{"id":1048833,"date":"2023-11-28T12:02:18","date_gmt":"2023-11-28T17:02:18","guid":{"rendered":"https:\/\/myscena.org\/?p=1048833"},"modified":"2023-11-28T12:02:18","modified_gmt":"2023-11-28T17:02:18","slug":"communique-un-prestigieux-double-au-carnegie-hall-pour-les-violons-du-roy","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/communique-un-prestigieux-double-au-carnegie-hall-pour-les-violons-du-roy\/","title":{"rendered":"Communiqu\u00e9 | Un prestigieux doubl\u00e9 au Carnegie Hall pour Les Violons du Roy!"},"content":{"rendered":"

Qu\u00e9bec, le 27 novembre 2023<\/strong> \u2013 \u00c0 quelques jours d\u2019intervalle, l\u2019organisation des Violons du Roy sera pr\u00e9sente sur les planches des prestigieuses salles du Carnegie Hall, le Zankel Hall et le Stern Auditorium, avec les deux ensembles qui la composent et deux programmes diff\u00e9rents, qui seront \u00e9galement pr\u00e9sent\u00e9s au Palais Montcalm de Qu\u00e9bec! Un doubl\u00e9 d\u2019une importance singuli\u00e8re en cette 40e saison de l\u2019orchestre des Violons du Roy et de son ch\u0153ur, La Chapelle de Qu\u00e9bec.<\/p>\n

D\u2019abord, le 30 novembre, Les Violons du Roy, Jonathan Cohen et le guitariste Milo\u0161<\/strong> seront sur la sc\u00e8ne du Zankel Hall pour pr\u00e9senter un programme serti de perles du r\u00e9pertoire baroque. Milo\u0161, \u00ab h\u00e9ros de la guitare classique \u00bb selon le BBC Music Magazine, est reconnu pour une discographie d\u2019une qualit\u00e9 exceptionnelle, ainsi que pour ses performances sur sc\u00e8ne d\u2019une grande \u00e9motion. Premier guitariste \u00e0 avoir jou\u00e9 en r\u00e9cital au Royal Albert Hall de Londres, The Gardian mentionnait \u00e0 la suite de cet \u00e9v\u00e9nement que \u00ab le plus remarquable, c\u2019est la fa\u00e7on dont un guitariste \u00e0 lui seul a pu faire de l\u2019ample sonorit\u00e9 du Hall un endroit si intime \u00bb. The Independant le d\u00e9crivait pour sa part comme \u00ab non seulement un musicien s\u00e9rieux et accompli, mais aussi un v\u00e9ritable magicien \u00bb.<\/p>\n

Puis, le 7 d\u00e9cembre, La Chapelle de Qu\u00e9bec et Bernard Labadie<\/strong> retrouveront pour leur part le Stern Audiotirum avec l\u2019Orchestra of St.Luke\u2019s, pour la pr\u00e9sentation du sublime Oratorio de No\u00ebl de J.S. Bach, \u00e0 quelques jours des r\u00e9jouissances de No\u00ebl. Il s\u2019agira de la 10e pr\u00e9sence de La Chapelle de Qu\u00e9bec sur la grande sc\u00e8ne de cet endroit mythique.<\/p>\n

Ces m\u00eames programmes seront \u00e9galement pr\u00e9sent\u00e9s au Qu\u00e9bec!<\/strong>
\nLa guitare de Milo\u0161, fantaisie baroque<\/a><\/strong><\/em>, le 29 novembre \u00e0 19 h 30 au Palais Montcalm. Plus tard, en avril 2024, ce concert sera repris \u00e0 Qu\u00e9bec et \u00e0 Montr\u00e9al \u00e0 la veille d\u2019une tourn\u00e9e nord-am\u00e9ricaine. Ces concerts s\u2019inscrivent dans la foul\u00e9e de la sortie du disque Baroque du guitariste, sur \u00e9tiquette Sony Classical, dirig\u00e9 par Jonathan Cohen. Pour avoir un aper\u00e7u du talent de l\u2019artiste, un extrait du Menuet en sol mineur, HWV 434 de Handel interpr\u00e9t\u00e9 par Milo\u0161 est disponible ici<\/a> <\/strong>pour visionnement.<\/p>\n

L\u2019Oratorio de No\u00ebl de Bach<\/em><\/a><\/strong>, les 14 et 15 d\u00e9cembre au Palais Montcalm \u00e0 Qu\u00e9bec, sous la direction de Jonathan Cohen, avec le ch\u0153ur La Chapelle de Qu\u00e9bec, Les Violons du Roy et les solistes Myriam Leblanc, Iestyn Davies, Sam Boden et Michael Sumuel.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 quelques jours d\u2019intervalle, l\u2019organisation des Violons du Roy sera pr\u00e9sente sur les planches des prestigieuses salles du Carnegie Hall, le Zankel Hall et le Stern Auditorium.<\/p>\n","protected":false},"author":2806,"featured_media":1048834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17269,53514,17271],"tags":[24188,49939,56994,36298,41983,56995,4735,46397,45131,56992,56996,24043,56993],"class_list":{"0":"post-1048833","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-cordes","9":"category-montreal","10":"category-violon","11":"tag-bach-fr-18","12":"tag-carnegie-hall-fr","13":"tag-iestyn-davies-fr","14":"tag-john-relyea-fr","15":"tag-la-chapelle-de-quebec-fr","16":"tag-michael-sumuel-fr","17":"tag-milos","18":"tag-myriam-leblanc-fr","19":"tag-palais-montcalm-fr","20":"tag-sam-boden","21":"tag-sony-classical-fr","22":"tag-violons-du-roy-fr-49","23":"tag-zankel-hall"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Jonathan-Cohen-gauche-et-Milo\u0161-droite.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Jonathan-Cohen-gauche-et-Milo\u0161-droite-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Jonathan-Cohen-gauche-et-Milo\u0161-droite.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1048833"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1048833"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1048833\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1048834"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1048833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1048833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1048833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}