{"id":1038084,"date":"2023-05-29T09:10:23","date_gmt":"2023-05-29T13:10:23","guid":{"rendered":"https:\/\/myscena.org\/?p=1038084"},"modified":"2023-05-29T09:10:23","modified_gmt":"2023-05-29T13:10:23","slug":"critique-cd-bruce-liu-bach-suite-francaise-n-5-deutsche-grammophon-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/pietro-freiburger\/critique-cd-bruce-liu-bach-suite-francaise-n-5-deutsche-grammophon-2023\/","title":{"rendered":"Critique CD | Bruce Liu\/Bach: Suite fran\u00e7aise n\u00b0 5 (Deutsche Grammophon, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Bruce Liu\/Bach\u00a0: Suite fran\u00e7aise n\u00b0 5, BWV 816<br \/>\n<\/i><\/b>Deutsche Grammophon, 2023<br \/>\nBruce Liu, piano<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1038061 size-medium alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No.jpg 1100w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Le nouvel album de Bruce Liu, laur\u00e9at du dernier Concours Chopin de Varsovie et ancien \u00e9tudiant \u00e0 l\u2019Universit\u00e9 de Montr\u00e9al, tourne autour de Bach. Plus pr\u00e9cis\u00e9ment, la <i>Suite fran\u00e7aise n\u00b0 5 en sol majeur<\/i>.<\/p>\n<p>En g\u00e9n\u00e9ral, l\u2019interpr\u00e9tation est \u00e9quilibr\u00e9e et expressive. L\u2019auditeur appr\u00e9ciera la meilleure qualit\u00e9 de Liu\u00a0: sa sonorit\u00e9, toujours riche et chaleureuse. N\u00e9anmoins, il manque parfois d\u2019une plus grande acuit\u00e9, tant dans le toucher que dans le choix des tempos. L\u2019allemande, qui ouvre la suite, met en valeur le <i>cantabile<\/i> de Liu, touchant et intime, ainsi que sa capacit\u00e9 \u00e0 mettre en valeur les contre-voix \u00e0 la main gauche. La courante est interpr\u00e9t\u00e9e avec vivacit\u00e9 et richesse de contrastes, tant dans la sonorit\u00e9 que dans l\u2019articulation, tandis que la sarabande est extr\u00eamement expressive et bien r\u00e9alis\u00e9e du point de vue de l\u2019ornementation. Il faut dire que certaines articulations brillantes enl\u00e8vent un peu d\u2019\u00e9quilibre \u00e0 l\u2019interpr\u00e9tation de ce mouvement. Il en va de m\u00eame pour le gavotte. Ici, le choix des sonorit\u00e9s est excellent, mais un certain rubato rend l\u2019interpr\u00e9tation un peu mani\u00e9r\u00e9e. La bourr\u00e9e est bien jou\u00e9e dans l\u2019alternance dynamique et l\u2019esprit de l\u2019interpr\u00e9tation baroque, tandis que la loure est peut-\u00eatre le meilleur mouvement de Liu. La musique de Bach, pour \u00eatre bien interpr\u00e9t\u00e9e, doit parfois \u00eatre abord\u00e9e de mani\u00e8re extr\u00eame : ne rien faire, ou chercher la limite, comme l\u2019a souvent fait Glenn Gould. Dans ce mouvement, Liu se contente de d\u00e9rouler le fil de la musique, sans rien faire d\u2019autre que de conduire les lignes m\u00e9lodiques et de souligner les contrepoints, parvenant ainsi \u00e0 donner une vision \u00ab objective \u00bb (si tant est qu\u2019une telle chose existe) de l\u2019\u0153uvre. La gigue est bien con\u00e7ue dans le choix du tempo et du phras\u00e9. Un bel enregistrement.<\/p>\n<p><iframe title=\"Spotify Embed: J.S. Bach: French Suite No. 5 in G Major, BWV 816\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1AkjO9G11SRUjliAZggy1h?utm_source=oembed\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bruce Liu\/Bach\u00a0: Suite fran\u00e7aise n\u00b0 5, BWV 816 Deutsche Grammophon, 2023 Bruce Liu, piano Le nouvel album de Bruce Liu, laur\u00e9at du dernier Concours Chopin de Varsovie et ancien \u00e9tudiant \u00e0 l\u2019Universit\u00e9 de Montr\u00e9al, tourne autour de Bach. Plus pr\u00e9cis\u00e9ment, la Suite fran\u00e7aise n\u00b0 5 en sol majeur. En g\u00e9n\u00e9ral, l\u2019interpr\u00e9tation est \u00e9quilibr\u00e9e et expressive.<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/pietro-freiburger\/critique-cd-bruce-liu-bach-suite-francaise-n-5-deutsche-grammophon-2023\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":30993,"featured_media":1038061,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17038,394,17267],"tags":[24188,46871,44559,28797],"class_list":{"0":"post-1038084","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-critiques-de-disques-et-livres","9":"category-musique-classique","10":"category-piano-fr","11":"tag-bach-fr-18","12":"tag-bruce-liu-fr","13":"tag-deutsche-grammophon-fr","14":"tag-piano-fr-2","15":"type-critique-de-disque","16":"volume-volume-28","17":"issue-vol-28-issue-7-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-1024x1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Bruce-Liu-Bach-French-Suite-No-1024x1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038084"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/30993"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1038084"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038084\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1038061"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1038084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1038084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1038084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}