{"id":1026831,"date":"2022-12-03T00:00:00","date_gmt":"2022-12-03T05:00:00","guid":{"rendered":"http:\/\/myscena.org\/?p=1026831"},"modified":"2023-01-17T00:05:08","modified_gmt":"2023-01-17T05:05:08","slug":"critiquequi-a-tue-mon-pere-le-retour","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/critiquequi-a-tue-mon-pere-le-retour\/","title":{"rendered":"Critique | QUI A TU\u00c9 MON P\u00c8RE : le retour"},"content":{"rendered":"<p>Derni\u00e8re semaine de <em>QUI A TU\u00c9 MON P\u00c8RE<\/em>, d\u2019apr\u00e8s l\u2019auteur fran\u00e7ais \u00c9douard Louis, dans une mise en sc\u00e8ne \u00e9pur\u00e9e de J\u00e9r\u00e9mie Niel. Un spectacle vraiment digne d\u2019int\u00e9r\u00eat, avec une \u00e9quipe d\u2019enfer: F\u00e9lix-Antoine Boutin livre le texte avec finesse, soutenu par Martin Faucher, tr\u00e8s solide. Jusqu\u2019au 10 d\u00e9cembre <a href=\"https:\/\/quatsous.com\/\">quatsous.com<\/a><\/p>\n<div id=\"attachment_1026833\" style=\"width: 712px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1026833\" class=\"size-large wp-image-1026833\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486-819x1024.jpg\" alt=\"F\u00e9lix-Antoine Boutin et Martin Faucher dans QUI A TU\u00c9 MON P\u00c8RE , sur la sc\u00e8ne du Quat\u2019Sous. Cr\u00e9dit photo : Fabrice Ga\u00ebtan\" width=\"702\" height=\"878\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486-819x1024.jpg 819w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486-300x375.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486-600x750.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486-240x300.jpg 240w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486-768x960.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486-1229x1536.jpg 1229w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3486.jpg 1280w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><p id=\"caption-attachment-1026833\" class=\"wp-caption-text\">F\u00e9lix-Antoine Boutin et Martin Faucher dans QUI A TU\u00c9 MON P\u00c8RE , sur la sc\u00e8ne du Quat\u2019Sous.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cr\u00e9dit photo : Fabrice Ga\u00ebtan<\/p><\/div>\n<p><em>QUI A TU\u00c9 MON P\u00c8RE<\/em> est tir\u00e9 du troisi\u00e8me roman, \u00e9ponyme, d\u2019\u00c9douard Louis. Un \u00e9crivain parisien gay, Eddy, rend visite \u00e0 son p\u00e8re gravement malade, avec qui il avait coup\u00e9 les ponts, dans le nord de la\u202fFrance. Il revisite son enfance, ose parler au p\u00e8re, qui ne valorisait que la masculinit\u00e9 brute. Tr\u00e8s vite, le c\u00f4t\u00e9 f\u00e9minin du fils \u00e9tait devenu un sujet de moquerie pour la famille et le village, avec la violence et la pauvret\u00e9 en toile de fond.<\/p>\n<p>Dans une p\u00e9nombre ch\u00e8re \u00e0 J\u00e9r\u00e9mie Niel, (\u00c9clairages C\u00e9dric Delorme-Bouchard) les deux hommes se retrouvent autour d\u2019une table de cuisine. Eddy (F\u00e9lix-Antoine Boutin) nous tourne le dos, en face, le p\u00e8re (Martin Faucher) est v\u00eatu d\u2019habits fatigu\u00e9s (costumes L\u00e9onie Blanchet). Muet, tendu, il boit les paroles et l\u2019analyse du fils devenu sociologue. De temps en temps, un \u00e9clair de fiert\u00e9, l\u2019ombre d&#8217;un sourire passe sur le visage du p\u00e8re. Puis les deux com\u00e9diens se rapprochent, ils bougent comme s&#8217;ils \u00e9taient aimant\u00e9s. La complicit\u00e9 est \u00e9vidente.<\/p>\n<div id=\"attachment_1026835\" style=\"width: 712px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1026835\" class=\"size-large wp-image-1026835\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658-819x1024.jpg\" alt=\"La complicit\u00e9 entre F\u00e9lix-Antoine Boutin et Martin Faucher est \u00e9vidente. Cr\u00e9dit photo : Fabrice Ga\u00ebtan\" width=\"702\" height=\"878\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658-819x1024.jpg 819w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658-300x375.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658-600x750.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658-240x300.jpg 240w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658-768x960.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658-1229x1536.jpg 1229w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/ptrus_Fabrice-Gae\u0308tan-3658.jpg 1280w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><p id=\"caption-attachment-1026835\" class=\"wp-caption-text\">La complicit\u00e9 entre F\u00e9lix-Antoine Boutin et Martin Faucher est \u00e9vidente. Cr\u00e9dit photo : Fabrice Ga\u00ebtan<\/p><\/div>\n<p>Une mani\u00e8re de tango du pardon se danse sur sc\u00e8ne. Dans son long monologue, Eddy laisse l&#8217;intime. Il se r\u00e9volte maintenant contre Macron et Sarkozy, ces politiques avaricieux et leurs d\u00e9cisions qui font tant de mal aux gagne-petit dont son p\u00e8re fait partie. Le fils qui a fui revient pour prendre parole, mettre en perspective et montrer le lien de cause \u00e0 effet entre violence sociale et familiale. Boutin a une voix un peu fragile et sa silhouette mince convient parfaitement au personnage d&#8217;Eddy.<\/p>\n<p>J\u00e9r\u00e9mie Niel adapte avec succ\u00e8s <em>QUI A TU\u00c9 MON P\u00c8RE<\/em> au th\u00e9\u00e2tre pour la premi\u00e8re fois au Qu\u00e9bec. Le texte est un \u00e9tat des lieux cruel et le r\u00e9sultat est visuellement r\u00e9ussi. On retrouve le J\u00e9r\u00e9mie Niel qu\u2019on aime. Mention sp\u00e9ciale \u00e0 la bande son tonitruante mais plaisante qui entrecoupe radicalement le discours d\u2019Eddy (trame sonore Francis Rossignol et Sylvain Bellemare, oscaris\u00e9 pour la bande son d\u2019<em>Arrival<\/em> de Denis Villeneuve).<\/p>\n<p><em>QUI A TU\u00c9 MON P\u00c8RE<\/em>, de la compagnie <a href=\"https:\/\/www.ptrus.net\/aproposdepetrus\">P\u00e9trus<\/a>. \u00c0 voir jusqu\u2019au 10 d\u00e9cembre\u00a0<a href=\"https:\/\/quatsous.com\/\">quatsous.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Derni\u00e8re semaine de QUI A TU\u00c9 MON P\u00c8RE, d\u2019apr\u00e8s l\u2019auteur fran\u00e7ais \u00c9douard Louis, dans une mise en sc\u00e8ne \u00e9pur\u00e9e de J\u00e9r\u00e9mie Niel. Un spectacle vraiment digne d\u2019int\u00e9r\u00eat, avec une \u00e9quipe d\u2019enfer: F\u00e9lix-Antoine Boutin livre le texte avec finesse, soutenu par Martin Faucher, tr\u00e8s solide. Jusqu\u2019au 10 d\u00e9cembre quatsous.com QUI A TU\u00c9 MON P\u00c8RE est tir\u00e9<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/critiquequi-a-tue-mon-pere-le-retour\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1026827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013,17036,17243,29949,401],"tags":[52085,52081,52084,52086,52089,52090,52082,52083,52087,47717,35417,52088],"class_list":{"0":"post-1026831","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"category-critiques-de-spectacles","9":"category-la-scena-en-ligne","10":"category-les-arts-scena","11":"category-theatre-fr","12":"tag-cedric-delorme-bouchard","13":"tag-edouard-louis","14":"tag-felix-antoine-boutin","15":"tag-francis-rossignol","16":"tag-jeremie-niel","17":"tag-leonie-blanchet","18":"tag-petrus","19":"tag-quatsous-com","20":"tag-sylvain-bellemare","21":"tag-theatre-contemporain","22":"tag-theatre-quebecois","23":"tag-martin-faucher-fr","24":"type-critique"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/4CCEDA28-1083-4762-B5B0-CBED7ADBF74F-1024x576.jpeg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/4CCEDA28-1083-4762-B5B0-CBED7ADBF74F-300x169.jpeg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/12\/4CCEDA28-1083-4762-B5B0-CBED7ADBF74F-1024x576.jpeg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1026831"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1026831"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1026831\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1026827"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1026831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1026831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1026831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}