{"id":1044583,"date":"2023-10-06T09:00:10","date_gmt":"2023-10-06T13:00:10","guid":{"rendered":"https:\/\/myscena.org\/?p=1044583"},"modified":"2023-10-05T12:33:46","modified_gmt":"2023-10-05T16:33:46","slug":"critique-cd-clara-et-robert-schumann-musique-de-chambre-pour-cor-atma-classique-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-clara-et-robert-schumann-musique-de-chambre-pour-cor-atma-classique-2023\/","title":{"rendered":"Critique CD | Clara et Robert Schumann: Musique de chambre pour cor (Atma Classique, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Clara et Robert Schumann: <\/i><\/b><b><i>Musique de chambre pour cor<br \/>\n<\/i><\/b>Louis-Philippe Marsolais, cor; David Jalbert et Philip Chiu, piano; Cameron Crozman et St\u00e9phane T\u00e9treault, violoncelles<br \/>\nAtma Classique, juin 2023<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1044577 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-1024x1024.jpg\" alt=\"\" width=\"229\" height=\"229\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann.jpg 1400w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><\/p>\n<p>La douceur des compositions romantiques des Schumann n\u2019\u00e9chappe pas au corniste solo de l\u2019Orchestre M\u00e9tropolitain, Louis-Philippe Marsolais.<\/p>\n<p>Sur cet album, il fait preuve d\u2019une grande retenue en jouant en sourdine. Les notes douces de Marsolais d\u00e9rivent paisiblement au-dessus d\u2019un piano enthousiaste, jou\u00e9 par David Jalbert. Lorsque Marsolais est invit\u00e9 \u00e0 jouer plus fort, Jalbert veille \u00e0 maintenir un volume et une intensit\u00e9 similaires, cr\u00e9ant ainsi une douce synergie entre les deux instruments.<\/p>\n<p>Les mouvements de la troisi\u00e8me \u0153uvre, <i>Fantasiest\u00fccke<\/i>, alternent entre deux facettes de la personnalit\u00e9 de Robert Schumann\u00a0: le r\u00eaveur, repr\u00e9sent\u00e9 par le personnage d\u2019Eusebius, et le passionn\u00e9 Florestan. Marsolais et Jalbert vont encore plus loin. Les notes aigu\u00ebs et rapides du piano cr\u00e9ent l\u2019image d\u2019un Florestan travaillant avec acharnement et diligence, tandis que le cor suit de pr\u00e8s avec des m\u00e9lodies plus longues et r\u00e9sonnantes, construisant les id\u00e9aux et les objectifs \u00e9lev\u00e9s d\u2019Eusebius.<\/p>\n<p>Dans le deuxi\u00e8me mouvement <i>Adagio et Allegro<\/i>, Marsolais se d\u00e9barrasse d\u2019une partie de sa retenue et offre un jeu puissant. Jalbert fait de m\u00eame accompagn\u00e9 d\u2019un violoncelle dans <i>Andante et variations<\/i>, ce qui donne lieu \u00e0 plusieurs moments satisfaisants \u00e0 la fin de l\u2019album.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clara et Robert Schumann: Musique de chambre pour cor Louis-Philippe Marsolais, cor; David Jalbert et Philip Chiu, piano; Cameron Crozman et St\u00e9phane T\u00e9treault, violoncelles Atma Classique, juin 2023 La douceur des compositions romantiques des Schumann n\u2019\u00e9chappe pas au corniste solo de l\u2019Orchestre M\u00e9tropolitain, Louis-Philippe Marsolais. Sur cet album, il fait preuve d\u2019une grande retenue en<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-clara-et-robert-schumann-musique-de-chambre-pour-cor-atma-classique-2023\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1044580,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17273,36111],"tags":[44228,45781,36368,55129,50613,24090,49054,45026,55285,38311],"class_list":{"0":"post-1044583","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-de-chambre","9":"category-vents","10":"tag-schumann-fr","11":"tag-cameron-crozman","12":"tag-david-jalbert-fr","13":"tag-louis-philippe-marsolais-fr-3","14":"tag-louis-philippe-marsolais-fr","15":"tag-orchestre-metropolitain-fr-45","16":"tag-philip-chiu-fr-2","17":"tag-philip-chiu-fr","18":"tag-robert-schumann-fr","19":"tag-stephane-tetreault-fr","20":"volume-volume-29","21":"issue-vol-29-issue-2-fr","22":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-1-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Clara-et-Robert-Schumann-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1044583"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1044583"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1044583\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1044580"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1044583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1044583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1044583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}