{"id":1048035,"date":"2023-11-10T09:00:01","date_gmt":"2023-11-10T13:00:01","guid":{"rendered":"https:\/\/myscena.org\/?p=1048035"},"modified":"2023-11-09T18:45:24","modified_gmt":"2023-11-09T22:45:24","slug":"critique-cd-jewels-of-romance-universal-music-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-jewels-of-romance-universal-music-2023\/","title":{"rendered":"Critique CD | Jewels of Romance (Universal Music, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Jewels of Romance<br \/>\n<\/i><\/b>Andr\u00e9 Rieu, violon; Orchestre Johann Strauss<br \/>\nUniversal Music, 2023<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1048030 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andr\u00e9-RieuJohann-Strauss-Orchestra-Jewels-of-Romance-cmyk.jpg\" alt=\"\" width=\"216\" height=\"216\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andr\u00e9-RieuJohann-Strauss-Orchestra-Jewels-of-Romance-cmyk.jpg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andr\u00e9-RieuJohann-Strauss-Orchestra-Jewels-of-Romance-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andr\u00e9-RieuJohann-Strauss-Orchestra-Jewels-of-Romance-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andr\u00e9-RieuJohann-Strauss-Orchestra-Jewels-of-Romance-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andr\u00e9-RieuJohann-Strauss-Orchestra-Jewels-of-Romance-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andr\u00e9-RieuJohann-Strauss-Orchestra-Jewels-of-Romance-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 216px) 100vw, 216px\" \/><\/p>\n<p>\u00c0 l\u2019approche du temps des f\u00eates, le violoniste n\u00e9erlandais Andr\u00e9 Rieu nous revient avec un album de circonstance intitul\u00e9 <i>Jewels of Romance<\/i>. Apr\u00e8s <i>Happy Together <\/i>(2021) et <i>Silver Bells <\/i>(2022), celui qui s\u2019est rendu c\u00e9l\u00e8bre pour ses interpr\u00e9tations du <i>Beau Danube bleu<\/i> de Johann Strauss II, au point de cr\u00e9er un orchestre au nom du compositeur, nous propose une autre s\u00e9rie de classiques de la chanson pop, du cin\u00e9ma et du grand r\u00e9pertoire orchestral. Avec un ensemble de plus de 50 musiciens, on ne s\u2019\u00e9tonnera pas que certains arrangements, comme <i>Indian Love Call<\/i>,<i> The Sound of Silence <\/i>et <i>Everything I do<\/i>, tra\u00eenent plus que leurs versions originales. En revanche, <i>The Ludlows <\/i>restitue tr\u00e8s bien l\u2019ampleur de la musique de James Horner dans <i>Legends of the Fall<\/i>. Celle-ci a d\u2019ailleurs un air de <i>Nowel, Nowel <\/i>que l\u2019on pourrait faire jouer sans h\u00e9sitation un 25 d\u00e9cembre. La c\u00e9l\u00e8bre chanson <i>Smile <\/i>se pr\u00eate aussi tr\u00e8s bien \u00e0 l\u2019exercice.<\/p>\n<p>L\u2019album contient \u00e9galement une chanson folklorique ukrainienne, <i>Nitsch Jaka<\/i>, mettant en vedette Anna Recker. N\u00e9e en Ukraine, la chanteuse, au timbre agr\u00e9able, mais au souffle un peu court, est ici accompagn\u00e9e par le Mastreechter Staar, ch\u0153ur \u00e9tabli dans la ville de naissance et de r\u00e9sidence d\u2019Andr\u00e9 Rieu. \u00c0 noter, enfin, deux standards du r\u00e9pertoire classique pour les amateurs\u00a0: <i>Aquarium<\/i>, extrait du <i>Carnaval des animaux <\/i>de Camille Saint-Sa\u00ebns, et la valse du ballet <i>Copp\u00e9lia <\/i>sur une musique de L\u00e9o Delibes.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1EpT1dGvNUXQ0Ru1BIlxrJ?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 l\u2019approche du temps des f\u00eates, le violoniste n\u00e9erlandais Andr\u00e9 Rieu nous revient avec un album de circonstance intitul\u00e9 Jewels of Romance.<\/p>\n","protected":false},"author":2811,"featured_media":1048032,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,394,17275,17271],"tags":[56664,56661,35069,56624,6051,56473,56483,56660,1806,446,830],"class_list":{"0":"post-1048035","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-classique","9":"category-musique-orchestrale","10":"category-violon","11":"tag-arrangement","12":"tag-arrangements-fr","13":"tag-classical-music-fr","14":"tag-new-release-fr","15":"tag-nouveaute","16":"tag-orchestral-fr","17":"tag-orchestrale","18":"tag-popular-music-fr","19":"tag-review","20":"tag-violin","21":"tag-violon","22":"volume-volume-29","23":"issue-vol-29-issue-34-fr","24":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andre-Rieu.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andre-Rieu-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Andre-Rieu.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1048035"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1048035"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1048035\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1048032"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1048035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1048035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1048035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}