{"id":1062953,"date":"2024-05-31T18:16:23","date_gmt":"2024-05-31T22:16:23","guid":{"rendered":"https:\/\/myscena.org\/?p=1062953"},"modified":"2024-06-01T18:29:17","modified_gmt":"2024-06-01T22:29:17","slug":"le-cercle-de-la-communication","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/le-cercle-de-la-communication\/","title":{"rendered":"Le cercle de la communication"},"content":{"rendered":"<p><em>Survival Technologies<\/em> est un joyeux cercle de palabres que les artistes multidisciplinaires Kamissa Ma Ko\u00efta et Elena Stoodley installent, pour contrer la technologie et ses d\u00e9rives. \u00c9difice Wilder, 30 juin au 3 juin, https:\/\/fta.ca\/<\/p>\n<p>Depuis le l\u00e9gendaire <em>En fran\u00e7ais comme en anglais, it\u2019s easy to criticize<\/em>\u00a0(FTA 1999) PME-ART poursuit sa d\u00e9marche vou\u00e9e \u00e0 la cr\u00e9ation d\u2019objets artistiques hybrides, toujours en qu\u00eate de formes collaboratives originales. C\u2019est cette fois \u00e0 deux artistes performatives qu\u00e9b\u00e9coises, de descendance malienne pour l\u2019une et ha\u00eftienne pour l\u2019autre, que la compagnie a donn\u00e9 carte blanche.<\/p>\n<p>Les si\u00e8ges des spectateurs sont dispos\u00e9s en cercle autour d\u2019une petite sc\u00e8ne ronde et aux murs sont accroch\u00e9s de larges pans de papier aluminium oxyd\u00e9. Avec l\u2019\u00e9clairage, on dirait du fer rouill\u00e9. Un com\u00e9dien d\u2019un \u00e2ge v\u00e9n\u00e9rable monte sur sc\u00e8ne, il prend une feuille et lit son texte. Il se pr\u00e9sente &#8211; ancien enseignant et passionn\u00e9 de dessin &#8211; et demande qu\u2019on se projette avec lui dans le futur. Mais comment imaginer 2222 ou 3333? L\u2019homme plaide pour une communication faite de danse et de musique.<\/p>\n<p>Le joueur de tambour et les danseuses, qui \u00e9taient rest\u00e9es en retrait, entrent dans le cercle, v\u00eatu.e.s de costumes jaune fluo. Une succession de motifs d\u2019inspiration africaine est projet\u00e9e sur les morceaux d\u2019aluminium pendant que la musique prend son envol. Des croquis futuristes suivront et le traitement des images, alt\u00e9r\u00e9, est int\u00e9ressant. Des maracas, une boite \u00e0 rythme et des didgeridoo compl\u00e8tent l\u2019arsenal des chanteuses et danseuses.<\/p>\n<p>Elena Stoodley, qui r\u00e9alise des conceptions sonores pour plusieurs cr\u00e9ations th\u00e9\u00e2trales, dont la pi\u00e8ce\u00a0<em>M\u2019appelle Mohamed Ali<\/em> (FTA\u00a0-2022) et\u00a0<em>Black Out<\/em> de la compagnie Tableau d\u2019h\u00f4te, fabrique la musique en mixant en direct diff\u00e9rentes boucles sonores. Kamissa Ma Ko\u00efta, qui dit vouloir retrouver les rites de sa famille malienne et, d\u2019une certaine mani\u00e8re, se mettre dans une posture d\u2019anc\u00eatre du futur, utilise la danse comme outil de r\u00e9sistance et de passation de savoirs ancestraux. Des cris fusent, la danse est <span class=\"BxUVEf ILfuVd\" lang=\"fr\"><span class=\"hgKElc\">all\u00e8grement<\/span><\/span> revendicatrice.<\/p>\n<p>Le public se laisse emporter par les \u00e9lans successifs du spectacle et, \u00e0 la fois t\u00e9moin et participant, il oscille au gr\u00e9 des improvisations et de la danse, lib\u00e9r\u00e9 de la technologie \u2013 le temps d\u2019un spectacle. <em>Survival Technologies<\/em>. \u00c9difice Wilder, 30 juin au 3 juin, https:\/\/fta.ca\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Survival Technologies est un joyeux cercle de palabres que les artistes multidisciplinaires Kamissa Ma Ko\u00efta et Elena Stoodley installent, pour contrer la technologie et ses d\u00e9rives. \u00c9difice Wilder, 30 juin au 3 juin, https:\/\/fta.ca\/ Depuis le l\u00e9gendaire En fran\u00e7ais comme en anglais, it\u2019s easy to criticize\u00a0(FTA 1999) PME-ART poursuit sa d\u00e9marche vou\u00e9e \u00e0 la cr\u00e9ation<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/le-cercle-de-la-communication\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1062954,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013,17036,395,17243,29949,53514],"tags":[48092,51690,58733,55072,58732,3274,58731,58734,57754,58730],"class_list":{"0":"post-1062953","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"category-critiques-de-spectacles","9":"category-danse","10":"category-la-scena-en-ligne","11":"category-les-arts-scena","12":"category-montreal","13":"tag-danse-contemporaine","14":"tag-pme-art","15":"tag-derives-technologiques","16":"tag-edifice-wilder-fr","17":"tag-elena-stoodley","18":"tag-haiti","19":"tag-kamissa-ma-koita","20":"tag-mali","21":"tag-performance-fr","22":"tag-survival-technologies"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/06\/family-portrait_KamissaMaKoita-2023_suggestion-de-jacob-1024x504.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/06\/family-portrait_KamissaMaKoita-2023_suggestion-de-jacob-300x148.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/06\/family-portrait_KamissaMaKoita-2023_suggestion-de-jacob-1024x504.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1062953"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1062953"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1062953\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1062954"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1062953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1062953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1062953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}