{"id":1057755,"date":"2024-03-29T08:00:12","date_gmt":"2024-03-29T13:00:12","guid":{"rendered":"https:\/\/myscena.org\/?p=1057755"},"modified":"2024-03-29T11:21:35","modified_gmt":"2024-03-29T16:21:35","slug":"critique-cd-je-suis-moi-autoproduit-2024","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/hassan-laghcha\/critique-cd-je-suis-moi-autoproduit-2024\/","title":{"rendered":"Critique CD | Je suis moi (Autoproduit, 2024)"},"content":{"rendered":"<blockquote><p><b><i>Je suis moi<br \/>\n<\/i><\/b>Rita Tabbakh<br \/>\nAutoproduit, 2024<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1057607 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-Rita-Tabbakh-cmyk.jpg\" alt=\"\" width=\"220\" height=\"220\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-Rita-Tabbakh-cmyk.jpg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-Rita-Tabbakh-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-Rita-Tabbakh-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-Rita-Tabbakh-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-Rita-Tabbakh-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-Rita-Tabbakh-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><\/p>\n<p>Apr\u00e8s dix-huit ans de carri\u00e8re, Rita Tabbakh atteint l\u2019\u00e2ge de la maturit\u00e9 musicale et annonce <i>Je suis moi (et je m\u2019en fous)<\/i>. C\u2019est la chanson-titre du premier album de chansons originales de cette artiste montr\u00e9alaise d\u2019origine libanaise et acadienne tr\u00e8s remarqu\u00e9e pour ses r\u00f4les dans des com\u00e9dies musicales (<i>Dracula entre l\u2019amour et la mort<\/i>, <i>Sh\u00e9h\u00e9razade\u00a0: les mille et une nuits<\/i>, <i>La Famille Adams<\/i>, entre autres) et, actuellement, pour sa participation au spectacle qui tourne tr\u00e8s bien <i>Il \u00e9tait une voix&#8230; Piaf<\/i>.<\/p>\n<p>En fait, les chansons de Rita Tabbakh s\u2019inscrivent pleinement dans l\u2019h\u00e9ritage des grands artistes fran\u00e7ais, auxquelles elle avait rendu un hommage dans son pr\u00e9c\u00e9dent album, <i>Sous le ciel de Paris<\/i>, avec des reprises des grands classiques d\u2019Aznavour, Piaf, L\u00e9o Ferr\u00e9 et d\u2019autres. L\u2019artiste s\u2019appuie sur le succ\u00e8s de cet album hommage (top 10 des ventes au Qu\u00e9bec) pour s\u2019assumer pleinement comme auteure-interpr\u00e8te.<\/p>\n<p>Et elle a choisi le chemin le plus exigeant&#8230; et le plus p\u00e9rilleux, celui de la chanson \u00e0 texte. L\u2019artiste en semble enti\u00e8rement consciente. \u00ab\u00a0Je suis l\u2019\u00eatre ou ne pas \u00eatre, la question qui tue peut-\u00eatre\u00a0\u00bb, chante-t-elle en encha\u00eenant les titres qui renseignent sur la philosophie de sa premi\u00e8re proposition musicale\u00a0: <i>Le jour m\u2019appelle<\/i>,<i> \u00c0 m\u2019y m\u2019\u00e9prendre<\/i>, <i>Au bout de ma voix<\/i>, etc. Une artiste \u00e0 surveiller.<\/p>\n<h4>Playlist<\/h4>\n<p><iframe loading=\"lazy\"  id=\"_ytid_79411\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/VggGvijF6k4?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_58357\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/RocDLfagwZc?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s dix-huit ans de carri\u00e8re, Rita Tabbakh atteint l\u2019\u00e2ge de la maturit\u00e9 musicale et annonce Je suis moi (et je m\u2019en fous).<\/p>\n","protected":false},"author":2816,"featured_media":1057630,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17251],"tags":[58188,54846,55282,58211,58210,21823],"class_list":{"0":"post-1057755","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-vocale","9":"tag-album-review-fr","10":"tag-cd-fr","11":"tag-contemporary-fr","12":"tag-original-songs-fr","13":"tag-rita-tabbakh-fr","14":"tag-vocal-fr-3","15":"volume-volume-29","16":"issue-vol-29-issue-6-fr","17":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi.webp","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi-300x144.webp","large":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/03\/Je-suis-moi.webp"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1057755"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2816"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1057755"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1057755\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1057630"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1057755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1057755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1057755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}