{"id":1047956,"date":"2023-11-10T09:00:32","date_gmt":"2023-11-10T13:00:32","guid":{"rendered":"https:\/\/myscena.org\/?p=1047956"},"modified":"2023-11-09T16:36:52","modified_gmt":"2023-11-09T20:36:52","slug":"critique-cd-fifteen-feet-closer-to-the-sky-leaf-music-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/pietro-freiburger\/critique-cd-fifteen-feet-closer-to-the-sky-leaf-music-2023\/","title":{"rendered":"Critique CD | Fifteen Feet Closer to the Sky (Leaf Music, 2023)"},"content":{"rendered":"

Fifteen Feet Closer to the Sky
\n<\/i><\/b>Adam Zinatelli, trompette
\nLeaf Music, 10 novembre 2023<\/p><\/blockquote>\n

\"\"<\/p>\n

Le premier album solo d\u2019Adam Zinatelli r\u00e9unit des \u0153uvres compos\u00e9es pour la trompette par des compositeurs vivants\u00a0: Sonata<\/i> de William Rowson, Sung in a Rickshaw <\/i>de Gabriel Dharmoo, Trio Lyrical<\/i> de Tobin Stokes, Legacy <\/i>et Open and Shut<\/i> de Jeffrey Ryan, Four Sculptures<\/i> d\u2019Eric Nathan, Song Without Words<\/i> de David John Lang, Tarantella dell\u2019Ubriaco<\/i> de Claude Lapalme, All That Glitters<\/i> de Dorothy Chang et Fanfare for the Backyard Birdfeeder<\/i> de Karen Donnelly.<\/p>\n

L\u2019album s\u2019ouvre avec Sonata<\/i>, un morceau d\u2019inspiration n\u00e9oclassique que Zinatelli interpr\u00e8te avec \u00e9quilibre et brillance. Dans Legacy<\/i> de Ryan, on peut appr\u00e9cier la pr\u00e9cision rythmique, la beaut\u00e9 du timbre et le son net et pr\u00e9cis de Zinatelli. Le morceau, compos\u00e9 pour cet album, s\u2019inspire des rapports entre professeur et \u00e9tudiant et explore la transmission des connaissances musicales. Un fragment est d\u00e9velopp\u00e9 \u00e0 travers les trois mouvements\u00a0: cela symbolise l\u2019acquisition et l\u2019\u00e9volution du savoir, sans cesse changeant.<\/p>\n

Four Sculptures<\/i>, inspir\u00e9 des sculptures de Derek Parker, contient le mouvement \u00e9ponyme de l\u2019album, Fifteen Feet Closer to the Sky.<\/i> Ce titre semble appropri\u00e9, Zinatelli faisant certainement ici un pas en avant. La d\u00e9cision de faire un album ne comprenant que des \u0153uvres de compositeurs vivants est fort louable. L\u2019album se termine avec Fanfare for the Backyard Birdfeeder<\/i>, o\u00f9 la musique s\u00e9rieuse est habilement juxtapos\u00e9e \u00e0 un titre espi\u00e8gle. Un enregistrement extr\u00eamement original.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le premier album solo d\u2019Adam Zinatelli r\u00e9unit des \u0153uvres compos\u00e9es pour la trompette par des compositeurs vivants.<\/p>\n","protected":false},"author":30993,"featured_media":1047953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,36111],"tags":[56621,20338,56624,56627,6051,1806,56642,56640],"class_list":{"0":"post-1047956","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-vents","9":"tag-chamber-music-fr-2","10":"tag-musique-de-chambre","11":"tag-new-release-fr","12":"tag-nouveaute-fr","13":"tag-nouveaute","14":"tag-review","15":"tag-solo-repertoire-fr","16":"tag-trumpet-fr","17":"volume-volume-29","18":"issue-vol-29-issue-34-fr","19":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Fifteen-Feet.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Fifteen-Feet-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Fifteen-Feet.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1047956"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/30993"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1047956"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1047956\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1047953"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1047956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1047956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1047956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}