{"id":1013291,"date":"2022-07-26T13:00:22","date_gmt":"2022-07-26T17:00:22","guid":{"rendered":"https:\/\/myscena.org\/?p=1013291"},"modified":"2022-07-26T12:45:01","modified_gmt":"2022-07-26T16:45:01","slug":"critique-cd-a-ses-derniers-pas-entrant-dans-la-boue-centredisques-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-a-ses-derniers-pas-entrant-dans-la-boue-centredisques-2022\/","title":{"rendered":"Critique CD | \u00c0 ses derniers pas, entrant dans la boue (Centredisques, 2022)"},"content":{"rendered":"<blockquote><p><strong>\u00c0 ses derniers pas, entrant dans la boue<\/strong><br \/>\nAleks Sch\u00fcrmer, piano; Gr\u00e9goire Blanc, th\u00e9r\u00e9mine<br \/>\nCentredisques, 2022<\/p><\/blockquote>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/ab67616d0000b273856a57121d8bac918fa34c22.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1013286 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/ab67616d0000b273856a57121d8bac918fa34c22.jpg\" alt=\"\" width=\"239\" height=\"239\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/ab67616d0000b273856a57121d8bac918fa34c22.jpg 640w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/ab67616d0000b273856a57121d8bac918fa34c22-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/ab67616d0000b273856a57121d8bac918fa34c22-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/ab67616d0000b273856a57121d8bac918fa34c22-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/ab67616d0000b273856a57121d8bac918fa34c22-150x150.jpg 150w\" sizes=\"(max-width: 239px) 100vw, 239px\" \/><\/a>Il y a quelque chose dans le th\u00e9r\u00e9mine, un instrument \u00e9lectro-magn\u00e9tique sans contact invent\u00e9 au d\u00e9but du 20e si\u00e8cle, qui fait qu\u2019il est impossible de ne pas sourire en l\u2019entendant, et le compositeur Aleks Sch\u00fcrmer en \u00e9tait parfaitement conscient lorsqu\u2019il a enregistr\u00e9 <em>\u00c0 ses derniers pas, entrant dans la boue<\/em>. En contrastant le caract\u00e8re bouffon de l\u2019instrument \u00e0 une prestation lugubre du piano, il met en parall\u00e8le la vision du 20e si\u00e8cle d\u2019un avenir technologique utopique et la r\u00e9alit\u00e9 dystopique du 21e si\u00e8cle.<\/p>\n<p>Dans <em>Ils<\/em> <em>se<\/em> <em>sont<\/em> <em>trouv\u00e9s<\/em> <em>sur<\/em> <em>Tinder<\/em>, M. Blanc sonde les profondeurs du registre du th\u00e9r\u00e9mine pour lui faire exprimer une texture r\u00e2peuse troublante, semblable \u00e0 celle du contrebasson, avant de monter de quelques octaves pour imiter le style de jeu rapide et aigu d\u2019un violon. Le th\u00e9r\u00e9mine semble se moquer de ces deux instruments avec une note de m\u00e9lancolie, comme pour sugg\u00e9rer que les moqueries des g\u00e9n\u00e9rations actuelles \u00e0 l\u2019\u00e9gard des pr\u00e9c\u00e9dentes proviennent d\u2019une volont\u00e9 de rester sain d\u2019esprit au milieu du chaos ambiant actuel.<\/p>\n<p>Lorsque le th\u00e9r\u00e9mine se veut s\u00e9rieux, il baisse en volume comme dans <em>[Vertex]<\/em> ou se tait compl\u00e8tement. Pour M. Sch\u00fcrmer, il s\u2019agit \u00e0 la fois de s\u2019assurer que l\u2019auditeur n\u2019est jamais d\u00e9pass\u00e9 par le c\u00f4t\u00e9 absurde de la vie et de reconna\u00eetre la perception de notre impuissance.<\/p>\n<p>Le r\u00e9sultat est une fusion unique de coutumes pianistiques classiques et de tonalit\u00e9s contemporaines exp\u00e9rimentales, aussi amusante sur le plan musical qu\u2019angoissante par les th\u00e8mes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 ses derniers pas, entrant dans la boue Aleks Sch\u00fcrmer, piano; Gr\u00e9goire Blanc, th\u00e9r\u00e9mine Centredisques, 2022 Il y a quelque chose dans le th\u00e9r\u00e9mine, un instrument \u00e9lectro-magn\u00e9tique sans contact invent\u00e9 au d\u00e9but du 20e si\u00e8cle, qui fait qu\u2019il est impossible de ne pas sourire en l\u2019entendant, et le compositeur Aleks Sch\u00fcrmer en \u00e9tait parfaitement conscient<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-a-ses-derniers-pas-entrant-dans-la-boue-centredisques-2022\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1013288,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17265,17038,17267],"tags":[37769,49582,40471,49581],"class_list":{"0":"post-1013291","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-contemporaine","8":"category-critiques-de-disques-et-livres","9":"category-piano-fr","10":"tag-aleks-schurmer","11":"tag-gregoire-blanc-fr","12":"tag-gregoire-blanc","13":"tag-theremin-fr","14":"volume-volume-27","15":"issue-vol-27-issue-8-fr","16":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Aleks-Schurmer.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Aleks-Schurmer-300x138.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Aleks-Schurmer.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013291"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1013291"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1013288"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1013291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1013291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1013291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}