{"id":1033453,"date":"2023-03-28T14:44:03","date_gmt":"2023-03-28T19:44:03","guid":{"rendered":"https:\/\/myscena.org\/zenith-wolfe\/cd-review-theme-variation-leaf-music-2023\/"},"modified":"2023-10-05T11:05:17","modified_gmt":"2023-10-05T15:05:17","slug":"cd-review-theme-variation-leaf-music-2023","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/cd-review-theme-variation-leaf-music-2023\/","title":{"rendered":"Critique CD | Theme: Variation (Leaf music, 2023)"},"content":{"rendered":"<blockquote><p><b><i>Theme: Variation<br \/>\n<\/i><\/b>David Rogosin, piano<br \/>\nLeaf Music, 2023<\/p><\/blockquote>\n<p><i><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1033323 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin-.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Theme: Variation<\/i> ne doit pas \u00eatre pris \u00e0 la l\u00e9g\u00e8re \u2212 l\u2019album pour piano solo est une exp\u00e9rience conceptuelle qui donne \u00e0 r\u00e9fl\u00e9chir et qui m\u00e9rite de nombreuses \u00e9coutes actives.<\/p>\n<p>David Rogosin commence par <i>The Italian Ground<\/i> d\u2019Orlando Gibbons, suivi de <i>Mein Junges Leben Hat Ein End<\/i> et d\u2019<i>Est-ce Mars<\/i>, tous deux compos\u00e9s par Jan Pieterszoon Sweelinck. Ces compositions commencent lentement et calmement avant d\u2019\u00e9voluer vers des interpr\u00e9tations rapides et bruyantes, d\u00e9montrant l\u2019impact des variations de tempo et de volume sur la tonalit\u00e9. Il s\u2019agit d\u2019une p\u00e9riode de gr\u00e2ce qui permet \u00e0 l\u2019auditeur de se familiariser avec le concept de \u00ab\u00a0variation\u00a0\u00bb de Rogosin. Il introduit ensuite la <i>Berceuse<\/i>, opus 57, de Chopin pour illustrer la mani\u00e8re dont les mains d\u2019un pianiste se d\u00e9placent sur le clavier lorsqu\u2019elles affrontent des successions complexes de notes, attirant ainsi l\u2019attention sur les exigences physiques de l\u2019interpr\u00e9tation et sur la profondeur des talents de Rogosin.<\/p>\n<p>La mani\u00e8re dont Rogosin aborde la variation change \u00e9galement tout au long de l\u2019album. Les <i>Douze variations<\/i> de Mozart sur <i>Ah\u00a0! vous dirai-je, maman<\/i>, par exemple, offrent diff\u00e9rentes versions de la chanson populaire fran\u00e7aise du XVIIIe si\u00e8cle dont la m\u00e9lodie a \u00e9t\u00e9 adopt\u00e9e par la suite dans <i>Twinkle Twinkle Little Star<\/i> et la chanson de l\u2019alphabet en anglais. Parmi les changements de tonalit\u00e9, d\u2019intensit\u00e9 et de densit\u00e9 des notes, la m\u00e9lodie de cette composition unique reste reconnaissable, ce qui permet aux auditeurs d\u2019observer facilement les variations en temps r\u00e9el.<\/p>\n<p>En revanche, les <i>Variations<\/i> de Kevin Morse utilisent des m\u00e9lodies erratiques, discordantes et presque m\u00e9connaissables pour se d\u00e9barrasser des attentes en mati\u00e8re de rep\u00e9rage. Avec des noms descriptifs tels que <i>Quickly<\/i>, <i>Mechanical<\/i> et <i>Mysterious<\/i>, ces 12 compositions se concentrent sur la fa\u00e7on dont les notes sont jou\u00e9es et transform\u00e9es par diff\u00e9rents styles tonaux. En plus de d\u00e9montrer l\u2019organisation calcul\u00e9e des compositions de Rogosin, cet album t\u00e9moigne de son incroyable flexibilit\u00e9 stylistique. Il t\u00e9moigne \u00e9galement de sa capacit\u00e9 \u00e0 passer d\u2019un style \u00e0 l\u2019autre sur un coup de t\u00eate, tout en donnant l\u2019impression qu\u2019ils font partie d\u2019un tout coh\u00e9rent.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Theme: Variation David Rogosin, piano Leaf Music, 2023 Theme: Variation ne doit pas \u00eatre pris \u00e0 la l\u00e9g\u00e8re \u2212 l\u2019album pour piano solo est une exp\u00e9rience conceptuelle qui donne \u00e0 r\u00e9fl\u00e9chir et qui m\u00e9rite de nombreuses \u00e9coutes actives. David Rogosin commence par The Italian Ground d\u2019Orlando Gibbons, suivi de Mein Junges Leben Hat Ein End<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/zenith-wolfe\/cd-review-theme-variation-leaf-music-2023\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1033323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17261,17038,17277,17267],"tags":[37495,52619,46170,44109,53312],"class_list":{"0":"post-1033453","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-classique-fr","9":"category-critiques-de-disques-et-livres","10":"category-musique-canadienne","11":"category-piano-fr","12":"tag-chopin-fr","13":"tag-david-rogosin-fr","14":"tag-leaf-music-fr-2","15":"tag-mozart-fr","16":"tag-sweelinck-2-fr","17":"volume-volume-28","18":"issue-vol-28-issue-6-fr","19":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin-.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin--300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/03\/Theme-Variation-David-Rogosin-.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1033453"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1033453"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1033453\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1033323"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1033453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1033453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1033453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}