{"id":1048014,"date":"2023-11-10T09:00:29","date_gmt":"2023-11-10T13:00:29","guid":{"rendered":"https:\/\/myscena.org\/hassan-laghcha\/critique-cd-los-santos-y-pecadores-unfit-music-2023\/"},"modified":"2023-11-09T18:22:16","modified_gmt":"2023-11-09T22:22:16","slug":"critique-cd-los-santos-y-pecadores-unfit-music-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/hassan-laghcha\/critique-cd-los-santos-y-pecadores-unfit-music-2023\/","title":{"rendered":"Critique CD | Los Santos y Pecadores (UNFIT Music, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Los Santos y Pecadores<br \/>\n<\/i><\/b>Battle of Santiago<br \/>\nUNFIT Music, septembre 2023<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1048003 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-y-Pecadores-Battle-of-Santiago-.jpg\" alt=\"\" width=\"221\" height=\"221\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-y-Pecadores-Battle-of-Santiago-.jpg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-y-Pecadores-Battle-of-Santiago--300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-y-Pecadores-Battle-of-Santiago--100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-y-Pecadores-Battle-of-Santiago--600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-y-Pecadores-Battle-of-Santiago--150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-y-Pecadores-Battle-of-Santiago--768x768.jpg 768w\" sizes=\"(max-width: 221px) 100vw, 221px\" \/><\/p>\n<p>Avec leur nouvel album, <i>Los Santos y Pecadores<\/i> (Les saints et p\u00e9cheurs), la derni\u00e8re exp\u00e9rimentation musicale du groupe natif de Toronto Battle of Santiago continue de susciter la curiosit\u00e9 des publics de la sc\u00e8ne exp\u00e9rimentale latine alternative.<\/p>\n<p>L\u2019int\u00e9r\u00eat grandissant pour les cr\u00e9ations du groupe, form\u00e9 en 2011, tient au fait que son exp\u00e9rimentation musicale post-rock afro-cubaine refl\u00e8te certaines des nouvelles tendances musicales qui distinguent la diversit\u00e9 artistique cosmopolite de la m\u00e9tropole ontarienne. C\u2019est avec cela en t\u00eate que le fondateur et chef du groupe, Michael Owen (bassiste et producteur), a cr\u00e9\u00e9 l\u2019\u00e9tiquette UNFIT, une maison de disques et une agence, qui se consacre \u00e0 promouvoir l\u2019exploration d\u2019avant-garde de nouvelles approches \u00e9clectiques et hybrides de la musique exp\u00e9rimentale.<\/p>\n<p>Ce nouvel opus poursuit et \u00e9largit les buts musicaux du groupe et fait place \u00e0 une rotation de musiciens, incluant les v\u00e9t\u00e9rans Reimundo Sosa (percussion et voix), Lyle Crilly (guitare et synth\u00e9tiseur), Michael Butler (saxophone et fl\u00fbte) et Anthony Daniel (batterie). En 2017, le groupe a re\u00e7u une premi\u00e8re reconnaissance de son approche : sa nomination aux prix Juno a attir\u00e9 l\u2019attention sur sa formule musicale originale, un m\u00e9lange extr\u00eamement int\u00e9ressant de rythmes afro-cubains traditionnels et d\u2019influences rock et post-rock.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/05DKwPpIQiGJTKxEqvDJsu?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avec leur nouvel album, Los Santos y Pecadores, la derni\u00e8re exp\u00e9rimentation musicale du groupe natif de Toronto Battle of Santiago continue de susciter la curiosit\u00e9 des publics de la sc\u00e8ne exp\u00e9rimentale latine alternative.<\/p>\n","protected":false},"author":2816,"featured_media":1048005,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17265,17038,17286],"tags":[588,56656,56657,6051,56627,1806],"class_list":{"0":"post-1048014","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-contemporaine","8":"category-critiques-de-disques-et-livres","9":"category-musiques-du-monde","10":"tag-band","11":"tag-experimental-fr","12":"tag-latin-fr","13":"tag-nouveaute","14":"tag-nouveaute-fr","15":"tag-review","16":"volume-volume-29","17":"issue-vol-29-issue-34-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Los-Santos.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1048014"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2816"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1048014"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1048014\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1048005"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1048014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1048014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1048014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}