{"id":1063680,"date":"2024-07-05T20:18:28","date_gmt":"2024-07-06T00:18:28","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/lhebdo-lebrecht-peut-on-se-frotter-a-beethoven-brett-dean-et-jonathan-biss-le-decouvrent\/"},"modified":"2024-07-11T21:05:40","modified_gmt":"2024-07-12T01:05:40","slug":"lhebdo-lebrecht-peut-on-se-frotter-a-beethoven-brett-dean-et-jonathan-biss-le-decouvrent","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-peut-on-se-frotter-a-beethoven-brett-dean-et-jonathan-biss-le-decouvrent\/","title":{"rendered":"L\u2019Hebdo Lebrecht | Faut-il se frotter \u00e0 Beethoven ? Brett Dean et Jonathan Biss le d\u00e9couvrent"},"content":{"rendered":"<p class=\"has-drop-cap has-medium-font-size\">Les compositeurs ont appris \u00e0 ne pas se frotter \u00e0 Beethoven. Moins de variations ont \u00e9t\u00e9 \u00e9crites sur des th\u00e8mes de Beethoven que sur l&#8217;\u0153uvre de n&#8217;importe quel autre ma\u00eetre. Les r\u00e9formateurs, comme Mahler, qui ont cherch\u00e9 \u00e0 moderniser son instrumentation en ont saign\u00e9 du nez. Le r\u00e9cent <a href=\"https:\/\/myscena.org\/fr\/andreanne-venne\/intelligence-artificielle-et-musique-un-etat-des-lieux\/\">ach\u00e8vement num\u00e9ris\u00e9<\/a> d&#8217;une pr\u00e9tendue dixi\u00e8me symphonie de Beethoven \u00e9tait une mauvaise blague d\u2019IA.<\/p>\n<p><iframe loading=\"lazy\" title=\"Brett Dean: Piano Concerto (Gneixendorfer Musik \u2013 Eine Winterreise) (2019)\" width=\"702\" height=\"395\" src=\"https:\/\/www.youtube.com\/embed\/rmaQcHdjJ_w?start=4&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>L&#8217;Australien Brett Dean a d\u00fb prendre son courage \u00e0 deux mains pour cr\u00e9er un nouveau concerto pour piano \u00e0 partir de fragments du <i>Concerto Empereur<\/i>, d&#8217;autant plus que ledit concerto est jou\u00e9 juste avant dans le m\u00eame programme. Dean, ancien altiste de l&#8217;Orchestre philharmonique de Berlin, sait cr\u00e9er des recettes orchestrales qui sonnent \u00e0 la fois fra\u00eeches et famili\u00e8res. Il sait exactement ce qu&#8217;il fait. Si <i>A Winter&#8217;s Journey<\/i> s&#8217;enfonce dans la grisaille, il ins\u00e8re un joli fragment de <i>L\u2019empereur<\/i> et l\u2019auditoire est ravi.<\/p>\n<p>L&#8217;\u0153uvre de Dean, d&#8217;une dur\u00e9e de 27 minutes et compos\u00e9e de trois mouvements, contient plus de notes que Beethoven n&#8217;en avait besoin, mais les pianos se sont am\u00e9lior\u00e9s depuis son \u00e9poque, et les pianistes aussi. Jonathan Biss joue A Winter&#8217;s Journey avec une dext\u00e9rit\u00e9 \u00e9poustouflante et un plaisir \u00e9vident. L&#8217;Orchestre symphonique de la radio su\u00e9doise se maintient \u00e0 peu pr\u00e8s dans les limites de la s\u00e9curit\u00e9 sonore. David Afkham dirige. J&#8217;ai \u00e9cout\u00e9 l&#8217;\u0153uvre de Dean trois fois et je reste neutre, incapable de pr\u00e9dire son avenir. L&#8217;interpr\u00e9tation su\u00e9doise du Concerto Empereur est r\u00e9solument d\u00e9cevante.<\/p>\n<p><em>Traduction par Andr\u00e9anne Venne<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les compositeurs ont appris \u00e0 ne pas se frotter \u00e0 Beethoven. Moins de variations ont \u00e9t\u00e9 \u00e9crites sur des th\u00e8mes de Beethoven que sur l&#8217;\u0153uvre de n&#8217;importe quel autre ma\u00eetre. Les r\u00e9formateurs, comme Mahler, qui ont cherch\u00e9 \u00e0 moderniser son instrumentation en ont saign\u00e9 du nez. Le r\u00e9cent ach\u00e8vement informatis\u00e9 d&#8217;une pr\u00e9tendue dixi\u00e8me symphonie de Beethoven \u00e9tait une mauvaise blague d\u2019IA.<\/p>\n","protected":false},"author":2760,"featured_media":1063675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[21938,58841,58840,47753],"class_list":{"0":"post-1063680","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-beethoven-fr-7","9":"tag-breet-dean-fr","10":"tag-jonathan-biss-fr","11":"tag-lebrecht-weekly-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/07\/gandr-collage-1024x512.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/07\/gandr-collage-300x150.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/07\/gandr-collage-1024x512.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1063680"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1063680"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1063680\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1063675"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1063680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1063680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1063680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}