en f\u00e9vrier 2024<\/a> : \u00ab L\u2019engagement de Kremer \u00e0 jouer du violon \u00e0 l\u2019\u00e2ge de 76 ans, alors que la plupart de ses coll\u00e8gues se sont tourn\u00e9s depuis longtemps vers la direction d\u2019orchestre, montre \u00e0 quel point il consid\u00e8re l\u2019instrument comme sa voix personnelle. Au fil des d\u00e9cennies, son timbre s\u2019est adouci, passant d\u2019une pr\u00e9cision digne des outils moscovites \u00e0 une chaleur ronde et enveloppante. Ce disque aust\u00e8re et exaltant est empreint d\u2019humanit\u00e9 et d\u2019id\u00e9alisme. Je ne pense pas avoir d\u00e9j\u00e0 recommand\u00e9 un nouveau disque comme \u00e9tant essentiel. Celui-ci l\u2019est. \u00bb<\/p>\nQue oui !<\/p>\n
\nTraduction par A. Venne<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
2024 a \u00e9t\u00e9 une ann\u00e9e monotone pour les grandes maisons de disques et une ann\u00e9e instable pour les petites. Quatre maisons ind\u00e9pendantes se sont vendues \u2013 Hyperion \u00e0 Universal, Bis \u00e0 Apple, Chandos \u00e0 Klaus Heymann, Divine Art \u00e0 Rosebrook \u2013, ce qui constitue le plus grand bouleversement depuis des d\u00e9cennies et nous am\u00e8ne \u00e0<\/p>\n
Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":1072890,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[52057,46853,2805,57740,59821,55829,44556,59822,59820],"class_list":{"0":"post-1072922","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-czech-philharmonic-fr","9":"tag-doremi-fr","10":"tag-ecm","11":"tag-gidon-kremer-fr","12":"tag-janine-jansens-fr","13":"tag-klaus-tennstedt-fr","14":"tag-semyon-bychkov-fr","15":"tag-songs-of-fate-fr","16":"tag-yundi-li-fr","17":"type-critique-de-disque"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/11\/KB-Footer-Img-Angie-Kremer-1024x684.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/11\/KB-Footer-Img-Angie-Kremer-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/11\/KB-Footer-Img-Angie-Kremer-1024x684.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1072922"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1072922"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1072922\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1072890"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1072922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1072922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1072922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} ![\"https:\/\/ecm-server.de\/audio\/00289485\/0028948598502\/cover_1000.webp\"](\"https:\/\/ecm-server.de\/audio\/00289485\/0028948598502\/cover_1000.webp\")
Mais le disque de l\u2019ann\u00e9e le plus marquant pour moi est celui du violoniste Gidon Kremer, qui interpr\u00e8te la musique de sa vie sur un album ECM intitul\u00e9 Songs of Fate<\/em><\/a>. Kremer, 76 ans, m\u00e9lange les compositeurs baltes avec le polonais sovi\u00e9tique Mieczys\u0142aw Weinberg, jetant un pont entre les souvenirs du contr\u00f4le des esprits sous le r\u00e9gime sovi\u00e9tique et les bruissements de l\u2019ind\u00e9pendance aux abords d\u2019une mer gel\u00e9e.<\/p>\n