{"id":1042075,"date":"2023-07-31T00:00:00","date_gmt":"2023-07-31T04:00:00","guid":{"rendered":"https:\/\/myscena.org\/?p=1042075"},"modified":"2023-09-07T15:28:22","modified_gmt":"2023-09-07T19:28:22","slug":"critique-cd-airs-baroques-deurope","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-airs-baroques-deurope\/","title":{"rendered":"Critique CD | Airs baroques d\u2019Europe (ALEA III, 2023)"},"content":{"rendered":"<blockquote><p><strong>Airs baroques d\u2019Europe<\/strong><br \/>\nThalia Moutopoulou, soprano; Michel Cardin, th\u00e9orbe; Chrysostomos Kalogridakis, t\u00e9nor\/guitare<br \/>\nALEA III, 2023<\/p><\/blockquote>\n<p>Cet album est le fruit d\u2019une riche collaboration entre la soprano Thalia Moutopoulou et le th\u00e9orbiste Michel Cardin dans le cadre d\u2019une Rencontre estivale annuelle ALEA III qui a eu lieu, comme chaque fois, sur l\u2019\u00eele grecque de Naxos. \u00c0 ce duo s\u2019est ajout\u00e9 le guitariste et t\u00e9nor Chrysostomos Kalogridakis pour proposer un r\u00e9pertoire d\u2019airs baroques issus de diverses \u00e9coles nationales, de l\u2019Italie \u00e0 la France et \u00e0 l\u2019Angleterre en passant par la Boh\u00eame, repr\u00e9sent\u00e9e par Johann Heinrich Schmelzer.<\/p>\n<p>Chrysostomos Kalogridakis intervient trois fois sur l\u2019album. Tout d\u2019abord comme guitariste, dans la Cantate espagnole, HWV 140, de Haendel et dans l\u2019air de Calisto de Cavalli, Restino imbalsamate. Ensuite, c\u2019est comme t\u00e9nor que l\u2019on a l\u2019occasion de l\u2019entendre dans le duo Zefiro torna de Monteverdi, en guise d\u2019ultime pi\u00e8ce au programme. Sa voix et celle de Thalia Moutopoulou sont tr\u00e8s compatibles. Dans l\u2019esprit polyphonique du compositeur, elles se r\u00e9pondent naturellement et se suivent bien harmoniquement, tout en exprimant la joie amoureuse. Comme soliste, la soprano \u00e9meut par la simplicit\u00e9 de son chant et son timbre cristallin dans l\u2019aigu, notamment dans des airs plus connus comme Si dolce \u00e8\u2019l tormento de Monteverdi et Music for a While de Purcell. Bien que le timbre n\u2019apparaisse pas aussi \u00e9toff\u00e9 dans les registres inf\u00e9rieurs et que la voix tende \u00e0 s\u2019essouffler, il s\u2019agit l\u00e0 d\u2019un album apaisant qu\u2019on peut bien vous recommander.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Airs baroques d\u2019Europe Thalia Moutopoulou, soprano; Michel Cardin, th\u00e9orbe; Chrysostomos Kalogridakis, t\u00e9nor\/guitare ALEA III, 2023 Cet album est le fruit d\u2019une riche collaboration entre la soprano Thalia Moutopoulou et le th\u00e9orbiste Michel Cardin dans le cadre d\u2019une Rencontre estivale annuelle ALEA III qui a eu lieu, comme chaque fois, sur l\u2019\u00eele grecque de Naxos. \u00c0<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-airs-baroques-deurope\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1041936,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17038],"tags":[55239,55237,55238,55236,38253,55235,55234],"class_list":{"0":"post-1042075","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-critiques-de-disques-et-livres","9":"tag-alea-iii-summer-encounter-fr","10":"tag-chrysostomos-kalogridakis-fr","11":"tag-johann-heinrich-schmelzer-fr","12":"tag-michel-cardin-fr","13":"tag-naxos-fr","14":"tag-thalia-moutopoulou-fr","15":"tag-theorbo-fr","16":"volume-volume-28","17":"issue-vol-28-issue-8-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/09\/1_MusicMirror_Baroqueariasfromeurope-1024x1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/09\/1_MusicMirror_Baroqueariasfromeurope-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/09\/1_MusicMirror_Baroqueariasfromeurope-1024x1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1042075"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1042075"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1042075\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1041936"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1042075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1042075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1042075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}