{"id":1077126,"date":"2025-01-30T23:54:48","date_gmt":"2025-01-31T04:54:48","guid":{"rendered":"https:\/\/myscena.org\/?p=1077126"},"modified":"2025-02-02T10:45:59","modified_gmt":"2025-02-02T15:45:59","slug":"chi-long-entre-theatre-et-danse","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/chi-long-entre-theatre-et-danse\/","title":{"rendered":"Chi Long, entre th\u00e9\u00e2tre et danse"},"content":{"rendered":"

L\u2019interpr\u00e8te Chi Long reprend l\u2019excellent She and the other(s)<\/em>, un solo cr\u00e9\u00e9 en \u00e9troite collaboration avec la chor\u00e9graphe \u00c9lodie Lombardo. Une rencontre fascinante, \u00e0 faire \u00e0 l\u2019Espace libre, jusqu\u2019au 1er<\/sup>\u00a0f\u00e9vrier\u00a0She and the other(s) – Espace Libre<\/a><\/p>\n

Chi Long\u00a0n\u2019est plus \u00e0 pr\u00e9senter\u00a0: la longiligne interpr\u00e8te d\u2019origine vietnamienne a dans\u00e9 pour\u00a0O Vertigo, Marie Chouinard et depuis quelques ann\u00e9es elle a aussi \u00e9t\u00e9 de re remarquables productions de M\u00e9lanie Demers, Virginie Brunelle et Andrea Pe\u00f1a.<\/p>\n

She and the other(s)<\/em> est\u00a0une mani\u00e8re d\u2019autofiction, dans la lign\u00e9e de\u00a0L\u2019entit\u00e9 du double<\/i>\u00a0(2018) \u00e0 propos de l\u2019histoire des\u00a0Soeurs Schmutt, alias les jumelles \u00c9lodie et S\u00e9verine Lombardo, qui c\u00e9l\u00e8brent cette ann\u00e9e 20\u00a0ans de cr\u00e9ations.<\/p>\n

N\u00e9e en Australie de parents vietnamiens, Chi Long revient sur son enfance et ses r\u00eaves de jeune danseuse. En s\u2019appuyant sur des extraits sonores, elle parle notamment de diff\u00e9rents chants d\u2019oiseaux propres \u00e0 l\u2019Australie et \u00e9labore \u00e0 partir de certains souvenirs qui s\u2019y rattachent.<\/p>\n

\"Chi

Chi Long manipule des ventouses, utilis\u00e9es en m\u00e9decine traditionnelle chinoise. \u00a9Marl\u00e8ne G\u00e9lineau Payette<\/p><\/div>\n

Des v\u00eatements sont expos\u00e9s au sol – des robes vietnamiennes tr\u00e8s, tr\u00e8s serr\u00e9es, un manteau fait pour l\u2019hiver australien mais amen\u00e9 au Quebec, des jump suits, des mini-robes. Chi Long enfile tour \u00e0 tour ces symboles d\u2019\u00e9poques r\u00e9volues: un ensemble jaune qu\u2019elle a port\u00e9 partout et qui est le seul bon souvenir qu\u2019elle conserve d\u2019un ex, un cat suit noir et ses bottines assorties – et \u00e0 chaque fois, un tableau s\u2019ouvre, mettant en sc\u00e8ne un moment de la vie de la myst\u00e9rieuse interpr\u00e8te.<\/p>\n

Chi Long \u00e9voque aussi la guerre du Vietnam, comment celle-ci a marqu\u00e9 ses parents et, par ricochet la sienne. Elle se souvient que son p\u00e8re et sa m\u00e8re ne r\u00e9pondaient jamais si on sonnait \u00e0 la porte \u00e0 l\u2019improviste et comment cette derni\u00e8re l\u2019obligeait \u00e0 pr\u00e9tendre \u00eatre chinoise, dans la crainte d\u2019obscures repr\u00e9sailles. She and the other(s)<\/em> reprend d\u2019ailleurs un extrait d\u2019Apocalypse Now<\/i> de Francis Ford Coppola, des images du film \u00e9tant projet\u00e9es sur un \u00e9cran, sur la largeur du fond de la salle.<\/p>\n

\"Composition

Des images sont projet\u00e9es sur toute la largeur de la sc\u00e8ne \u00a9Marl\u00e8ne G\u00e9lineau<\/p><\/div>\n

Le multiculturalisme, les identit\u00e9s multiples, la transmission, sont au c\u0153ur de She and other(s)<\/em>. Chi Long s\u2019exprime en surtout en fran\u00e7ais, mais aussi parfois en anglais, La cinquantenaire \u00e9voque \u00e0 plusieurs reprises l\u2019actrice Maggie Cheung, et elle n\u2019h\u00e9site pas \u00e0 s\u2019adresser au public, r\u00e9v\u00e9lant un certain humour et un don de conteuse.<\/p>\n

She and the other(s) est un spectacle intime, personnel, plus pr\u00e8s de la performance et du th\u00e9\u00e2tre que de la danse pure. D\u00e9j\u00e0 pr\u00e9sent\u00e9e dans le cadre du Festival Ph\u00e9nomena, la production est \u00e0 voir \u00e0 l\u2019Espace libre, jusqu\u2019au 1er<\/sup>\u00a0f\u00e9vrier\u00a0She and the other(s) – Espace Libre<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019interpr\u00e8te Chi Long reprend l\u2019excellent She and the other(s), un solo cr\u00e9\u00e9 en \u00e9troite collaboration avec la chor\u00e9graphe \u00c9lodie Lombardo. Une rencontre fascinante, \u00e0 faire \u00e0 l\u2019Espace libre, jusqu\u2019au 1er\u00a0f\u00e9vrier\u00a0She and the other(s) – Espace Libre Chi Long\u00a0n\u2019est plus \u00e0 pr\u00e9senter\u00a0: la longiligne interpr\u00e8te d\u2019origine vietnamienne a dans\u00e9 pour\u00a0O Vertigo, Marie Chouinard et depuis quelques<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1077123,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013,17036,395,17243,28147,29949,53514,401],"tags":[48092,52653,45018,60561,29145,60562,60563],"class_list":{"0":"post-1077126","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"category-critiques-de-spectacles","9":"category-danse","10":"category-la-scena-en-ligne","11":"category-la-scena-plein-feux","12":"category-les-arts-scena","13":"category-montreal","14":"category-theatre-fr","15":"tag-danse-contemporaine","16":"tag-danse-theatre-fr","17":"tag-chi-long","18":"tag-elodie-lombardo","19":"tag-espace-libre","20":"tag-she-and-the-others","21":"tag-soeurs-schmutt-fr","22":"type-critique"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/02\/She-and-the-others_DSC09553_\u00a9Marlene-Gelineau-Payette-1024x683.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/02\/She-and-the-others_DSC09553_\u00a9Marlene-Gelineau-Payette-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/02\/She-and-the-others_DSC09553_\u00a9Marlene-Gelineau-Payette-1024x683.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1077126"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1077126"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1077126\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1077123"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1077126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1077126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1077126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}