{"id":1013226,"date":"2022-07-26T13:00:37","date_gmt":"2022-07-26T17:00:37","guid":{"rendered":"https:\/\/myscena.org\/?p=1013226"},"modified":"2022-07-26T12:59:26","modified_gmt":"2022-07-26T16:59:26","slug":"critique-cd-schubert-integrale-des-sonates-et-oeuvres-majeures-pour-piano-analekta-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/critique-cd-schubert-integrale-des-sonates-et-oeuvres-majeures-pour-piano-analekta-2022\/","title":{"rendered":"Critique CD | Schubert : Int\u00e9grale des sonates et \u0153uvres majeures pour piano (Analekta, 2022)"},"content":{"rendered":"

Schubert : Int\u00e9grale des sonates et \u0153uvres majeures pour piano
\n<\/strong>Mathieu Gaudet, piano
\nAnalekta, 2022
\n<\/strong><\/p><\/blockquote>\n

\"See<\/p>\n

La sonate en la majeur D. 664 est peut-\u00eatre l\u2019\u0153uvre de Schubert la plus jou\u00e9e, mais Mathieu Gaudet justifie \u00e0 merveille cet engouement g\u00e9n\u00e9ralis\u00e9. Dans son nouvel album, le pianiste laisse s\u2019exprimer librement les \u00e9motions de chacun des trois mouvements : les sauts m\u00e9lodiques capricieux et le tempo rapide du premier cr\u00e9ent un sentiment d\u2019urgence, tandis que le passage plus lent et contemplatif du deuxi\u00e8me offre un moment de r\u00e9pit bienvenu; enfin le troisi\u00e8me est une joyeuse c\u00e9l\u00e9bration de tout ce que la vie a de mieux \u00e0 offrir. M. Gaudet fait aussi preuve de beaucoup de prudence dans son interpr\u00e9tation des motifs de Schubert, jouant tous les mouvements avec l\u2019intensit\u00e9, l\u2019intonation et le volume qu\u2019il faut pour les unifier malgr\u00e9 la pluralit\u00e9 des \u00e9motions. Cet album t\u00e9moigne de sa ma\u00eetrise parfaite de son instrument, et sa prestation respire la confiance et la puissance.<\/p>\n

Si la sonate Reliquie <\/em>d\u00e9montre la m\u00eame virtuosit\u00e9 technique, son style de jeu tr\u00e8s expressif ne convient pas tout \u00e0 fait aux deux premiers mouvements. Ainsi, le puissant staccato du point culminant du Moderato <\/em>est trop fort par rapport \u00e0 la douceur de la pi\u00e8ce, ce qui finit par provoquer une certaine insatisfaction. Heureusement, les deux derniers mouvements \u00e9tant rest\u00e9s inachev\u00e9s, M. Gaudet choisit de les interpr\u00e9ter en mettant ses forces en valeur, ce qui lui permet de conclure en beaut\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Schubert : Int\u00e9grale des sonates et \u0153uvres majeures pour piano Mathieu Gaudet, piano Analekta, 2022 La sonate en la majeur D. 664 est peut-\u00eatre l\u2019\u0153uvre de Schubert la plus jou\u00e9e, mais Mathieu Gaudet justifie \u00e0 merveille cet engouement g\u00e9n\u00e9ralis\u00e9. Dans son nouvel album, le pianiste laisse s\u2019exprimer librement les \u00e9motions de chacun des trois mouvements<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1013223,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,394,17267],"tags":[47581,36107,34374,560],"class_list":{"0":"post-1013226","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-classique","9":"category-piano-fr","10":"tag-mathieu-gaudet-fr-2","11":"tag-mathieu-gaudet-fr","12":"tag-schubert-4-fr","13":"tag-schubert","14":"volume-volume-27","15":"issue-vol-27-issue-8-fr","16":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Mathieu-Godet.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Mathieu-Godet-300x138.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/07\/Mathieu-Godet.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013226"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1013226"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1013226\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1013223"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1013226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1013226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1013226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}