{"id":1044492,"date":"2023-10-06T09:00:41","date_gmt":"2023-10-06T13:00:41","guid":{"rendered":"https:\/\/myscena.org\/?p=1044492"},"modified":"2023-10-05T11:08:48","modified_gmt":"2023-10-05T15:08:48","slug":"critique-cd-theme-variation-leaf-music-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/viktor-lazarov\/critique-cd-theme-variation-leaf-music-2023\/","title":{"rendered":"Critique CD | Theme: Variation (Leaf Music, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Theme: Variation<br \/>\n<\/i><\/b>David Rogosin, piano<br \/>\nLeaf Music, 2023<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1033323 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin-.jpg\" alt=\"\" width=\"213\" height=\"213\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin-.jpg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--768x768.jpg 768w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/p>\n<p>Paru en mars 2023 chez Leaf Music, <i>Theme: Variation<\/i> pr\u00e9sente une s\u00e9lection de variations pour clavier et piano, populaires ou moins connues, interpr\u00e9t\u00e9es par David Rogosin, professeur \u00e0 l\u2019Universit\u00e9 Mount Allison. Commen\u00e7ant par des \u0153uvres des compositeurs de la fin de la Renaissance et du d\u00e9but du baroque Orlando Gibbons et Jan Pieters Sweelinck, Rogosin traverse quatre si\u00e8cles de musique de compositeurs tels que Haendel, Mozart, Beethoven, Chopin et Babbitt et termine l\u2019album avec des variations postmodernes de Kevin Morse, un autre professeur de l\u2019Universit\u00e9 Mount Allison.<\/p>\n<p>Les premiers accords r\u00e9v\u00e8lent que Rogosin est un pianiste raffin\u00e9, dot\u00e9 d\u2019un beau toucher et d\u2019un timbre d\u00e9licat. Bien que son interpr\u00e9tation respecte g\u00e9n\u00e9ralement les conventions stylistiques, Rogosin interpr\u00e8te Gibbons, Sweelinck et Haendel avec un legato abondant et une p\u00e9dale fr\u00e9quente. Par moments, on souhaiterait une interpr\u00e9tation plus expressive, plus excitante sur le plan rythmique et plus marqu\u00e9e sur le plan m\u00e9trique.<\/p>\n<p>Le jeu de Rogosin en musique classique ancienne est plus satisfaisant. Il joue avec un ton doux et exquis, et son interpr\u00e9tation de Mozart se distingue par sa d\u00e9licatesse. Cela dit, le potentiel dramatique et d\u2019improvisation des variations <i>Ah\u00a0! Vous dirai-je maman<\/i> n\u2019est pas pleinement exploit\u00e9 et le finale est vacillant. Le Beethoven de Rogosin pr\u00e9sente \u00e9tonnamment une absence de dangers et de conflits, mais les variations plus lentes et plus myst\u00e9rieuses semblent mieux correspondre \u00e0 sa personnalit\u00e9 musicale.<\/p>\n<p>La touche de Rogosin est id\u00e9ale pour la <i>Berceuse<\/i> de Chopin, dans laquelle il d\u00e9montre ses talents d\u2019interpr\u00e8te et sa ma\u00eetrise de l\u2019instrument. Il est tout aussi \u00e0 l\u2019aise avec Babbit et Morse, dont les \u0153uvres sont enregistr\u00e9es et mix\u00e9es en toute harmonie par les ing\u00e9nieurs du son et les producteurs de l\u2019album. Bas\u00e9es sur une magnifique aria de J.\u00a0S. Bach, les variations de Morse combinent une vari\u00e9t\u00e9 de styles, oscillant entre Webern, Bart\u00f3k, la musique romantique et postromantique. De qualit\u00e9 et d\u2019originalit\u00e9 variables, elles offrent des moments d\u00e9licieux et des passages moins convaincants.<\/p>\n<p>Il convient de mentionner que l\u2019album est accompagn\u00e9 de notes de programme r\u00e9fl\u00e9chies, en anglais et en fran\u00e7ais, r\u00e9dig\u00e9es par le professeur Rogosin lui-m\u00eame.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Theme: Variation David Rogosin, piano Leaf Music, 2023 Paru en mars 2023 chez Leaf Music, Theme: Variation pr\u00e9sente une s\u00e9lection de variations pour clavier et piano, populaires ou moins connues, interpr\u00e9t\u00e9es par David Rogosin, professeur \u00e0 l\u2019Universit\u00e9 Mount Allison. Commen\u00e7ant par des \u0153uvres des compositeurs de la fin de la Renaissance et du d\u00e9but du<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/viktor-lazarov\/critique-cd-theme-variation-leaf-music-2023\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":35946,"featured_media":1044482,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17267],"tags":[55771,1189,37495,52619,55744,51833,55769,46170,45568,55772,55768,55770],"class_list":{"0":"post-1044492","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-piano-fr","9":"tag-babbit-fr","10":"tag-chopin","11":"tag-chopin-fr","12":"tag-david-rogosin-fr","13":"tag-j-s-bach-fr-2","14":"tag-j-s-bach-fr","15":"tag-jan-pieters-sweelinck-fr","16":"tag-leaf-music-fr-2","17":"tag-leaf-music-fr","18":"tag-morse-fr","19":"tag-mount-allison-university-fr","20":"tag-orlando-gibbons-fr","21":"volume-volume-29","22":"issue-vol-29-issue-2-fr","23":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Theme-Variation.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Theme-Variation-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/10\/Theme-Variation.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1044492"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/35946"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1044492"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1044492\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1044482"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1044492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1044492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1044492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}