{"id":1013274,"date":"2022-07-26T13:00:41","date_gmt":"2022-07-26T17:00:41","guid":{"rendered":"https:\/\/myscena.org\/?p=1013274"},"modified":"2022-07-26T13:33:20","modified_gmt":"2022-07-26T17:33:20","slug":"critique-cd-vienne-1840-musique-viennoise-romantique-analekta-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-vienne-1840-musique-viennoise-romantique-analekta-2022\/","title":{"rendered":"Critique CD | Vienne 1840 : musique viennoise romantique (Analekta, 2022)"},"content":{"rendered":"

Vienne 1840 : musique viennoise romantique
\n<\/strong>Pascal Valois, guitare
\nAnalekta, 2022
\n<\/em><\/strong><\/p><\/blockquote>\n

\"\"<\/a>L\u2019album Vienne 1840 : musique viennoise romantique <\/em>met pleinement en valeur Johann Kaspar Mertz, dont les compositions sont essentielles \u00e0 l\u2019exploration de la musique romantique viennoise. Le guitariste Pascal Valois aborde le Barden-Kl\u00e4nge, <\/em>op. 13 de Mertz dans une s\u00e9rie de cinq \u0153uvres \u00e0 tempo rubato tr\u00e8s expressives et exigeantes sur le plan technique. Sa virtuosit\u00e9 s\u2019exprime pleinement dans la deuxi\u00e8me moiti\u00e9 de Tarentelle: Pi\u00f9 Allegro <\/em>et dans l\u2019int\u00e9gralit\u00e9 de Fingals-Hohle:<\/em> Maestoso<\/em>, alors qu\u2019il r\u00e9ussit \u00e0 passer entre accords et pincement de cordes de fa\u00e7on parfaitement imperceptible gr\u00e2ce \u00e0 un arp\u00e8gement soign\u00e9, et son ostinato n\u2019est jamais monotone. En harmonie avec le th\u00e8me romantique, le guitariste pousse \u00e0 ses limites les capacit\u00e9s de son instrument dans la R\u00eaverie<\/em> nocturne<\/em> de Giulio Regondi avec sa magnifique technique de vibrato.<\/p>\n

Le c\u00f4t\u00e9 brut et naturel de l\u2019enregistrement ajoute encore au romantisme de l\u2019album. Du bois qui grince lorsque M. Valois ajuste sa prise sur le manche de la guitare aux bruits de cordes et \u00e0 sa respiration, le micro capte les sons les plus doux, ce qui donne l\u2019impression aux auditeurs d\u2019\u00eatre assis juste \u00e0 c\u00f4t\u00e9 de lui afin de partager un moment intime.<\/p>\n

Le seul probl\u00e8me de l\u2019album, c\u2019est qu\u2019il a une fin.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vienne 1840 : musique viennoise romantique Pascal Valois, guitare Analekta, 2022 L\u2019album Vienne 1840 : musique viennoise romantique met pleinement en valeur Johann Kaspar Mertz, dont les compositions sont essentielles \u00e0 l\u2019exploration de la musique romantique viennoise. Le guitariste Pascal Valois aborde le Barden-Kl\u00e4nge, op. 13 de Mertz dans une s\u00e9rie de cinq \u0153uvres \u00e0<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1013277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17269,17038,394,17263],"tags":[49574,49573,48330,49571],"class_list":{"0":"post-1013274","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cordes","8":"category-critiques-de-disques-et-livres","9":"category-musique-classique","10":"category-romantique","11":"tag-giulio-regondi-fr","12":"tag-johann-kaspar-mertz-fr","13":"tag-pascal-valois-fr","14":"tag-viennoise","15":"volume-volume-27","16":"issue-vol-27-issue-8-fr","17":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Pascal-Valois.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Pascal-Valois-300x138.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Pascal-Valois.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013274"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1013274"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013274\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1013277"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1013274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1013274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1013274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}