{"id":1038058,"date":"2023-05-29T05:27:17","date_gmt":"2023-05-29T09:27:17","guid":{"rendered":"https:\/\/myscena.org\/?p=1038058"},"modified":"2023-05-29T05:37:04","modified_gmt":"2023-05-29T09:37:04","slug":"critique-cd-ave-maria-decca-classics-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-ave-maria-decca-classics-2023\/","title":{"rendered":"Critique CD | Ave Maria (Decca Classics, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Ave Maria<br \/>\n<\/i><\/b>Joseph Calleja, t\u00e9nor; \u00c9tienne Dupuis, baryton; Daniel Hope, violon; Orchestre philharmonique de Malte;<br \/>\nSergey Smabatyan, chef d\u2019orchestre<br \/>\nDecca Classics, 2023<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1038059 size-medium alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Pour c\u00e9l\u00e9brer sa 20e ann\u00e9e chez Decca, Joseph Calleja a entrepris son premier album de musique sacr\u00e9e, <i>Ave Maria<\/i>. Il propose quatre belles interpr\u00e9tations de ce classique, compos\u00e9 \u00e0 l\u2019origine par Schubert pour le troisi\u00e8me canto de <i>La dame du lac<\/i> et d\u00e9sormais arrang\u00e9 pour orchestre et t\u00e9nor. L\u2019album compte aussi diverses \u0153uvres de Rossini, Verdi, Bizet et Wagner.<\/p>\n<p>La premi\u00e8re moiti\u00e9 de l\u2019album t\u00e9moigne de la beaut\u00e9 ma\u00eetris\u00e9e de ces adaptations\u00a0: les m\u00e9lodies du violon et de l\u2019Orchestre philharmonique de Malte suivent le t\u00e9nor \u00e0 un volume nettement inf\u00e9rieur \u00e0 celui du chant, m\u00eame lorsqu\u2019il n\u2019est pas pr\u00e9sent. Cela donne \u00e0 Calleja une grande latitude pour d\u00e9montrer la force de sa voix. Et pourtant, le chanteur se montre d\u2019abord r\u00e9ticent \u00e0 chanter puissamment les notes aigu\u00ebs, optant plut\u00f4t pour une interpr\u00e9tation toute en intimit\u00e9. Il en r\u00e9sulte un sentiment de nostalgie qui accompagne l\u2019auditeur jusqu\u2019\u00e0 ce que le t\u00e9nor atteigne <i>Cujus animam gementem <\/i>de Rossini. \u00c0 mi-parcours, l\u2019orchestre et le chanteur trouvent leur confiance\u00a0: le premier rivalise parfois avec le second, qui d\u00e9couvre enfin toute la force de sa voix passionn\u00e9e.<\/p>\n<p>La tension et l\u2019\u00e9nergie que les musiciens d\u00e9gagent dans la seconde partie sont renforc\u00e9es par la br\u00e8ve apparition du baryton \u00c9tienne Dupuis. Sa voix semble distante par rapport \u00e0 celle de Calleja, ce qui ajoute de la profondeur aux \u0153uvres dans lesquelles il fait une apparition. Le fait d\u2019entendre Dupuis sur un plus grand nombre d\u2019\u0153uvres tout au long de l\u2019album aurait offert une plus grande vari\u00e9t\u00e9 \u00e0 l\u2019exp\u00e9rience discographique, mais le final plein d\u2019\u00e9motion de Calleja avec l\u2019interpr\u00e9tation originale de l\u2019<i>Ave Maria<\/i> de Schubert compense largement cette lacune.<\/p>\n<p><iframe title=\"Spotify Embed: Ave Maria\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1zWDM3Wn6KsklaposMNeyc?utm_source=oembed\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ave Maria Joseph Calleja, t\u00e9nor; \u00c9tienne Dupuis, baryton; Daniel Hope, violon; Orchestre philharmonique de Malte; Sergey Smabatyan, chef d\u2019orchestre Decca Classics, 2023 Pour c\u00e9l\u00e9brer sa 20e ann\u00e9e chez Decca, Joseph Calleja a entrepris son premier album de musique sacr\u00e9e, Ave Maria. Il propose quatre belles interpr\u00e9tations de ce classique, compos\u00e9 \u00e0 l\u2019origine par Schubert pour<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-ave-maria-decca-classics-2023\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1038059,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394,17251,399],"tags":[54026,53714,51926,40643,54029,54027,54028],"class_list":{"0":"post-1038058","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"category-musique-vocale","9":"category-opera-fr","10":"tag-ave-maria","11":"tag-daniel-hope-fr","12":"tag-decca-classics-fr","13":"tag-etienne-dupuis-fr","14":"tag-joseph-calleja-fr","15":"tag-orchestre-philharmonique-de-malte","16":"tag-sergey-smabatyan","17":"type-critique-de-disque","18":"volume-volume-28","19":"issue-vol-28-issue-7-fr","20":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-1024x1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/05\/Ave-Maria-Joseph-Calleja-cmyk-1024x1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038058"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1038058"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1038058\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1038059"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1038058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1038058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1038058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}