{"id":1041553,"date":"2023-09-01T09:00:03","date_gmt":"2023-09-01T13:00:03","guid":{"rendered":"https:\/\/myscena.org\/?p=1041553"},"modified":"2023-08-31T12:06:38","modified_gmt":"2023-08-31T16:06:38","slug":"critique-cd-il-ponte-di-leonardo-glossa-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/hassan-laghcha\/critique-cd-il-ponte-di-leonardo-glossa-2023\/","title":{"rendered":"Critique CD | Il ponte di Leonardo (Glossa, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Il ponte di Leonardo<br \/>\n<\/i><\/b>Tabassian, M. Beasley et Constantinople<br \/>\nGlossa, 2023<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1041549 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk.jpg\" alt=\"\" width=\"276\" height=\"276\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk.jpg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk-768x768.jpg 768w\" sizes=\"(max-width: 276px) 100vw, 276px\" \/><\/p>\n<p>Rencontre au sommet enregistr\u00e9e en concert entre Kiya Tabassian (direction artistique, sitar et voix) et les solistes virtuoses de son ensemble Constantinople avec le t\u00e9nor Marco Beasley, grand sp\u00e9cialiste des musiques de la Renaissance.<\/p>\n<p>Ce programme immersif dans les r\u00e9pertoires des grands centres culturels de l\u2019\u00e9poque (Perse, Empire ottoman et Italie de la Renaissance) met en musique le projet fou de Leonardo da Vinci : un pont reliant l\u2019Occident et l\u2019Orient \u00e0 travers le Bosphore et qui aurait pu \u00eatre l\u2019une des merveilles du monde \u00e0 l\u2019\u00e9poque.<\/p>\n<p>Les diff\u00e9rentes parties s\u2019inspirent d\u2019\u0153uvres musicales manuscrites des 16e et 17e si\u00e8cles conserv\u00e9es aux biblioth\u00e8ques de Florence et d\u2019Istanbul.<\/p>\n<p>Le m\u00e9rite de cette production est double. Ind\u00e9niablement, la symbolique de sa proposition interculturelle est d\u2019une grande actualit\u00e9, mais il faut saluer l\u2019impressionnant travail de recherche historique et musicologique d\u2019interpr\u00e9tation et de d\u00e9chiffrage dans des documents historiques et musicaux codifi\u00e9s qui sont souvent de simples notations de m\u00e9lodies. Cela exige de la patience et beaucoup d\u2019imagination pour tirer de cette mati\u00e8re des compositions et des arrangements au go\u00fbt de l\u2019auditoire du 21e si\u00e8cle. Le succ\u00e8s du programme est largement tributaire des talents des musiciens : Tanya LaPerri\u00e8re (violon baroque, viole d\u2019amour), Didem Ba\u015far (kanoun), Stefano Rocco (archiluth, guitare baroque), Fabio Accurso (luth), Marco Ferrari (fl\u00fbte) et Patrick Graham (percussions).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il ponte di Leonardo Tabassian, M. Beasley et Constantinople Glossa, 2023 Rencontre au sommet enregistr\u00e9e en concert entre Kiya Tabassian (direction artistique, sitar et voix) et les solistes virtuoses de son ensemble Constantinople avec le t\u00e9nor Marco Beasley, grand sp\u00e9cialiste des musiques de la Renaissance. Ce programme immersif dans les r\u00e9pertoires des grands centres culturels<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/hassan-laghcha\/critique-cd-il-ponte-di-leonardo-glossa-2023\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2816,"featured_media":1041549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17038],"tags":[643,44780,54929,40432,54925,54927,54930,44786,54923,54928,54932,44782],"class_list":{"0":"post-1041553","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-critiques-de-disques-et-livres","9":"tag-constantinople","10":"tag-didem-basar","11":"tag-fabio-accurso-fr","12":"tag-kiya-tabassian-fr","13":"tag-leonardo-da-vinci-fr","14":"tag-marco-beasley-fr","15":"tag-marco-ferrari-fr","16":"tag-patrick-graham-fr","17":"tag-renaissance-fr","18":"tag-stefano-rocco-fr","19":"tag-tanya-laperriere-fr","20":"tag-tanya-laperriere","21":"volume-volume-29","22":"issue-vol-29-issue-1-fr","23":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/08\/Il-ponte-di-Leonardo-Constantinople-cmyk.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1041553"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2816"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1041553"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1041553\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1041549"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1041553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1041553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1041553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}