{"id":1038081,"date":"2023-05-29T06:14:40","date_gmt":"2023-05-29T10:14:40","guid":{"rendered":"https:\/\/myscena.org\/?p=1038081"},"modified":"2023-05-29T06:19:03","modified_gmt":"2023-05-29T10:19:03","slug":"critique-cd-concertos-pour-piano-de-clara-et-robert-schumann-warner-classics-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/paul-e-robinson\/critique-cd-concertos-pour-piano-de-clara-et-robert-schumann-warner-classics-2023\/","title":{"rendered":"Critique CD | Concertos pour piano de Clara et Robert Schumann (Warner Classics, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Concertos pour piano de Clara et Robert Schumann<br \/>\n<\/i><\/b>Robert Schumann : Concerto pour piano en la mineur, op. 54; Clara Schumann : Concerto pour piano en la mineur, op. 7.<br \/>\nBeatrice Rana, piano; Chamber Orchestra of Europe; Yannick N\u00e9zet-S\u00e9guin, chef d\u2019orchestre<br \/>\nWarner Classics 5054197296284<br \/>\nDur\u00e9e totale\u00a0: 57 min 20<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1038101 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Capture-d\u2019e\u0301cran-2023-05-29-a\u0300-06.11.34.png\" alt=\"\" width=\"360\" height=\"360\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Capture-d\u2019e\u0301cran-2023-05-29-a\u0300-06.11.34.png 360w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Capture-d\u2019e\u0301cran-2023-05-29-a\u0300-06.11.34-300x300.png 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Capture-d\u2019e\u0301cran-2023-05-29-a\u0300-06.11.34-100x100.png 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Capture-d\u2019e\u0301cran-2023-05-29-a\u0300-06.11.34-150x150.png 150w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/>Beatrice Rana a remport\u00e9 le Concours international de Montr\u00e9al en 2011 \u00e0 l\u2019\u00e2ge de 18 ans. Aujourd\u2019hui \u00e2g\u00e9e de 30 ans, cette excellente pianiste italienne est demand\u00e9e dans le monde entier.<\/p>\n<p>Clara Schumann a \u00e9crit son unique concerto pour piano \u00e0 l\u2019\u00e2ge de 14 ans et l\u2019a interpr\u00e9t\u00e9 pour la premi\u00e8re fois sous la direction de Mendelssohn. Parce qu\u2019elle \u00ab\u00a0n\u2019\u00e9tait qu\u2019une femme\u00a0\u00bb, son concerto est rest\u00e9 dans l\u2019ombre. L\u2019\u0153uvre m\u00e9rite mieux. Elle est merveilleuse par son invention m\u00e9lodique, son usage \u00e9blouissant du piano et son originalit\u00e9. On y trouve un ravissant solo de violoncelle dans le mouvement lent et un d\u00e9licieux dialogue entre les vents et le piano dans le final de la polonaise.<\/p>\n<p>Rana et Yannick N\u00e9zet-S\u00e9guin, ainsi que les excellents musiciens du Chamber Orchestra of Europe, jouent les concertos de Clara et de Robert Schumann avec une sensibilit\u00e9 et une souplesse romantique incomparables. En prime, Rana nous offre un rappel inspir\u00e9, l\u2019arrangement par Liszt de l\u2019une des cr\u00e9ations les plus m\u00e9morables de R. Schumann, la chanson <i>Widmung<\/i>. <b><\/b><b><\/b><\/p>\n<p><iframe title=\"Spotify Embed: Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: II. Romanze (Andante non troppo con grazia)\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6z2GzsSxhukgr9NAYG6hm7?utm_source=oembed\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Concertos pour piano de Clara et Robert Schumann Robert Schumann : Concerto pour piano en la mineur, op. 54; Clara Schumann : Concerto pour piano en la mineur, op. 7. Beatrice Rana, piano; Chamber Orchestra of Europe; Yannick N\u00e9zet-S\u00e9guin, chef d\u2019orchestre Warner Classics 5054197296284 Dur\u00e9e totale\u00a0: 57 min 20 Beatrice Rana a remport\u00e9 le Concours<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/paul-e-robinson\/critique-cd-concertos-pour-piano-de-clara-et-robert-schumann-warner-classics-2023\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2769,"featured_media":1038104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,394,17267],"tags":[54036,54037,43598],"class_list":{"0":"post-1038081","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-classique","9":"category-piano-fr","10":"tag-beatrice-rana-fr","11":"tag-chamber-orchestra-of-europe-fr","12":"tag-yannick-nezet-seguin-fr-4","13":"type-critique-de-disque","14":"volume-volume-28","15":"issue-vol-28-issue-7-fr","16":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Rana_Nezet_Seguin_pochette-e1685355523603.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Rana_Nezet_Seguin_pochette-e1685355523603-300x215.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Rana_Nezet_Seguin_pochette-e1685355523603.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038081"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1038081"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038081\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1038104"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1038081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1038081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1038081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}