{"id":1020419,"date":"2022-09-24T15:45:04","date_gmt":"2022-09-24T19:45:04","guid":{"rendered":"http:\/\/myscena.org\/?p=1020419"},"modified":"2022-09-24T15:45:04","modified_gmt":"2022-09-24T19:45:04","slug":"communique-susie-napper-tire-sa-reverence-apres-plus-de-vingt-ans-a-la-barre-du-festival-montreal-baroque","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/communique-susie-napper-tire-sa-reverence-apres-plus-de-vingt-ans-a-la-barre-du-festival-montreal-baroque\/","title":{"rendered":"Communiqu\u00e9 | Susie Napper tire sa r\u00e9v\u00e9rence apr\u00e8s plus de vingt ans \u00e0 la barre du Festival Montr\u00e9al Baroque"},"content":{"rendered":"<p dir=\"ltr\"><strong>Montr\u00e9al, (QU\u00c9BEC), 22 septembre 2022 &#8211;<\/strong> Apr\u00e8s vingt ans \u00e0 la barre du Festival Montr\u00e9al Baroque, sa fondatrice, Susie Napper passera le flambeau cet automne. Fond\u00e9 en 2002, le festival est devenu un incontournable de la sc\u00e8ne musicale baroque. Pr\u00e8s de 150\u2009000 festivaliers et quelque 2\u2009000 musiciens du Canada et d\u2019ailleurs se seront r\u00e9unis pour pr\u00e9senter plus de 500 concerts en salle et autant de spectacles gratuits \u00e0 l\u2019ext\u00e9rieur.<\/p>\n<p dir=\"ltr\">Susie Napper laisse sa marque et sa contribution est ind\u00e9niable pour le d\u00e9veloppement du milieu de la musique ancienne au Qu\u00e9bec.<\/p>\n<p dir=\"ltr\">\u00ab\u2009Apr\u00e8s vingt ans, je crois que c\u2019est important de se r\u00e9inventer personnellement et d\u2019explorer d\u2019autres aspects de la cr\u00e9ation. La personne qui me succ\u00e8dera apportera de nouvelles id\u00e9es et des concepts artistiques inspirants et dirigera le festival vers un avenir effervescent \u00bb, affirme Susie Napper.<\/p>\n<p dir=\"ltr\">\u00ab\u2009Une vingtaine d&#8217;\u00e9ditions festives remplies de moments grandioses et de surprises musicales\u2009; Susie Napper l\u00e8gue un h\u00e9ritage inestimable aux musiciens et au public qu\u00e9b\u00e9cois avec la cr\u00e9ation du Festival Montr\u00e9al Baroque qui sort de l\u2019ordinaire\u2009! Montr\u00e9al Baroque refl\u00e8te son style d\u2019interpr\u00e9tation musical imaginatif et unique. Heureusement, elle sera des n\u00f4tres sur les sc\u00e8nes du festival comme musicienne \u00bb, explique Matthias Maute, codirecteur artistique du FMB.<\/p>\n<blockquote>\n<h4 dir=\"ltr\">\u00c0 propos de Susie Napper<\/h4>\n<p dir=\"ltr\">La gambiste et violoncelliste d\u2019origine anglaise, Susie Napper est reconnue au Canada et sur la sc\u00e8ne internationale pour ses interpr\u00e9tations baroques cr\u00e9atives, audacieuses, sa ma\u00eetrise du continuo et sa recherche constante du sens rh\u00e9torique et de l\u2019\u00e9loquence qui donneront vie \u00e0 la partition.<\/p>\n<p dir=\"ltr\">Dans les ann\u00e9es 80, apr\u00e8s avoir fond\u00e9 le Philharmonia Baroque Orchestra de San Francisco avec son partenaire, le regrett\u00e9 hautbo\u00efste baroque et musicologue Bruce Haynes, elle s\u2019\u00e9tablit \u00e0 Montr\u00e9al pour participer \u00e0 l\u2019effervescence du milieu de la musique ancienne. Elle fonde Les Voix humaines en 1985 et Montr\u00e9al Baroque, en 2002.<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al, (QU\u00c9BEC), 22 septembre 2022 &#8211; Apr\u00e8s vingt ans \u00e0 la barre du Festival Montr\u00e9al Baroque, sa fondatrice, Susie Napper passera le flambeau cet automne. Fond\u00e9 en 2002, le festival est devenu un incontournable de la sc\u00e8ne musicale baroque. Pr\u00e8s de 150\u2009000 festivaliers et quelque 2\u2009000 musiciens du Canada et d\u2019ailleurs se seront r\u00e9unis pour<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/communique-susie-napper-tire-sa-reverence-apres-plus-de-vingt-ans-a-la-barre-du-festival-montreal-baroque\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":1020420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922],"tags":[22778,51292],"class_list":{"0":"post-1020419","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"tag-festival-montreal-baroque-fr-17","9":"tag-susie-napper-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/09\/susie_napper-1024x554.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/09\/susie_napper-300x162.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/09\/susie_napper-1024x554.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1020419"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1020419"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1020419\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1020420"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1020419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1020419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1020419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}