{"id":1013299,"date":"2022-07-26T13:00:51","date_gmt":"2022-07-26T17:00:51","guid":{"rendered":"https:\/\/myscena.org\/?p=1013299"},"modified":"2022-07-26T12:54:27","modified_gmt":"2022-07-26T16:54:27","slug":"critique-cd-canadian-soundscapes-live-centredisques-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-canadian-soundscapes-live-centredisques-2022\/","title":{"rendered":"Critique CD | Canadian Soundscapes (Live) (Centredisques, 2022)"},"content":{"rendered":"<blockquote><p><strong>Canadian Soundscapes (Live)<\/strong><br \/>\nCarmen Harris, Eeva-Maria Kopp, soprano; Guy Few, trompette; Jaeden Izik-Dzurko, piano; Melissa Williams, violon; Okanagan Symphony Orchestra<br \/>\nCentredisques, 2022<\/p><\/blockquote>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1013294 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-1024x1024.jpg\" alt=\"\" width=\"263\" height=\"263\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-1536x1536.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/CMCCD-29722_Canadian-Soundscapes_Album-Cover-scaled-1-2048x2048.jpg 2048w\" sizes=\"(max-width: 263px) 100vw, 263px\" \/><\/a>Les trois concertos de l\u2019album <em>Canadian Soundscapes <\/em>ont \u00e9t\u00e9 choisis parmi les nombreux concerts que l\u2019Okanagan Symphony Orchestra a donn\u00e9s au fil des ans avec diff\u00e9rents artistes invit\u00e9s.<\/p>\n<p>L\u2019orchestre commence par une interpr\u00e9tation stup\u00e9fiante de <em>The Falcon\u2019s Trumpet <\/em>de R. Murray Schafer dont le sentiment d\u2019urgence fait que ses 22 minutes semblent tr\u00e8s courtes. Avec sa trompette, Guy Few se fond dans la joyeuse cacophonie des instruments \u00e0 cordes avec une ligne qui, \u00e9voquant un courage chancelant, accompagne l\u2019auditeur \u00e0 travers l\u2019\u0153uvre, telle une cr\u00e9ature de la for\u00eat qui guide un voyageur \u00e0 travers l\u2019obscurit\u00e9 des bois. La r\u00e9compense est un refrain court mais gratifiant de la soprano Carmen Harris.<\/p>\n<p>L\u2019auditeur d\u00e9couvre ensuite le <em>Concerto<\/em> <em>pour<\/em> <em>violon <\/em>d\u2019Imant Raminsh avec la sublime Melissa Williams au violon, qui r\u00e9v\u00e8le toute sa virtuosit\u00e9 dans l\u2019<em>Agitato appassionato <\/em>avec ses trilles ravissants et, dans l\u2019<em>Andante<\/em> <em>con<\/em> <em>moto<\/em>, par sa brillante synchronisation avec la soprano Eeva-Maria Kopp.<\/p>\n<p>Le <em>Concerto pour piano <\/em>d\u2019Ernst Schneider est le plus court des trois, mais le percussionniste de l\u2019orchestre et le pianiste Jaeden-Izik Dzurko en font une interpr\u00e9tation grandiose et triomphante. La d\u00e9licatesse et la m\u00e9lancolie contr\u00f4l\u00e9e de cette troisi\u00e8me \u0153uvre leur permettent d\u2019achever l\u2019album avec souplesse en laissant toute la place au pianiste.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Canadian Soundscapes (Live) Carmen Harris, Eeva-Maria Kopp, soprano; Guy Few, trompette; Jaeden Izik-Dzurko, piano; Melissa Williams, violon; Okanagan Symphony Orchestra Centredisques, 2022 Les trois concertos de l\u2019album Canadian Soundscapes ont \u00e9t\u00e9 choisis parmi les nombreux concerts que l\u2019Okanagan Symphony Orchestra a donn\u00e9s au fil des ans avec diff\u00e9rents artistes invit\u00e9s. L\u2019orchestre commence par une interpr\u00e9tation<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-canadian-soundscapes-live-centredisques-2022\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1013297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17277,394,17275],"tags":[49592,49593,49598,49594,49597,49591,49595,49596,49590],"class_list":{"0":"post-1013299","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-canadienne","9":"category-musique-classique","10":"category-musique-orchestrale","11":"tag-carmen-harris-fr","12":"tag-eeva-maria-kopp-fr","13":"tag-ernst-schneider-fr","14":"tag-guy-few-fr","15":"tag-imant-raminsh-fr","16":"tag-jaeden-izik-dzurko-fr","17":"tag-melissa-williams-fr","18":"tag-okanagan-symphony-orchestra-fr","19":"tag-r-murray-schafer-fr","20":"volume-volume-27","21":"issue-vol-27-issue-8-fr","22":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Canadian-Soundscapes.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Canadian-Soundscapes-300x138.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Canadian-Soundscapes.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013299"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1013299"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013299\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1013297"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1013299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1013299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1013299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}