{"id":1052194,"date":"2024-02-02T09:00:20","date_gmt":"2024-02-02T14:00:20","guid":{"rendered":"https:\/\/myscena.org\/?p=1052194"},"modified":"2024-02-05T10:07:17","modified_gmt":"2024-02-05T15:07:17","slug":"nouveautes-fev-mars-2024","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/la-scena-musicale-team\/nouveautes-fev-mars-2024\/","title":{"rendered":"Nouveaut\u00e9s (f\u00e9v-mars 2024)"},"content":{"rendered":"

Cette section est un suppl\u00e9ment publicitaire. Pour annoncer ici, contactez <\/i><\/b>:<\/i><\/b> ventes@lascena.org.<\/strong><\/p>\n

Encore Baroque vol. 2<\/i><\/h4>\n

\"\"<\/p>\n

Pierre Lavigne, clavecin
\nProduction et r\u00e9alisation\u00a0: Pierre Lavigne, pierrelavigne.ca<\/a><\/strong>
\nSortie\u00a0: 10 d\u00e9cembre 2023<\/p>\n

Encore Baroque vol. 2<\/i> pr\u00e9sente des \u0153uvres pour clavecin qui se caract\u00e9risent par leur dynamisme. Cet album contient des pi\u00e8ces connues de J.\u00a0S. Bach (Concerto italien<\/i>) et Fran\u00e7ois Couperin (Sixi\u00e8me ordre<\/i>). Il propose \u00e9galement de belles d\u00e9couvertes de Domenico Zipoli, Louis-Claude Daquin, Girolamo Frescobaldi et Domenico Cimarosa (un classique), qui furent tous ma\u00eetres du clavecin. Par ses interpr\u00e9tations convaincantes, Pierre Lavigne nous fait voyager dans ce monde de contrastes repr\u00e9sentant si bien le flamboyant du baroque. Cet opus captivant saura plaire aux amateurs de musique pour clavier. Sur la plupart des plateformes d\u2019\u00e9coute en ligne.<\/p>\n

Ysa\u00ffe, J. S. Bach & Paganini\u00a0: Works for Solo Violin (\u0152uvres pour violon seul)\u00a0<\/i><\/h4>\n

\"\"<\/p>\n

Karl Stobbe, violon
\nLeaf Music LM294
\nSortie\u00a0: Le 22 mars 2024<\/p>\n

Karl Stobbe trace les liens essentiels entre luthiers, interpr\u00e8tes et compositeurs. Ce faisant, il \u00e9labore un r\u00e9cit musical qui s\u2019inspire des \u0153uvres de trois g\u00e9ants du r\u00e9pertoire pour violon seul et de l\u2019art de composer\u00a0: Bach, Paganini et Ysa\u00ffe. Jouant sur un violon fabriqu\u00e9 en 1806 par le \u00ab\u00a0Stradivarius fran\u00e7ais\u00a0\u00bb Nicolas Lupot, Stobbe interpr\u00e8te la brillante Partita en si mineur<\/i> de Bach, trois Caprices<\/i> de Paganini parmi les plus exigeants du point de vue technique, mais d\u00e9bordant d\u2019ing\u00e9niosit\u00e9 musicale, ainsi que la quatri\u00e8me Sonate pour violon seul<\/i> d\u2019Ysa\u00ffe, hommage au brio de Paganini et au contrepoint profond et complexe de Bach.<\/p>\n

terra e cielo<\/i><\/h4>\n

\"\"<\/p>\n

Amanda Keesmaat, violoncelle et lirone; Antoine Malette-Ch\u00e9nier, harpe triple; Karim Nasr, doulciane; Jessica Korotkin, violoncelle et viole de gambe; Christophe Gauthier, clavecin et orgue; Sylvain Bergeron, archiluth; Vincent Lauzer, fl\u00fbte \u00e0 bec basse.
\nLeaf Music STC2024
\nSortie : 8 mars 2024<\/p>\n

L\u2019ensemble montr\u00e9alais d\u2019instruments de basse baroques, Space Time Continuo, pr\u00e9sente son plus r\u00e9cent album, terra e cielo<\/i>. Il s\u2019agit d\u2019une collection in\u00e9dite d\u2019anciennes compositions italiennes, transcrites et arrang\u00e9es par Amanda Keesmaat et Space Time Continuo. L\u2019enregistrement met en valeur les instruments qui composent l\u2019ensemble, leurs diff\u00e9rentes textures, combinaisons et \u00e9tendues. Le dernier-n\u00e9 de l\u2019ensemble, un lirone fabriqu\u00e9 en 2023 par Francis Beaulieu, est utilis\u00e9 pour d\u00e9peindre des sc\u00e8nes c\u00e9lestes qui agr\u00e9mentent souvent les \u0153uvres italiennes de musique ancienne.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cette section est un suppl\u00e9ment publicitaire. Pour annoncer ici, contactez : ventes@lascena.org. Encore Baroque vol. 2 Pierre Lavigne, clavecin Production et r\u00e9alisation\u00a0: Pierre Lavigne, pierrelavigne.ca Sortie\u00a0: 10 d\u00e9cembre 2023 Encore Baroque vol. 2 pr\u00e9sente des \u0153uvres pour clavecin qui se caract\u00e9risent par leur dynamisme. Cet album contient des pi\u00e8ces connues de J.\u00a0S. Bach (Concerto italien)<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2814,"featured_media":1052192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17269,17294,17271],"tags":[35069,45568,57710,54122,39152,57630],"class_list":{"0":"post-1052194","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cordes","8":"category-industrie-culturelle","9":"category-violon","10":"tag-classical-music-fr","11":"tag-leaf-music-fr","12":"tag-nouvelles-oeuvres","13":"tag-pierre-lavigne","14":"tag-space-time-continuo","15":"tag-ysaye-fr","16":"volume-volume-29","17":"issue-vol-29-issue-5-fr","18":"section-articles-de-fond"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/02\/New-Releases-featured-image.webp","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/02\/New-Releases-featured-image-300x144.webp","large":"https:\/\/myscena.org\/wp-content\/uploads\/2024\/02\/New-Releases-featured-image.webp"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1052194"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2814"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1052194"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1052194\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1052192"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1052194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1052194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1052194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}