{"id":1047918,"date":"2023-11-10T09:00:42","date_gmt":"2023-11-10T13:00:42","guid":{"rendered":"https:\/\/myscena.org\/?p=1047918"},"modified":"2023-11-09T16:00:05","modified_gmt":"2023-11-09T20:00:05","slug":"critique-cd-tzimtzum-leaf-music-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-tzimtzum-leaf-music-2023\/","title":{"rendered":"Critique CD | Tzimtzum (Leaf Music, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Tzimtzum<br \/>\n<\/i><\/b>Jaap Nico Hamburger, compositeur et cloches; Matt Dupont, harpe; Yegor Dyachkov et Juan Sebastian Delgado, violoncelle; Magali Simard-Gald\u00e8s et Measha Brueggergosman-Lee, sopranos; Marie-Andr\u00e9e Mathieu, alto; Gideon Zelermyer, t\u00e9nor; William Kraushaar, basse; Ilya Poletaev, Janelle Fung, Michael McMahon et Philip Chiu, piano; Axel Strauss, violon; Victor Fournelle-Blain, alto; Lara Deutsch, fl\u00fbte; Ensemble ArtChoral; Orchestre classique de Montr\u00e9al; Ensemble Caprice<br \/>\nLeaf Music, novembre 2023<\/p><\/blockquote>\n<p><i><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1047915 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-Jaap-Nico-Hamburge-cmyk.jpg\" alt=\"\" width=\"228\" height=\"228\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-Jaap-Nico-Hamburge-cmyk.jpg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-Jaap-Nico-Hamburge-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-Jaap-Nico-Hamburge-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-Jaap-Nico-Hamburge-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-Jaap-Nico-Hamburge-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-Jaap-Nico-Hamburge-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 228px) 100vw, 228px\" \/><\/i><\/p>\n<p>\u00ab\u00a0Tzimtzum\u00a0\u00bb\u00a0: mot h\u00e9breu d\u00e9crivant la premi\u00e8re \u00e9tape du processus de cr\u00e9ation de Dieu, une contraction de sa lumi\u00e8re infinie dans un espace pr\u00eat \u00e0 accueillir un nouveau royaume.<\/p>\n<p><i>Tzimtzum <\/i>: un album compos\u00e9 par Jaap Nico Hamburger qui r\u00e9unit une liste impressionnante d\u2019artistes en huit morceaux en vue de transporter les auditeurs vers un royaume musical magique.<\/p>\n<p>Hamburger \u00e9tablit d\u2019embl\u00e9e une sc\u00e8ne c\u00e9leste avec le titre de l\u2019album, un concept qui peut para\u00eetre clich\u00e9 pour une introduction, mais dont l\u2019ex\u00e9cution est loin de l\u2019\u00eatre. Le violoncelle profond de Delgado et la harpe grave de Dupont glissent sans effort \u00e0 travers la chorale enchanteresse et sans paroles de l\u2019Ensemble ArtChoral, avec en prime la r\u00e9sonance des cloches. Hamburger nous offre ici un moment de lumi\u00e8re, o\u00f9 les magnifiques couches m\u00e9lodiques deviennent un royaume naturel. Ces tonalit\u00e9s exclusivement optimistes ne peuvent cependant pas exister \u00e0 perp\u00e9tuit\u00e9 et c\u00e8dent bient\u00f4t la place aux tonalit\u00e9s sombres et difficiles du <i>Quatuor pour violon, alto, violoncelle et pianoforte<\/i>, puis des <i>Cloches sourdes<\/i> (pour deux pianos et cloches) et des <i>Souvenirs fugaces<\/i> pour piano. Sans l\u2019obscurit\u00e9, l\u2019anxi\u00e9t\u00e9 ou l\u2019incertitude pr\u00e9sent\u00e9es par ces morceaux, le pouvoir de la lumi\u00e8re n\u2019est pas aussi significatif, selon Hamburger. Le deuxi\u00e8me mouvement du quatuor se distingue par la combinaison irr\u00e9sistible du piano grave et staccato de Poletaev et du violon fr\u00e9n\u00e9tique de Strauss.<\/p>\n<p>Des centaines d\u2019ann\u00e9es de riche histoire musicale, de compositions intemporelles et d\u2019avanc\u00e9es technologiques sont explor\u00e9es dans les onze minutes de l\u2019\u0153uvre finale, <em>Concerto Antico<\/em>. Cet adieu affectueux refl\u00e8te l\u2019importance et l\u2019impact de la cr\u00e9ation, ainsi que la lumi\u00e8re de Hamburger qui brille autant \u00e0 la fin de l\u2019album qu\u2019au d\u00e9but.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0K5pHxXuRAFpYH7j2tWk5A?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1ZtyPyWa35gIu4feCRMLlk?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tzimtzum : un album compos\u00e9 par Jaap Nico Hamburger qui r\u00e9unit une liste impressionnante d\u2019artistes en huit morceaux en vue de transporter les auditeurs vers un royaume musical magique.<\/p>\n","protected":false},"author":25515,"featured_media":1047913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17265,17038,17275],"tags":[53740,23840,40411,56624,6051,56627,1806],"class_list":{"0":"post-1047918","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-contemporaine","8":"category-critiques-de-disques-et-livres","9":"category-musique-orchestrale","10":"tag-ensemble-artchoral","11":"tag-ensemble-caprice-fr-10","12":"tag-jaap-nico-hamburger-fr","13":"tag-new-release-fr","14":"tag-nouveaute","15":"tag-nouveaute-fr","16":"tag-review","17":"volume-volume-29","18":"issue-vol-29-issue-34-fr","19":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/11\/Tzimtzum.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1047918"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1047918"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1047918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1047913"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1047918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1047918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1047918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}