{"id":1030703,"date":"2023-02-18T17:46:28","date_gmt":"2023-02-18T22:46:28","guid":{"rendered":"https:\/\/myscena.org\/zenith-wolfe\/cd-review-albertine-en-cinq-temps-lopera-atma-classique-2022\/"},"modified":"2023-02-23T14:20:08","modified_gmt":"2023-02-23T19:20:08","slug":"cd-review-albertine-en-cinq-temps-lopera-atma-classique-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/cd-review-albertine-en-cinq-temps-lopera-atma-classique-2022\/","title":{"rendered":"Critique CD | Albertine en cinq temps \u2013 L\u2019op\u00e9ra (ATMA Classique, 2022)"},"content":{"rendered":"<blockquote><p><b><i>Albertine en cinq temps \u2013 L\u2019op\u00e9ra<br \/>\n<\/i><\/b>Chantal Lambert, Monique Pag\u00e9, Chantal Dionne, Catherine St-Arnaud, Marianne Lambert, sopranos; Florence Bourget, mezzo-soprano; Marie-Claude Roy, piano; M\u00e9lanie Vaugeois, violon; \u00c9lise Poulin, cor anglais; Annie Gadbois, violoncelle; Ana\u00efs Vigeant, contrebasse.<br \/>\nATMA Classique, 2022<\/p><\/blockquote>\n<p><i><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1030525 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/i><\/p>\n<p><i>Albertine en cinq temps &#8211; L\u2019op\u00e9ra<\/i> suit l\u2019histoire touchante d\u2019Albertine, une m\u00e8re qu\u00e9b\u00e9coise vieillissante qui r\u00e9fl\u00e9chit \u00e0 cinq parties diff\u00e9rentes de sa vie alors qu\u2019elle emm\u00e9nage dans une maison de retraite.<\/p>\n<p>Ce n\u2019est pas pour rien que la soprano Chantal Lambert incarne la voix la plus marquante de l\u2019op\u00e9ra, Albertine \u00e0 70 ans. Elle y d\u00e9verse son \u00e2me, incarnant avec une langue ac\u00e9r\u00e9e et une profondeur vocale la rage persistante mais sourde propre \u00e0 son personnage. Les vocalises plus puissantes et plus fortes de Catherine St-Arnaud d\u00e9peignent une Albertine de 30 ans saisissante de rage. La voix plus douce de Chantal Dionne, en revanche, injecte de l\u2019incertitude dans l\u2019Albertine de 50 ans. Ce contraste entre les personnalit\u00e9s est particuli\u00e8rement \u00e9vident dans <i>La rue Fabre<\/i>, la premi\u00e8re composition qui r\u00e9unit les cinq personnages d\u2019Albertine. Le fait que de telles subtilit\u00e9s soient pr\u00e9sentes m\u00eame lorsque toutes les sopranos chantent simultan\u00e9ment et que cela sonne si naturel t\u00e9moigne du talent de l\u2019\u00e9quipe du livret \u00e0 recr\u00e9er la c\u00e9l\u00e8bre pi\u00e8ce de Michel Tremblay.<\/p>\n<p>Les instruments fournissent \u00e9galement un accompagnement \u00e9tonnant. Le piano offre une belle m\u00e9lodie de fond, simple \u00e0 suivre, tandis que les cordes guident doucement l\u2019auditeur \u00e0 travers les paroles, intervenant dans les moments de silence pour renforcer l\u2019intensit\u00e9 \u00e9motionnelle du chant.<\/p>\n<p>Cet album vaut la peine d\u2019\u00eatre \u00e9cout\u00e9 pour d\u00e9couvrir l\u2019\u00e9volution d\u2019Albertine et l\u2019acceptation de son fardeau changeant dans la vie \u2212 et vaut la peine d\u2019\u00eatre \u00e9cout\u00e9 une centaine de fois, juste pour en appr\u00e9cier la musique enchanteresse.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Albertine en cinq temps \u2013 L\u2019op\u00e9ra Chantal Lambert, Monique Pag\u00e9, Chantal Dionne, Catherine St-Arnaud, Marianne Lambert, sopranos; Florence Bourget, mezzo-soprano; Marie-Claude Roy, piano; M\u00e9lanie Vaugeois, violon; \u00c9lise Poulin, cor anglais; Annie Gadbois, violoncelle; Ana\u00efs Vigeant, contrebasse. ATMA Classique, 2022 Albertine en cinq temps &#8211; L\u2019op\u00e9ra suit l\u2019histoire touchante d\u2019Albertine, une m\u00e8re qu\u00e9b\u00e9coise vieillissante qui r\u00e9fl\u00e9chit<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/zenith-wolfe\/cd-review-albertine-en-cinq-temps-lopera-atma-classique-2022\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1030526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17279,399],"tags":[52664,52665,44100,34493,52666,31487,45677,52667,49110,52668,52669,52670,45678],"class_list":{"0":"post-1030703","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-quebec-fr","9":"category-opera-fr","10":"tag-anais-vigeant-fr","11":"tag-annie-gadbois-fr","12":"tag-atma-classique-fr-2","13":"tag-catherine-major","14":"tag-catherine-st-arnaud-2-fr","15":"tag-chantal-dionne","16":"tag-chantal-lambert","17":"tag-elise-poulin-fr-3","18":"tag-florence-bourget-fr-2","19":"tag-marianne-lambert-fr-2","20":"tag-marie-claude-roy-fr","21":"tag-melanie-vaugeois-fr","22":"tag-monique-page","23":"type-critique-de-disque","24":"volume-volume-28","25":"issue-vol-28-issue-5-fr","26":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2023\/02\/Albertine-en-cinq-temps-\u2013-L\u2019op\u00e9ra-cmyk.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1030703"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1030703"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1030703\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1030526"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1030703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1030703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1030703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}