{"id":1013461,"date":"2022-07-26T17:45:28","date_gmt":"2022-07-26T21:45:28","guid":{"rendered":"https:\/\/myscena.org\/?p=1013461"},"modified":"2022-07-26T17:53:39","modified_gmt":"2022-07-26T21:53:39","slug":"orchestre-de-la-francophonie-jean-philippe-tremblay-dirige-lacademie-en-presentiel","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/orchestre-de-la-francophonie-jean-philippe-tremblay-dirige-lacademie-en-presentiel\/","title":{"rendered":"Orchestre de la francophonie: Jean-Philippe Tremblay dirige l\u2019acad\u00e9mie en pr\u00e9sentiel"},"content":{"rendered":"\r\n<p class=\"has-drop-cap\" style=\"font-size: 18px;\">Depuis deux ans, pand\u00e9mie oblige, l\u2019acad\u00e9mie de l\u2019Orchestre de la francophonie (OF) s\u2019\u00e9tait transform\u00e9e en \u00e9v\u00e9nement virtuel. Heureusement, l\u2019\u00e9dition 2022 a pu se d\u00e9rouler devant public et ainsi renouer v\u00e9ritablement avec l\u2019exp\u00e9rience de concert, essentielle pour tous ces jeunes musiciens qui r\u00eavent de faire carri\u00e8re. Le lundi 25 juillet, \u00e0 l\u2019\u00c9glise St-Andrews and St-Paul, marquait le troisi\u00e8me d\u2019une s\u00e9rie de quatre concerts en pr\u00e9sence du directeur artistique et musical de l\u2019OF, Jean-Philippe Tremblay.<\/p>\r\n\r\n<div id=\"attachment_1013467\" style=\"width: 330px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/IMG_0339-2.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1013467\" class=\"size-full wp-image-1013467\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/IMG_0339-2.jpeg\" alt=\"\" width=\"320\" height=\"213\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/IMG_0339-2.jpeg 320w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/IMG_0339-2-300x200.jpeg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><\/a><p id=\"caption-attachment-1013467\" class=\"wp-caption-text\">Photo: Jacques Robert<\/p><\/div>\r\n<p>Le programme de ce troisi\u00e8me concert incluait diff\u00e9rentes formations de chambre avec \u00e0 chaque fois l\u2019occasion de mettre en lumi\u00e8re la diversit\u00e9 des jeunes talents qui participent \u00e0 l\u2019acad\u00e9mie. La soir\u00e9e a d\u2019abord commenc\u00e9 par l\u2019<i>Octuor en mi majeur<\/i>, op. 32, de Louis Spohr. La clarinettiste Valentina Pennisi, les cornistes Aaron Sieve et Julien Moussa ainsi que la contrebassiste Chiehyun Chen se sont particuli\u00e8rement illustr\u00e9s ici par leur aisance et leur virtuosit\u00e9.<\/p>\r\n<p>Le quatuor \u00e0 cordes <i>White Man\u2019s Cattle <\/i>du compositeur contemporain Chris Derksen (n\u00e9 en 1981) nous a fait ensuite appr\u00e9cier quatre autres excellents musiciens \u00e0 l\u2019entente parfaite. Mention sp\u00e9ciale au violoncelliste Will Smythe qui a fait preuve d\u2019une grande musicalit\u00e9 par son legato ample et g\u00e9n\u00e9reux.<\/p>\r\n<p>Parmi les autres \u0153uvres au programme, deux rares trios pour cors de Jean-D\u00e9sir\u00e9 Art\u00f4t qui ont superbement r\u00e9sonn\u00e9 dans l\u2019enceinte de l\u2019\u00e9glise, et un octuor pour cordes de F\u00e9lix Mendelssohn. Par ses effets dramatiques et son \u00e9criture lyrique, cet octuor \u00e9tait id\u00e9alement plac\u00e9 avant le final flamboyant de la soir\u00e9e, le <i>Siegfried-Idyll <\/i>de Wagner, qui regroupait exceptionnellement 20 musiciens sous la baguette \u00e9nergique de Jean-Phillipe Tremblay.<\/p>\r\n<blockquote>\r\n<p>Le dernier concert de la s\u00e9rie aura lieu le vendredi 29 juillet, \u00e0 19h30, \u00e0 la salle Joseph-Rouleau des Jeunesses musicales Canada. Au programme, Hindemith, Mozart, F. Mendelssohn, Ian Cusson et R. Schumann. <a href=\"https:\/\/orchestrefranco.com\">https:\/\/orchestrefranco.com<\/a><\/p>\r\n<\/blockquote>","protected":false},"excerpt":{"rendered":"<p>Depuis deux ans, pand\u00e9mie oblige, l\u2019acad\u00e9mie de l\u2019Orchestre de la francophonie (OF) s\u2019\u00e9tait transform\u00e9e en \u00e9v\u00e9nement virtuel. Heureusement, l\u2019\u00e9dition 2022 a pu se d\u00e9rouler devant public et ainsi renouer v\u00e9ritablement avec l\u2019exp\u00e9rience de concert, essentielle pour tous ces jeunes musiciens qui r\u00eavent de faire carri\u00e8re. Le lundi 25 juillet, \u00e0 l\u2019\u00c9glise St-Andrews and St-Paul, marquait<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/justin-bernard\/orchestre-de-la-francophonie-jean-philippe-tremblay-dirige-lacademie-en-presentiel\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1013462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17036,17273],"tags":[38857,44236,19080,45886],"class_list":{"0":"post-1013461","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-spectacles","8":"category-musique-de-chambre","9":"tag-jean-philippe-tremblay-fr","10":"tag-jmc-fr","11":"tag-of-fr-3","12":"tag-orchestre-de-la-francophonie-fr","13":"type-critique"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/IMG_5581-copie-2-e1658872037846.jpeg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/IMG_5581-copie-2-e1658872037846-300x193.jpeg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/IMG_5581-copie-2-e1658872037846.jpeg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013461"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1013461"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1013462"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1013461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1013461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1013461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}