{"id":1024665,"date":"2022-10-31T12:17:31","date_gmt":"2022-10-31T16:17:31","guid":{"rendered":"http:\/\/myscena.org\/?p=1024665"},"modified":"2022-10-31T12:17:31","modified_gmt":"2022-10-31T16:17:31","slug":"luc-beausejour-bach-un-itineraire-oeuvres-de-clavecin-de-la-jeunesse-a-la-maturite","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/luc-beausejour-bach-un-itineraire-oeuvres-de-clavecin-de-la-jeunesse-a-la-maturite\/","title":{"rendered":"Luc Beaus\u00e9jour,  BACH, UN ITIN\u00c9RAIRE  \u0152uvres de clavecin de la jeunesse \u00e0 la maturit\u00e9"},"content":{"rendered":"<p><strong>Montr\u00e9al, le 31 octobre 2022.<\/strong> Le clavecin, comme l\u2019orgue, a occup\u00e9 Bach, qui touchait les claviers en virtuose, dans toutes les villes o\u00f9 s\u2019est d\u00e9roul\u00e9e sa carri\u00e8re. Des toccatas \u00e9chevel\u00e9es de sa jeunesse aux rigoureuses constructions contrapuntiques de sa maturit\u00e9, en passant par le <i>Concerto italien <\/i>et la<i> Fantaisie chromatique et fugue<\/i>, Luc Beaus\u00e9jour propose de parcourir, pour en saisir la vari\u00e9t\u00e9 et l\u2019\u00e9volution, les diff\u00e9rents styles qui marqu\u00e8rent son art au long de sa vie.<\/p>\n<h4 align=\"center\">Programme<\/h4>\n<p align=\"center\"><b>Arnstadt<\/b><b><u><\/u><u><\/u><\/b><\/p>\n<p align=\"center\"><i>Capriccio sur le d\u00e9part de son fr\u00e8re bien-aim\u00e9,<\/i> en <i> si<\/i> be\u0301mol majeur,<i> <\/i>BWV 992 (1704)<u><\/u><u><\/u><\/p>\n<p align=\"center\"><u><\/u>\u00a0<u><\/u><\/p>\n<p align=\"center\"><b>Weimar<\/b> <u><\/u><u><\/u><\/p>\n<p align=\"center\"><i>Toccata <\/i>en<i>\u202fmi\u202f<\/i>mineur<i>, <\/i>BWV 914, (1710)<u><\/u><u><\/u><\/p>\n<p align=\"center\"><u><\/u>\u00a0<u><\/u><\/p>\n<p align=\"center\"><b>Coethen <\/b><b><u><\/u><u><\/u><\/b><\/p>\n<p align=\"center\"><i>Pr\u00e9lude et fugue <\/i>en\u202f<i>do<\/i>\u202fmajeur<i>, <\/i>BWV 846 (<i>Clavier bien temp\u00e9r\u00e9<\/i>, livre I, v. 1720)<u><\/u><u><\/u><\/p>\n<p align=\"center\"><i>Fantaisie chromatique et fugue,<\/i> en <i>r\u00e9<\/i> mineur<i> <\/i>BWV 903 (v. 1720)<u><\/u><u><\/u><\/p>\n<p align=\"center\"><u><\/u>\u00a0<u><\/u><\/p>\n<p align=\"center\"><b>Leipzig <u><\/u><u><\/u><\/b><\/p>\n<p align=\"center\"><i>Concerto dans le go\u00fbt italien,<\/i> en <i>fa<\/i> majeur<i> <\/i>BWV 971 (<i>Clavier-u\u0308bung II<\/i>, 1735)<\/p>\n<p align=\"center\"><i>Pr\u00e9lude, fugue et allegro<\/i> en <i>mi<\/i> b\u00e9mol majeur<i> <\/i>BWV 998 (1735-1740)<i><u><\/u><u><\/u><\/i><\/p>\n<p align=\"center\"><i>Ricercar a 3<\/i> en <i>do<\/i> mineur, extrait de l\u2019<i>Offrande musicale<\/i>, BWV 1079 (1747)<u><\/u><u><\/u><\/p>\n<p><u><\/u>\u00a0<u><\/u><\/p>\n<p>Luc Beaus\u00e9jour jouera sur une copie d\u2019un clavecin Dulcken fabriqu\u00e9e par Yves Beaupr\u00e9 en 2012<u><\/u><u><\/u><\/p>\n<p><u><\/u>\u00a0<u><\/u><\/p>\n<p>Lien billetterie du Festival Bach\u202f: <a href=\"https:\/\/bit.ly\/3V3TB7D\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/bit.ly\/3V3TB7D&amp;source=gmail&amp;ust=1667316571599000&amp;usg=AOvVaw2TDYQJjNxr_nILp29K-JgQ\">https:\/\/bit.ly\/3V3TB7D<\/a><\/p>\n<p><b><i><u><\/u>\u00a0<u><\/u><\/i><\/b><\/p>\n<h4><i>BACH, UN ITIN\u00c9RAIRE<\/i><\/h4>\n<p>\u0152uvres de clavecin de la jeunesse \u00e0 la maturit\u00e9<u><\/u><u><\/u><\/p>\n<p>Luc Beaus\u00e9jour, clavecin<u><\/u><u><\/u><\/p>\n<p>Lieu\u202f: chapelle Notre-Dame-de-Bon-Secours, Vieux-Montr\u00e9al<u><\/u><u><\/u><\/p>\n<p><u><\/u>\u00a0<u><\/u><\/p>\n<p><b>Billets<\/b>\u202f(taxes et frais de services inclus)<u><\/u><u><\/u><\/p>\n<p>Section 1\u202f: 50 $<u><\/u><u><\/u><\/p>\n<p>Section 2\u202f: 35 $<u><\/u><u><\/u><\/p>\n<p>Section 3\u202f: 20 $<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"J.S. Bach, Clavier bien temp\u00e9r\u00e9, Well tempered Clavier\" width=\"702\" height=\"395\" src=\"https:\/\/www.youtube.com\/embed\/CEfUaUbo8DY?start=67&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al, le 31 octobre 2022. Le clavecin, comme l\u2019orgue, a occup\u00e9 Bach, qui touchait les claviers en virtuose, dans toutes les villes o\u00f9 s\u2019est d\u00e9roul\u00e9e sa carri\u00e8re. Des toccatas \u00e9chevel\u00e9es de sa jeunesse aux rigoureuses constructions contrapuntiques de sa maturit\u00e9, en passant par le Concerto italien et la Fantaisie chromatique et fugue, Luc Beaus\u00e9jour propose<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/luc-beausejour-bach-un-itineraire-oeuvres-de-clavecin-de-la-jeunesse-a-la-maturite\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":1024667,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922],"tags":[17886],"class_list":{"0":"post-1024665","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"tag-luc-beausejour"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/10\/Luc_Beausejour_MTS0069_300dpi2-4130133363.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/10\/Luc_Beausejour_MTS0069_300dpi2-4130133363-300x197.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/10\/Luc_Beausejour_MTS0069_300dpi2-4130133363.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1024665"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1024665"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1024665\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1024667"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1024665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1024665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1024665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}