{"id":1021502,"date":"2022-10-12T18:51:11","date_gmt":"2022-10-12T22:51:11","guid":{"rendered":"http:\/\/myscena.org\/?p=1021502"},"modified":"2022-10-12T18:51:11","modified_gmt":"2022-10-12T22:51:11","slug":"communique-la-foret-enchantee-vivez-une-halloween-baroque","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/communique-la-foret-enchantee-vivez-une-halloween-baroque\/","title":{"rendered":"Communiqu\u00e9 | La For\u00eat enchant\u00e9e : Vivez une Halloween baroque !"},"content":{"rendered":"

Montr\u00e9al, le 12 octobre 2022 <\/strong>– Les Id\u00e9es heureuses<\/strong> et Les Jardins Chor\u00e9graphiques <\/strong>pr\u00e9sentent un spectacle envo\u00fbtant sur le th\u00e8me de l\u2019Halloween le vendredi 28 octobre 2022 \u00e0 20 h \u00e0 la Salle Pierre-Mercure<\/strong> du Centre Pierre-P\u00e9ladeau.<\/p>\n

D\u00e9couvrez une \u00e9tonnante vari\u00e9t\u00e9 de musiques<\/strong> du g\u00e9nial compositeur italien Francesco Geminiani <\/strong>(1687-1762), \u00e0 travers du r\u00e9pertoire instrumental (clavecin et guitare anglaise) et vocal (airs folkloriques \u00e9cossais).<\/p>\n

En seconde partie, la pantomime La For\u00eat Enchant\u00e9e<\/em><\/strong> (1761) est chor\u00e9graphi\u00e9e et mise en sc\u00e8ne avec costumes et d\u00e9cors. Le spectateur plonge dans l\u2019univers myst\u00e9rieux<\/strong> des croisades du XIIe si\u00e8cle. Histoire d\u2019amour et \u00e9preuves fantastiques<\/strong> attendent les personnages aux prises avec une for\u00eat envout\u00e9e par un puissant sorcier et des sorci\u00e8res.<\/p>\n

Ce spectacle allie musique, chant, cr\u00e9ations visuelles, costumes, pantomime et danse. Il s\u2019adresse \u00e0 un public familial autant qu\u2019aux m\u00e9lomanes \u00e0 la recherche de nouveaux r\u00e9pertoires.<\/p>\n

Le spectacle est commandit\u00e9 par le Festival Classica.<\/p>\n

PROGRAMME : Musique de Francesco GEMINIANI (1687 – 1762)<\/h3>\n

Partie 1<\/h4>\n

o Song<\/em> 3. When Phoebus bright<\/em><\/strong> ; Chanson \u00e9cossaise extraite de A treatise of good Taste in the art of Musick<\/em> (Londres, 1749) o Sonate II en do<\/em> mineur <\/strong>pour la guitare anglaise dite Cittra \u2013 un instrument rarement entendu \u2013 avec une basse de violoncelle ; Extrait du trait\u00e9 The Art of Playing the Guitar or Cittra<\/em> d\u00e9di\u00e9 \u00e0 la comtesse de Charleville (\u00c9dimbourg, 1760) o Song <\/em>4. O Bessy Bell <\/em><\/strong>; Chanson \u00e9cossaise extraite de A treatise of good Taste in the art of Musick (Londres, 1749) <\/em>o Pi\u00e8ces de clavecin<\/strong> : Amoureusement <\/em>et Vivement<\/em> (Londres et Paris, 1743)<\/p>\n

o Song<\/em> 1. The Lass of Peaty\u2019s Mill <\/em><\/strong>; Chanson \u00e9cossaise extraite de A treatise of good Taste in the art of Musick (Londres, 1749)<\/em><\/p>\n

Partie 2<\/h4>\n

o Pantomime La For\u00eat Enchant\u00e9e<\/em><\/strong> mise en sc\u00e8ne par Marie-Nathalie Lacoursi\u00e8re d\u2019apr\u00e8s le po\u00e8me \u00e9pique J\u00e9rusalem lib\u00e9r\u00e9e (<\/em>1581) du po\u00e8te Torquato Tasso (1544-1595), dit Le Tasse<\/p>\n

Les Id\u00e9es heureuses<\/h4>\n

Od\u00e9i Bilodeau<\/strong>, soprano ; Olivier Brault<\/strong>, premier violon et direction musicale ; Guillaume Villeneuve<\/strong>, premier violon ; H\u00e9l\u00e8ne Plouffe<\/strong> et Tanya LaPerri\u00e8re<\/strong>, violons ; Anne Thivierge<\/strong> et Gr\u00e9goire Jeay<\/strong>, fl\u00fbtes traversi\u00e8res ; Sari Tsuji<\/strong> et Jacques-Andr\u00e9 Houle<\/strong>, altos ; Amanda Keesmaat<\/strong>, violoncelle ;<\/p>\n

Francis Palma-Pelletier<\/strong>, contrebasse ; Simon Poirier <\/strong>et Alice Lane<\/strong>, cors ; Karim Nasr<\/strong>, basson ;<\/p>\n

Pascal Valois<\/strong>, guitare anglaise ; Doroth\u00e9a Ventura<\/strong>, clavecin continuo ; Genevi\u00e8ve Soly<\/strong>, clavecin solo et commentaires.<\/p>\n

Les Jardins Chor\u00e9graphiques, danse baroque<\/h4>\n

Marie-Nathalie Lacoursi\u00e8re<\/strong>, mise en sc\u00e8ne, co-directrice artistique, chor\u00e9graphie et danse ; St\u00e9phanie Brochard<\/strong>, co-directrice artistique, chor\u00e9graphie et danse ; Anne-Marie Gardette<\/strong> et<\/p>\n

Bobby Thompson<\/strong>, danse ; Noah Labranche<\/strong>, com\u00e9dien.<\/p>\n

Conceptrices et concepteur<\/h4>\n

Caroline Guilbault<\/strong>, dessins ; Val\u00e9rie Tremblay Blouin<\/strong>, costumes ; Asia Fortier<\/strong> et<\/p>\n

Cassandre Jos\u00e9povic<\/strong>, stagiaires du coll\u00e8ge LaSalle en Design de costume ;<\/p>\n

Ernsline Pierre<\/strong>, accessoires ; Jean-Fran\u00e7ois Gagnon<\/strong>, consultant ma\u00eetre d\u2019armes.<\/p>\n

\n

INFORMATIONS DE BILLETTERIE<\/h3>\n

Les frais de service et les taxes sont inclus dans tous les prix.<\/p>\n

LA FOR\u00caT ENCHANT\u00c9E<\/em><\/h3>\n

Grand public 44 $ \/ 34 ans et moins 23 $ \/\u00a0 18 ans et moins gratuit<\/p>\n

Par t\u00e9l\u00e9phone du lundi au vendredi de 12 h \u00e0 18 h au 514 987-6919<\/p>\n

Billets en ligne, renseignements et programmation compl\u00e8te \u00e0 Salle Pierre-Mercure | UQAM<\/a><\/p>\n

La Salle Pierre-Mercure est situ\u00e9e au 300, Boulevard de Maisonneuve Est, \u00e0 Montr\u00e9al.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Montr\u00e9al, le 12 octobre 2022 – Les Id\u00e9es heureuses et Les Jardins Chor\u00e9graphiques pr\u00e9sentent un spectacle envo\u00fbtant sur le th\u00e8me de l\u2019Halloween le vendredi 28 octobre 2022 \u00e0 20 h \u00e0 la Salle Pierre-Mercure du Centre Pierre-P\u00e9ladeau. D\u00e9couvrez une \u00e9tonnante vari\u00e9t\u00e9 de musiques du g\u00e9nial compositeur italien Francesco Geminiani (1687-1762), \u00e0 travers du r\u00e9pertoire instrumental<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":1021503,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922],"tags":[51411,39153,32412,51409,29582,47615,47616,51406,51408,39154,38235,51405,32409,48330,51407,51410,44782],"class_list":{"0":"post-1021502","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"tag-alice-lane","9":"tag-amanda-keesmaat","10":"tag-dorothea-ventura","11":"tag-francis-palma-pelletier","12":"tag-genevieve-soly","13":"tag-gregoire-jeay","14":"tag-guillaume-villeneuve","15":"tag-helene-plouffe","16":"tag-jacques-andre-houle","17":"tag-karim-nasr","18":"tag-marie-nathalie-lacoursiere","19":"tag-odei-bilodeau","20":"tag-olivier-brault","21":"tag-pascal-valois-fr","22":"tag-sari-tsuji","23":"tag-simon-poirier","24":"tag-tanya-laperriere"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/10\/Les-Id\u00e9es-Heureuses-1-1024x683.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/10\/Les-Id\u00e9es-Heureuses-1-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/10\/Les-Id\u00e9es-Heureuses-1-1024x683.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1021502"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1021502"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1021502\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1021503"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1021502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1021502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1021502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}