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> compos\u00e9 entre autres dans un style fugu\u00e9 tr\u00e8s dynamique. Dans les moments les plus rapides, toutefois, un frottement persistant de cordes chez les violons emp\u00eache l\u2019\u00e9mission d\u2019un son net et \u00e9panoui.<\/span><\/p>\r\n<p><span style=\"font-weight: 400;\">Changement d\u2019atmosph\u00e8re avec les <\/span><i><span style=\"font-weight: 400;\">Tres piezas <\/span><\/i><span style=\"font-weight: 400;\">pour quatuor \u00e0 cordes d\u2019Alicia Terzian, un choix qui contribue grandement \u00e0 l\u2019originalit\u00e9 de l\u2019album. Les jeux de textures dans le suraigu et l\u2019abondance de pizzicatos incisifs en font une \u0153uvre captivante. On aurait simplement aim\u00e9 plus de mordant dans les pianissimos<\/span> <span style=\"font-weight: 400;\">pour mieux mettre la partition en relief. L\u2019ultime morceau ach\u00e8ve <\/span><i><span style=\"font-weight: 400;\">Reflets du temps<\/span><\/i><span style=\"font-weight: 400;\"> sur un rythme enflamm\u00e9. Une conclusion id\u00e9ale.<\/span><\/p>\r\n<p><iframe loading=\"lazy\" title=\"String Quartet No. 2 in B-Flat Major, Op. 3: I. Andantino\" width=\"702\" height=\"527\" src=\"https:\/\/www.youtube.com\/embed\/eBUG_N6cCEI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>Reflets du temps Quatuor Cobalt\u00a0: Guillaume Villeneuve et Diane Bayard, violon; Cl\u00e9ment Bufferne, alto; Fran\u00e7ois Leclerc, violoncelle. GFN Classics, 2025 D\u00e9j\u00e0 connus pour leurs concerts \u00e0 grand d\u00e9ploiement, GFN Productions ont r\u00e9cemment perc\u00e9 le milieu du disque. Pour Reflets du temps du jeune Quatuor Cobalt, paru sous l\u2019\u00e9tiquette GFN Classics, ils ont fait appel au<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/justin-bernard\/critique-de-disque-quatuor-cobalt-reflets-du-temps\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1076459,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[60654,60652,60650,60649,54522,60651,60648,55746,47616,60653],"class_list":{"0":"post-1077597","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"tag-alicia-terzian-fr","9":"tag-carl-talbot-fr","10":"tag-clement-bufferne-fr","11":"tag-diane-bayard-fr","12":"tag-fanny-mendelssohn-fr","13":"tag-francois-leclerc-fr","14":"tag-gfn-classics-fr","15":"tag-guillaume-villeneuve-fr","16":"tag-guillaume-villeneuve","17":"tag-maddalena-lombardini-sirmen-fr","18":"volume-volume-30","19":"issue-vol-30-issue-5-fr","20":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/01\/Cobalt-cover.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/01\/Cobalt-cover-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/01\/Cobalt-cover.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1077597"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1077597"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1077597\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1076459"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1077597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1077597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1077597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}