{"id":1049466,"date":"2023-12-15T16:07:56","date_gmt":"2023-12-15T21:07:56","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/lhebdo-lebrecht-lutoslawski-concerto-for-orchestra-partita-for-violin-and-orchestra-ondine\/"},"modified":"2023-12-15T19:46:47","modified_gmt":"2023-12-16T00:46:47","slug":"lhebdo-lebrecht-lutoslawski-concerto-for-orchestra-partita-for-violin-and-orchestra-ondine","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-lutoslawski-concerto-for-orchestra-partita-for-violin-and-orchestra-ondine\/","title":{"rendered":"L&#8217;hebdo Lebrecht | Lutoslawski : Concerto for Orchestra, Partita for Violin and Orchestra (Ondine)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1049443 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/qv83k5-lutoslawsk-preview-m3_550x550.jpg\" alt=\"\" width=\"237\" height=\"237\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/qv83k5-lutoslawsk-preview-m3_550x550.jpg 550w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/qv83k5-lutoslawsk-preview-m3_550x550-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/qv83k5-lutoslawsk-preview-m3_550x550-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/qv83k5-lutoslawsk-preview-m3_550x550-150x150.jpg 150w\" sizes=\"(max-width: 237px) 100vw, 237px\" \/>Il n&#8217;y a pas si longtemps, Gy\u00f6rgy Ligeti et Witold <span class=\"expandableItem\">Lutos\u0142awski<\/span> \u00e9taient les deux porte-drapeaux du modernisme convivial dans les salles de concert occidentales, \u00e0 tel point que beaucoup rentraient chez eux convaincus que l&#8217;avenir de la musique se situait quelque part le long d&#8217;un fil de plomb allant de la Baltique aux Balkans.<\/p>\n<p>Cette proph\u00e9tie est peut-\u00eatre toujours d\u2019actualit\u00e9, mais le myst\u00e8re r\u00e9side dans le sort r\u00e9serv\u00e9 \u00e0 Lutos\u0142awski. Alors que son contemporain hongrois est largement jou\u00e9, le Polonais a \u00e9trangement r\u00e9gress\u00e9, d\u00e9class\u00e9 par ses compatriotes Penderecki et G\u00f3recki. Quand avez-vous entendu pour la derni\u00e8re fois l\u2019irr\u00e9sistible troisi\u00e8me symphonie de Lutos\u0142awski ou le concerto pour orchestre qui l\u2019a fait conna\u00eetre d\u00e8s sa premi\u00e8re audition en 1954\u00a0?<\/p>\n<p>L\u2019interpr\u00e9tation du concerto par l\u2019Orchestre symphonique de la radio finlandaise est la plus captivante \u00e0 para\u00eetre depuis des ann\u00e9es. Ce spectacle instrumental, compos\u00e9 d\u2019airs folkloriques, comme il \u00e9tait obligatoire dans la soci\u00e9t\u00e9 stalinienne tardive, est, en tout \u00e9tat de cause, plus captivant que l\u2019\u0153uvre embl\u00e9matique de Bart\u00f3k. L\u2019\u0153uvre exige un orchestre de solistes intr\u00e9pides, et c\u2019est ce que vous trouverez \u00e0 Helsinki. Le chef d\u2019orchestre, Nicholas Collon, adh\u00e9rant aux tendances \u00ab\u00a0woke\u00a0\u00bb, fait jouer les orchestres anglais debout et sans partition devant eux. Les Finlandais ne tol\u00e8rent pas ce genre d\u2019absurdit\u00e9. C\u2019est de la musique pure et dure, sans prise d\u2019otage \u00e0 la baguette. Ramenez-nous Luto en 2024, voil\u00e0 mon souhait.<\/p>\n<p>La <em>Partita<\/em> a \u00e9t\u00e9 \u00e9crite 35 ans plus tard pour Pinchas Zukerman avec accompagnement au piano, puis orchestr\u00e9e au profit d\u2019Anne-Sophie Mutter. Elle a tellement de points communs avec la troisi\u00e8me symphonie qu\u2019on se demande pourquoi elle a besoin d\u2019un violon solo grin\u00e7ant au-dessus de la port\u00e9e. Mais le dialogue entre l\u2019individu et la soci\u00e9t\u00e9 appara\u00eet rapidement et, s\u2019il n\u2019y a pas de vrai vainqueur, le totalitarisme que Lutos\u0142awski a endur\u00e9 est de toute \u00e9vidence le grand perdant. Christian Tetzlaff est ici un splendide soliste.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cette interpr\u00e9tation du Concerto de Lutoslawski de 1954 par l&#8217;Orchestre symphonique de la Radio finlandaise est la plus captivante depuis des ann\u00e9es.<\/p>\n","protected":false},"author":2760,"featured_media":1049440,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360,17275],"tags":[55774,57190,45401,54538,39364,57189],"class_list":{"0":"post-1049466","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"category-musique-orchestrale","9":"tag-bartok-fr","10":"tag-finnish-radio-symphony-orchestra-fr","11":"tag-gyorgy-ligeti-fr","12":"tag-nicholas-collon-fr","13":"tag-christian-tetzlaff-fr","14":"tag-witold-lutoslawski-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/Lutoslawski.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/Lutoslawski-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/Lutoslawski.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1049466"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1049466"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1049466\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1049440"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1049466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1049466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1049466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}