{"id":1063754,"date":"2024-07-12T19:45:09","date_gmt":"2024-07-12T23:45:09","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/lhebdo-lebrecht-yundi-offre-une-transformation-a-mozart\/"},"modified":"2024-07-16T18:15:15","modified_gmt":"2024-07-16T22:15:15","slug":"lhebdo-lebrecht-yundi-offre-une-metamorphose-totale-a-mozart","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-yundi-offre-une-metamorphose-totale-a-mozart\/","title":{"rendered":"L’Hebdo Lebrecht | Yundi offre une m\u00e9tamorphose totale \u00e0 Mozart"},"content":{"rendered":"

Contrairement aux autorit\u00e9s de P\u00e9kin qui l’ont fait arr\u00eater sous de fausses accusations d\u2019immoralit\u00e9<\/a>, je n’ai jamais faibli dans ma conviction que Yundi Li est le pianiste le plus int\u00e9ressant et le plus original \u00e0 \u00e9merger de Chine.<\/p>\n

Laur\u00e9at du concours Chopin de Varsovie en 2000 \u00e0 l’\u00e2ge de 18 ans, Yundi a travers\u00e9 une phase monomaniaque au cours de laquelle il n’a jou\u00e9 que du Beethoven, la plupart du temps devant des publics d’adolescents excit\u00e9s. Il est ensuite pass\u00e9 \u00e0 une p\u00e9riode bleue de Liszt, puis \u00e0 Chopin et enfin \u00e0 Prokofiev.<\/p>\n

\"\"Aujourd’hui de retour en sc\u00e8ne, il ne joue que du Mozart, un compositeur g\u00e9n\u00e9ralement associ\u00e9 \u00e0 la l\u00e9g\u00e8ret\u00e9 et \u00e0 l’esprit. Dans les mains de Yundi, le style et la substance sont mis au d\u00e9fi. Il joue trois sonates rapidement et librement, titillant \u00e0 peine l’oreille avec des imitations turques et des andantes doux. La mani\u00e8re est proche de Haydn, ou m\u00eame de Clementi, pr\u00e9sentant Mozart comme l’un des nombreux r\u00e9citalistes de la Vienne de la fin du 18e<\/sup> si\u00e8cle. Mozart seul au clavier n’avait rien d’exceptionnel.<\/p>\n

Jusqu’\u00e0 ce que l’on arrive \u00e0 la Fantaisie no 4<\/em>, K. 475, o\u00f9 Yundi joue Mozart tel que Beethoven aurait pu l’entendre \u2013 r\u00e9fl\u00e9chi, lourd, tentant des sons qui auraient \u00e9t\u00e9 f\u00e2cheusement inaccessibles sur les claviers de l’\u00e9poque. Yundi transporte Mozart des mesures rigides d’une partition imprim\u00e9e vers les royaumes imaginaires de la Clair de lune<\/em> de Beethoven et au-del\u00e0 \u2013 jusqu’au seuil m\u00eame de la \u00ab Hammerklavier \u00bb. En douze minutes et demie, Yundi offre \u00e0 Mozart une m\u00e9tamorphose totale. C’est le pianiste mozartien le plus rafra\u00eechissant et le plus novateur que j’aie entendu depuis des ann\u00e9es.<\/p>\n

Traduction par Andr\u00e9anne Venne<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Contrairement aux autorit\u00e9s de P\u00e9kin qui l’ont fait arr\u00eater sous de fausses accusations d\u2019immoralit\u00e9, je n’ai jamais faibli dans ma conviction que Yundi Li est le pianiste le plus int\u00e9ressant et le plus original \u00e0 \u00e9merger de Chine.<\/p>\n","protected":false},"author":2760,"featured_media":1063749,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17243,34360,394],"tags":[45964,47753,58845,44109,28797,1806],"class_list":{"0":"post-1063754","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-la-scena-en-ligne","8":"category-lhebdo-lebrecht","9":"category-musique-classique","10":"tag-cd-review-fr","11":"tag-lebrecht-weekly-fr","12":"tag-li-yundi-fr","13":"tag-mozart-fr","14":"tag-piano-fr-2","15":"tag-review"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/07\/63fe31380991c-e1720798277151.jpeg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/07\/63fe31380991c-300x201.jpeg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/07\/63fe31380991c-e1720798277151.jpeg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1063754"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1063754"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1063754\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1063749"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1063754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1063754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1063754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}