{"id":1068754,"date":"2024-10-09T14:13:21","date_gmt":"2024-10-09T18:13:21","guid":{"rendered":"https:\/\/myscena.org\/kaitlyn-chan\/meagan-milatz-piano-prix-opus-decouverte\/"},"modified":"2024-10-11T21:45:33","modified_gmt":"2024-10-12T01:45:33","slug":"meagan-milatz-piano-prix-opus-decouverte","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/kaitlyn-chan\/meagan-milatz-piano-prix-opus-decouverte\/","title":{"rendered":"Meagan Milatz (piano) &#8211; Prix Opus D\u00e9couverte"},"content":{"rendered":"&#13;\n<p class=\"has-drop-cap\" style=\"font-size: 18px;\"><span style=\"font-weight: 400;\">La pianiste <a href=\"https:\/\/www.meaganmilatz.com\/\" rel=\"noopener\" target=\"_blank\">Meagan Milatz<\/a> fait preuve d\u2019une ambition ind\u00e9niable, ayant ajout\u00e9 le prix Opus 2024 \u00ab\u00a0D\u00e9couverte de l\u2019ann\u00e9e\u00a0\u00bb \u00e0 ses r\u00e9alisations. Milatz a encore de nombreux objectifs alors qu\u2019elle continue \u00e0 d\u00e9passer ses propres limites. Elle s\u2019avoue particuli\u00e8rement enthousiaste \u00e0 propos de la s\u00e9rie de concerts <\/span><i><span style=\"font-weight: 400;\">HausMusique @ La 9<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\">\u00a0Grande Salle<\/span><\/i><span style=\"font-weight: 400;\">, qu\u2019elle a \u00e9tablie \u00e0 Montr\u00e9al en tant que codirectrice artistique avec le violoncelliste Cameron Crozman. Le prochain concert est pr\u00e9vu le 5\u00a0novembre 2024.<\/span><\/p><p><span style=\"font-weight: 400;\">Grandissant dans une ferme c\u00e9r\u00e9ali\u00e8re au sud-est de la Saskatchewan, Milatz attribue son d\u00e9sir de poursuivre une carri\u00e8re musicale \u00e0 son professeur de piano, Cherith Alexander. Elle a termin\u00e9 sa ma\u00eetrise en interpr\u00e9tation \u00e0 l\u2019Universit\u00e9 McGill, o\u00f9 elle a \u00e9tudi\u00e9 le piano avec Ilya Poletaev et le pianoforte avec Tom Beghin. Milatz continue \u00e0 apprendre et \u00e0 puiser sa motivation aupr\u00e8s de son entourage. \u00ab\u00a0Chacun apporte quelque chose de diff\u00e9rent. \u00catre \u00e0 l\u2019\u00e9coute des id\u00e9es d\u2019autres musiciens \u2013 que ce soit une certaine couleur, l\u2019usage du rubato, la fluidit\u00e9 de la pulsation ou le caract\u00e8re \u2013 est tr\u00e8s stimulant et me permet d\u2019\u00e9voluer en tant que musicienne\u00a0\u00bb, dit-elle.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Se projetant vers l\u2019avenir, Milatz confie que son r\u00eave serait de \u00ab\u00a0passer une longue p\u00e9riode en Europe\u00a0\u00bb afin de pouvoir ensuite partager ses activit\u00e9s de concertiste entre l\u2019Europe et l\u2019Am\u00e9rique du Nord. Un des moments forts de la saison derni\u00e8re a \u00e9t\u00e9 sa tourn\u00e9e europ\u00e9enne avec le violoncelliste Cameron Crozman, d\u00e9gustant de d\u00e9licieuses pizzas et s\u2019inspirant \u00ab\u00a0des paysages et des sons de la M\u00e9diterran\u00e9e\u00a0\u00bb. L\u2019ann\u00e9e prochaine, elle se r\u00e9jouit de ses prestations \u00e0 Montr\u00e9al et en Saskatchewan.<\/span><\/p>\n<p>(Traduction par Viktor Lazarov)<\/p>\n<blockquote><p><a href=\"https:\/\/www.meaganmilatz.com\/\"><span style=\"vertical-align: inherit;\"><span style=\"vertical-align: inherit;\">www.meaganmilatz.com<\/span><\/span><\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>&#13; La pianiste Meagan Milatz fait preuve d\u2019une ambition ind\u00e9niable, ayant ajout\u00e9 le prix Opus 2024 \u00ab\u00a0D\u00e9couverte de l\u2019ann\u00e9e\u00a0\u00bb \u00e0 ses r\u00e9alisations. Milatz a encore de nombreux objectifs alors qu\u2019elle continue \u00e0 d\u00e9passer ses propres limites. Elle s\u2019avoue particuli\u00e8rement enthousiaste \u00e0 propos de la s\u00e9rie de concerts HausMusique @ La 9e\u00a0Grande Salle, qu\u2019elle a \u00e9tablie<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/kaitlyn-chan\/meagan-milatz-piano-prix-opus-decouverte\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":39298,"featured_media":1068772,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[31862,394,17267],"tags":[53417,28797,49417],"class_list":{"0":"post-1068754","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-concours-musicals","8":"category-musique-classique","9":"category-piano-fr","10":"tag-meagan-milatz-fr","11":"tag-piano-fr-2","12":"tag-prix-opus-fr-2","13":"type-profil","14":"volume-volume-30","15":"issue-vol-30-issue-2-fr","16":"section-la-releve"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/10\/gandr-collage-9.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/10\/gandr-collage-9-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/10\/gandr-collage-9.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1068754"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39298"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1068754"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1068754\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1068772"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1068754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1068754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1068754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}