{"id":1076745,"date":"2025-01-31T10:00:03","date_gmt":"2025-01-31T15:00:03","guid":{"rendered":"https:\/\/myscena.org\/?p=1076745"},"modified":"2025-01-30T21:46:29","modified_gmt":"2025-01-31T02:46:29","slug":"calendrier-choral-2","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/marie-claire-fafard-blais\/calendrier-choral-2\/","title":{"rendered":"Calendrier Choral"},"content":{"rendered":"

MONTR\u00c9AL<\/b>\u00a0<\/b><\/a><\/h4>\n
Destin\u00e9es<\/b><\/h5>\n

22 mars \u00e0 19\u00a0h\u00a030 \u2013 Maison symphonique\u00a0<\/span>
\nLe Ch\u0153ur St-Laurent, dirig\u00e9 par Philippe Bourque, en collaboration avec le Ch\u0153ur de l\u2019Universit\u00e9 de Montr\u00e9al, pr\u00e9sente <\/span>Belshazzar\u2019s Feast<\/span><\/i> de William Walton, une \u0153uvre monumentale pour baryton, ch\u0153ur et orchestre. Le programme sera compl\u00e9t\u00e9 par <\/span>The Music Makers<\/span><\/i> d\u2019Edward Elgar, interpr\u00e9t\u00e9 par la contralto Rose Naggar-Tremblay.<\/span>
\nwww.choeur.qc.ca<\/span><\/a><\/p>\n

Edelweiss<\/b><\/h5>\n

29 mars \u00e0 15\u00a0h \u2013 Maison symphonique<\/span>
\nL\u2019Ensemble ArtChoral, sous la direction de Matthias Maute, propose un concert printanier rassemblant certaines des plus belles \u0153uvres qui \u00e9voquent le printemps\u00a0: <\/span>Edel\u00a0 <\/span><\/i>l\u2019op\u00e9ra <\/span>Carmen<\/span><\/i> de Georges Bizet, <\/span>Lux Aeterna<\/span><\/i> d\u2019Edward Elgar et le <\/span>Duo des fleurs<\/span><\/i> de L\u00e9o Delibes, entre autres.<\/span>
\nwww.artchoral.com<\/span><\/a><\/p>\n

Cozzolani, l\u2019abbesse rebelle<\/b><\/h5>\n

30 mars \u00e0 14\u00a0h\u00a030 \u2013 Salle Bourgie\u00a0<\/span>
\nLe Studio de musique ancienne de Montr\u00e9al, sous la direction de Rona Nadler, pr\u00e9sente <\/span>Cozzolani, l\u2019abbesse rebell<\/span><\/i>e qui mettra de l\u2019avant des \u0153uvres pour ch\u0153ur, solistes et orchestre de Chiara Margarita Cozzolani, compositrice milanaise du XVII<\/span>e<\/span> si\u00e8cle.\u00a0<\/span>
\nwww.smamontreal.ca<\/span><\/a><\/p>\n

Sacr\u00e9 Gilles Vigneault<\/b><\/h5>\n

5 avril \u00e0 19\u00a0h\u00a030 \u2013 Maison symphonique<\/span>
\nLe Ch\u0153ur M\u00e9tropolitain, accompagn\u00e9 de musiciens de l\u2019Orchestre M\u00e9tropolitain, sous la direction de Fran\u00e7ois A. Ouimet et de Pierre Tourville, pr\u00e9sente la <\/span>Grand-Messe<\/span><\/i> de Gilles Vigneault et Bruno Fecteau. Cette \u0153uvre aux m\u00e9lodies et aux textes simples et francs \u00e9voque sa r\u00e9gion natale puisqu\u2019une partie de la messe est chant\u00e9e en innu. Le programme sera compl\u00e9t\u00e9 par la <\/span>Misa Criolla <\/span><\/i>du compositeur Ariel Ramirez qui s\u2019inspire du folklore argentin. <\/span>
\n<\/span>www.orchestremetropolitain.com<\/span><\/a><\/p>\n

QU\u00c9BEC<\/b>\u00a0<\/b><\/a><\/h4>\n
Les premi\u00e8res cantates<\/b><\/h5>\n

6 et 7 mars \u00e0 19\u00a0h\u00a030 \u2013 Palais Montcalm<\/span>
\n8 mars \u00e0 19\u00a0h\u00a030 \u2013 Maison sym (Montr\u00e9al)<\/span>
\nLa Chapelle de Qu\u00e9bec, sous la direction de Bernard Labadie, propose quatre cantates de J. S. Bach. \u00c9crites pendant sa vingtaine, ces cantates d\u00e9voilent d\u00e9j\u00e0 le g\u00e9nie du compositeur. L\u2019ensemble sera accompagn\u00e9 par la soprano Myriam LeBlanc, le contre-t\u00e9nor Daniel Moody, le t\u00e9nor Hugo Hymas et le baryton-basse Stephen Hegedus.<\/span>
\nwww.violonsduroy.com<\/span><\/a><\/p>\n

Lux Aeterna\u00a0<\/b><\/h5>\n

29 mars \u00e0 19\u00a0h\u00a030 \u2013 Palais Montcalm<\/span>
\nLes Rhapsodes, sous la direction de David Rompr\u00e9, pr\u00e9sentent <\/span>Lux Aeterna<\/span><\/i>, dont le programme principal <\/span>sera Les sept paroles du Christ<\/span><\/i> de Th\u00e9odore Dubois. Des \u0153uvres des compositeurs contemporains Airat Ishmouratov, Morten Lauridsen, Guillaume Boulay, Robert Ingari, Ola Gjeilo et John Rutter compl\u00e9teront le programme. Le ch\u0153ur sera accompagn\u00e9 de la mezzo-soprano Luce Vachon, du t\u00e9nor David Souza et du baryton Michel Desbiens, de Marc D\u2019Anjou \u00e0 l\u2019orgue et d\u2019un ensemble instrumental.<\/span>
\nwww.lesrhapsodes.com<\/span><\/a><\/p>\n

OTTAWA<\/b><\/a><\/h4>\n
LES CARNETS DE L\u00c9ONARD <\/b>DE VINCI<\/b><\/h5>\n

25 f\u00e9v \u00e0 19\u00a0h\u00a030 \u2013 Carleton Dominion Chalmers\u00a0<\/span>
\nLa Soci\u00e9t\u00e9 chorale d\u2019Ottawa, sous la direction du chef invit\u00e9 Jean-S\u00e9bastien Vall\u00e9e, pr\u00e9sente <\/span>Les carnets de L\u00e9onard de Vinci<\/span><\/i>, une exp\u00e9rience multim\u00e9dia utilisant les derni\u00e8res technologies de synchronisation vid\u00e9o, combinant ch\u0153ur, orchestre complet et projections vid\u00e9o. Le c\u00e9l\u00e8bre <\/span>Gloria<\/span><\/i> d\u2019Antonio Vivaldi compl\u00e9tera le programme de ce concert unique.<\/span>
\nwww.ottawachoralsociety.com<\/span><\/a><\/p>\n

Extravaganza Polychoral<\/b><\/h5>\n

1 mars \u00e0 19\u00a0h\u00a030 – Carleton Dominion Chalmers<\/span>
\nLe Ch\u0153ur Bach d\u2019Ottawa (OBC), sous la direction de Lisette Canton, re\u00e7oit le Vancouver Chamber Choir pour un concert conjoint. Les deux ch\u0153urs pr\u00e9senteront des \u0153uvres de leur r\u00e9pertoire de m\u00eame que des \u0153uvres pour deux ch\u0153urs. La <\/span>Messe solennelle<\/span><\/i> de Langlais, ainsi que des \u0153uvres de Bach, Bruckner, Sch\u00fctz, Tavener, Martin, Muhly, Hawley, Whittall et Dove seront au programme.<\/span>
\nwww.ottawabachchoir.ca<\/span><\/a><\/p>\n

The Sacred Veil<\/b><\/h5>\n

2 mars \u00e0 15\u00a0h \u2013 \u00c9glise Saint-Joseph<\/span>
\nLe Capital Chamber Choir (CCC), dirig\u00e9 par Jamie Loback, pr\u00e9sentera <\/span>The Sacred Veil<\/span><\/i>, une \u0153uvre en 12 mouvements d\u2019Eric Whitacre, le motet pour 40 voix <\/span>Spem in Alium<\/span><\/i> de Thomas Tallis ainsi que la premi\u00e8re canadienne de <\/span>Tentatio<\/span><\/i> de Jaakko M\u00e4ntyj\u00e4rvi, un hommage contemporain \u00e0 l\u2019\u0153uvre de Tallis. <\/span>www.capitalchamberchoir.ca<\/span><\/a><\/p>\n

Aleko<\/b><\/h5>\n

14 mars \u00e0 19\u00a0h\u00a030 \u2013 Rideau Park United Church<\/span>
\nLe New Opera Lyra, sous la direction du chef invit\u00e9 Norman E. Brown, accueillera les Ewashko Singers pour la premi\u00e8re ottavienne de l\u2019op\u00e9ra <\/span>Aleko<\/span><\/i> de Sergue\u00ef Rachmaninov. La distribution inclut les deux t\u00e9nors Adam Sperry et Philip Klassen ainsi que la danseuse et chor\u00e9graphe Clare Bassett.\u00a0<\/span>
\nwww.newoperalyra.ca<\/span><\/a><\/p>\n

Ave Maria\u00a0<\/b><\/h5>\n

6 avril \u00e0 15\u00a0h \u2013 \u00c9glise Saint-Joseph<\/span>
\nLes Cantata Singers d\u2019Ottawa, sous la direction d\u2019Andrew McAnerney, pr\u00e9sentent <\/span>Ave Maria<\/span><\/i>, un programme a cappella qui explore le th\u00e8me de cette pri\u00e8re \u00e0 la vierge. Des \u0153uvres de Palestrina, Parsons, Gallus, Mozart, Rhineberger, Stravinski et Biebl seront interpr\u00e9t\u00e9es par le ch\u0153ur.\u00a0<\/span>
\nwww.cantatasingersottawa.ca<\/span><\/a><\/p>\n

TORONTO<\/b><\/a><\/h4>\n
University of Toronto Chamber Choir et ch\u0153ur avec le Toronto Children\u2019s Chorus<\/b><\/h5>\n

27 f\u00e9vrier \u00e0 19\u00a0h\u00a030 \u2013 Trinity-St. Paul\u2019s United Church et Centres<\/span>
\nLe Ch\u0153ur de chambre et le Ch\u0153ur de voix de femmes de l\u2019Universit\u00e9 de Toronto pr\u00e9senteront un concert conjoint avec le Toronto Children\u2019s Chorus. Le programme mettra de l\u2019avant de la musique chorale de l\u2019Am\u00e9rique latine et sera dirig\u00e9 par le chef invit\u00e9 Cristian Grases.\u00a0<\/span>
\nwww.torontochildrenschorus.com<\/span><\/a><\/p>\n

The Atonement\u00a0<\/b><\/h5>\n

22 mars \u00e0 19\u00a0h\u00a030 \u2013 Yorkminster Park Baptist Church<\/span>
\nL\u2019Orpheus Choir of Toronto et la Nathaniel Dett Chorale, entour\u00e9s de musiciens et de solistes professionnels, pr\u00e9senteront pour la premi\u00e8re fois au Canada depuis 1904 l\u2019\u0153uvre <\/span>The Atonement<\/span><\/i> du compositeur afro-descendant Samuel Coleridge Taylor, dont on c\u00e9l\u00e8bre le 150<\/span>e<\/span> anniversaire de naissance cette ann\u00e9e. <\/span>www.orpheuschoirtoronto.com<\/span><\/a><\/p>\n

Missa Solemnis<\/b><\/h5>\n

4 avril \u00e0 20\u00a0h \u2013 Roy Thompson Hall<\/span>
\nLe r\u00e9put\u00e9 Toronto Mendelssohn Choir, qui f\u00eate ses 130 ans cette saison, pr\u00e9sentera la <\/span>Missa Solemnis<\/span><\/i> de Beethoven, d\u00e9crite par celui-ci comme son plus grand chef-d\u2019\u0153uvre. Les choristes et musiciens seront dirig\u00e9s par Jean-S\u00e9bastien Vall\u00e9e et accompagn\u00e9s par les solistes de renom <\/span>Tracy Cantin, soprano, Simona Genga, mezzo-soprano, Fr\u00e9d\u00e9ric Antoun, t\u00e9nor et Brett Polegato, baryton.<\/span>
\nwww.tmchoir.org<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

MONTR\u00c9AL\u00a0 Destin\u00e9es 22 mars \u00e0 19\u00a0h\u00a030 \u2013 Maison symphonique\u00a0 Le Ch\u0153ur St-Laurent, dirig\u00e9 par Philippe Bourque, en collaboration avec le Ch\u0153ur de l\u2019Universit\u00e9 de Montr\u00e9al, pr\u00e9sente Belshazzar\u2019s Feast de William Walton, une \u0153uvre monumentale pour baryton, ch\u0153ur et orchestre. Le programme sera compl\u00e9t\u00e9 par The Music Makers d\u2019Edward Elgar, interpr\u00e9t\u00e9 par la contralto Rose Naggar-Tremblay.<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":3395,"featured_media":1076728,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[53514,17277,17255,17251,58076,53515],"tags":[60429,54026,60421,60419,60420,60427,60424,60425,60418,42493,60423,60430,60426,60422,60428],"class_list":{"0":"post-1076745","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-montreal","8":"category-musique-canadienne","9":"category-musique-chorale","10":"category-musique-vocale","11":"category-quebec-city-fr","12":"category-toronto","13":"tag-aleko-fr","14":"tag-ave-maria","15":"tag-cozzolani-fr","16":"tag-destinees-fr","17":"tag-edelweiss-fr","18":"tag-extravaganza-polychoral-fr","19":"tag-les-premieres-cantates-fr","20":"tag-lux-aeterna-fr","21":"tag-missa-solemnis-fr-2","22":"tag-missa-solemnis-fr","23":"tag-sacred-gilles-vigneault-fr","24":"tag-the-atonement-fr","25":"tag-the-notebooks-of-leonardo-da-vinci-fr","26":"tag-the-rebel-abbess-fr","27":"tag-the-sacred-veil-fr","28":"volume-volume-30","29":"issue-vol-30-issue-5-fr","30":"section-chorale"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/01\/Choral-Calendar_featured.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/01\/Choral-Calendar_featured-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/01\/Choral-Calendar_featured.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1076745"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3395"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1076745"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1076745\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1076728"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1076745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1076745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1076745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}