{"id":1038082,"date":"2023-05-29T08:50:47","date_gmt":"2023-05-29T12:50:47","guid":{"rendered":"https:\/\/myscena.org\/?p=1038082"},"modified":"2023-05-29T08:50:47","modified_gmt":"2023-05-29T12:50:47","slug":"critique-cd-sibelius-3-4-atma-classique-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/paul-e-robinson\/critique-cd-sibelius-3-4-atma-classique-2023\/","title":{"rendered":"Critique CD | Sibelius 3 &#038; 4 (ATMA Classique, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Sibelius 3<\/i> &amp;<i> 4<\/i><\/b><i><br \/>\n<\/i><i>Symphonie n<\/i><i>o<\/i><i> 3 en do majeur, op. 52; Symphonie n<\/i><i>o<\/i><i> 4 en la mineur<\/i>, op. 63<i>.<br \/>\n<\/i>Orchestre M\u00e9tropolitain; Yannick N\u00e9zet-S\u00e9guin, chef d\u2019orchestre<br \/>\nATMA Classique 00720564453325<br \/>\nDur\u00e9e totale : 68\u00a0min 41<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1038073 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk.jpg 1400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Voici le dernier album de Yannick N\u00e9zet-S\u00e9guin et de l\u2019Orchestre M\u00e9tropolitain (OM), orchestre de sa ville natale. Le chef qu\u00e9b\u00e9cois est toujours tr\u00e8s actif en tant que directeur musical de l\u2019Orchestre de Philadelphie et du Metropolitan Opera, mais il continue \u00e0 faire preuve d\u2019une loyaut\u00e9 admirable envers la formation qui l\u2019a v\u00e9ritablement lanc\u00e9 sur la voie du succ\u00e8s. Ce nouveau CD est la suite d\u2019un cycle Sibelius entam\u00e9 en 2019 avec la <i>Symphonie n<\/i><i>o<\/i><i> 1<\/i> (\u00e9galement chez ATMA Classique).<\/p>\n<p>Les enregistrements de cycles de Sibelius ne manquent pas. On constate chaque ann\u00e9e de nouvelles sorties. Maintenant, la question\u00a0: Yannick et son orchestre rivalisent-ils avec les autres\u00a0? Absolument. L\u2019OM joue magnifiquement dans cette derni\u00e8re parution et la qualit\u00e9 de la captation dans la Maison symphonique est excellente. Yannick d\u00e9montre une r\u00e9elle affinit\u00e9 pour la musique du plus c\u00e9l\u00e8bre compositeur finlandais. Il trouve la douceur id\u00e9ale pour le mouvement lent de la <i>Symphonie n<\/i><i>o<\/i><i> 3<\/i> et \u00e0 nouveau dans le mouvement lent de la <i>Symphonie n<\/i><i>o<\/i><i> 4<\/i> (la partition contient beaucoup d\u2019indications<i> dolce<\/i>), mais il saisit \u00e9galement le myst\u00e8re et la puissance uniques du dernier mouvement. Mon seul reproche serait que le glockenspiel de ce dernier mouvement est \u00e0 peu pr\u00e8s inaudible.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sibelius 3 &amp; 4 Symphonie no 3 en do majeur, op. 52; Symphonie no 4 en la mineur, op. 63. Orchestre M\u00e9tropolitain; Yannick N\u00e9zet-S\u00e9guin, chef d\u2019orchestre ATMA Classique 00720564453325 Dur\u00e9e totale : 68\u00a0min 41 Voici le dernier album de Yannick N\u00e9zet-S\u00e9guin et de l\u2019Orchestre M\u00e9tropolitain (OM), orchestre de sa ville natale. Le chef qu\u00e9b\u00e9cois est<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/paul-e-robinson\/critique-cd-sibelius-3-4-atma-classique-2023\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":2769,"featured_media":1038073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,394,17275],"tags":[38596,24090,43598],"class_list":{"0":"post-1038082","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-classique","9":"category-musique-orchestrale","10":"tag-atma-classique-fr","11":"tag-orchestre-metropolitain-fr-45","12":"tag-yannick-nezet-seguin-fr-4","13":"type-critique-de-disque","14":"volume-volume-28","15":"issue-vol-28-issue-7-fr","16":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-1024x1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/SIBELIUS-3-_-4-OM-cmyk-1024x1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038082"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1038082"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038082\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1038073"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1038082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1038082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1038082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}