{"id":1049131,"date":"2023-12-05T13:00:58","date_gmt":"2023-12-05T18:00:58","guid":{"rendered":"https:\/\/myscena.org\/?p=1049131"},"modified":"2023-12-05T13:01:12","modified_gmt":"2023-12-05T18:01:12","slug":"critique-concert-bach-reinvente-une-experimentation-reussie","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/viktor-lazarov\/critique-concert-bach-reinvente-une-experimentation-reussie\/","title":{"rendered":"Critique concert | Bach r\u00e9invent\u00e9 : une exp\u00e9rimentation r\u00e9ussie"},"content":{"rendered":"\r\n<p class=\"has-drop-cap has-medium-font-size\">Le mercredi\u00a029\u00a0novembre\u00a02023, le <strong><a href=\"http:\/\/festivalbachmontreal.com\/en\">Festival Bach de Montr\u00e9al<\/a><\/strong> accueillait <strong><a href=\"http:\/\/www.vincentlauzer.com\/\">Vincent Lauzer<\/a><\/strong>, fl\u00fbtes \u00e0 bec, et <strong><a href=\"https:\/\/www.mcgill.ca\/music\/dorothea-ventura\">Doroth\u00e9a Ventura<\/a><\/strong>, clavecin, dans le cadre de la programmation Off Bach. Accueilli \u00e0 l\u2019Espace Wip sur la rue Saint-Laurent par une salle comble, le duo proposait un programme insolite consistant en trois suites recompos\u00e9es \u00e0 la base de divers mouvements de danses de J.S. Bach.<\/p>\r\n\r\n<p>Parsem\u00e9 par quelques \u00ab\u2009trous normands\u2009\u00bb, selon l\u2019expression charmante des deux sp\u00e9cialistes de musique baroque, le programme comprenait aussi deux <em>Sinfonias <\/em>des Cantates BWV\u00a035 et 156 ainsi qu\u2019un mouvement du concerto de Benedetto Marcello transcrit par Bach lui-m\u00eame (BWV\u00a0974). D\u2019apr\u00e8s Lauzer, le public pr\u00e9sent ferait figure de cobaye pour cette \u00ab\u2009exp\u00e9rience musicale\u2009\u00bb.<\/p>\r\n<p>Les premi\u00e8res notes jou\u00e9es par les deux musiciens apais\u00e8rent quelques soup\u00e7ons soulev\u00e9s par un programme en apparence aussi \u00e9clectique. La complicit\u00e9 des deux musiciens, leur ma\u00eetrise parfaite des codes stylistiques, la merveilleuse sonorit\u00e9 de leurs instruments, les tempos justes, l\u2019impulsion rythmique entra\u00eenante, sans mentionner leur splendide virtuosit\u00e9, s\u00e9duisirent le public. Chaque morceau de danse choisi dans l\u2019\u00e9norme r\u00e9pertoire du ma\u00eetre allemand s\u2019encha\u00eenait naturellement dans les \u00ab\u2009nouvelles\u2009\u00bb\u00a0suites. Si la plupart des danses \u00e9taient compos\u00e9es dans le ton pr\u00e9dominant de chaque suite, certaines durent \u00eatre transpos\u00e9es (\u00e0 l\u2019avance, bien s\u00fbr). Les auditeurs reconnurent certains extraits des suites fran\u00e7aises pour clavecin, des partitas pour violon seul ou des suites pour violoncelle.<\/p>\r\n<p>Recomposer la partie harmonique de l\u2019accompagnement au clavecin fut un d\u00e9fi, se confie Ventura, car l\u2019\u00e9criture de Bach est d\u2019une grande pr\u00e9cision et d\u2019un raffinement technique incomparable. Pourtant, elle n\u2019en laissa rien apercevoir dans son jeu limpide, expressif et \u00e9l\u00e9gant. Soutenant son coll\u00e8gue avec l\u2019instinct d\u2019une chambriste chevronn\u00e9e, elle d\u00e9montra ses talents de solistes dans le Concerto en r\u00e9 mineur BWV\u00a0974 pour clavecin seul. Pour sa part, Lauzer transporta son public avec ses immenses talents d\u2019interpr\u00e8tes vers des sommets musicaux rarement entendus en concert.<\/p>\r\n<p>Somme toute, le concert fut d\u2019une richesse et d\u2019une fra\u00eecheur incomparable tant du point de vue stylistique, rythmique, technique que par la parfaite complicit\u00e9 de Ventura et Lauzer. Nul cobaye ne fut aussi bien trait\u00e9 que le public dans cette exp\u00e9rience musicale unique qui, sans doute, s\u2019aligna avec les pratiques baroques authentiques. Un tr\u00e9sor \u00e0 retrouver l\u2019ann\u00e9e prochaine, on esp\u00e8re\u2009!<\/p>\r\n<blockquote>\r\n<p><strong>Festival Bach de Montr\u00e9al<br \/><a href=\"https:\/\/festivalbachmontreal.com\/\">festivalbachmontreal.com<\/a><\/strong><\/p>\r\n<p><strong>Vincent Lauzer<br \/><a href=\"http:\/\/www.vincentlauzer.com\/\">vincentlauzer.com<\/a><br \/><\/strong><\/p>\r\n<\/blockquote>","protected":false},"excerpt":{"rendered":"<p>Le mercredi\u00a029\u00a0novembre\u00a02023, le Festival Bach de Montr\u00e9al accueillait Vincent Lauzer, fl\u00fbtes \u00e0 bec, et Doroth\u00e9a Ventura, clavecin, dans le cadre de la programmation Off Bach.<\/p>\n","protected":false},"author":35946,"featured_media":1049130,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17269,17036,53514,17273],"tags":[24188,57085,32412,57084,46178,41154,57083,52460,47189],"class_list":{"0":"post-1049131","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cordes","8":"category-critiques-de-spectacles","9":"category-montreal","10":"category-musique-de-chambre","11":"tag-bach-fr-18","12":"tag-benedetto-marcello-fr","13":"tag-dorothea-ventura","14":"tag-espace-wip-fr","15":"tag-festival-bach-de-montreal-fr","16":"tag-montreal-bach-festival-fr","17":"tag-off-bach-fr","18":"tag-vincent-lauzer-fr-2","19":"tag-vincent-lauzer-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/Vincent-Lauzer-Photo-by-Julien-Faug\u00e8re-and-Dorothea-Ventura-Photo-by-Robert-Etcheverry.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/Vincent-Lauzer-Photo-by-Julien-Faug\u00e8re-and-Dorothea-Ventura-Photo-by-Robert-Etcheverry-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/12\/Vincent-Lauzer-Photo-by-Julien-Faug\u00e8re-and-Dorothea-Ventura-Photo-by-Robert-Etcheverry.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1049131"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/35946"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1049131"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1049131\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1049130"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1049131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1049131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1049131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}