{"id":1011580,"date":"2022-07-26T13:00:01","date_gmt":"2022-07-26T17:00:01","guid":{"rendered":"https:\/\/myscena.org\/zenith-wolfe\/cd-review-virtuosa\/"},"modified":"2022-07-26T13:21:34","modified_gmt":"2022-07-26T17:21:34","slug":"cd-review-virtuosa","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/zenith-wolfe\/cd-review-virtuosa\/","title":{"rendered":"Critique CD | Virtuosa (Leaf music, 2022)"},"content":{"rendered":"<blockquote><p><em><strong>Virtuosa<\/strong><\/em><br \/>\nAlexa Raine-Wright, fl\u00fbte; Sallynee Amawat, violon; Andrea Stewart, violoncelle; Rona Nadler, clavecin<br \/>\nLeaf Music, 2022<\/p><\/blockquote>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1011538 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk.jpg\" alt=\"\" width=\"229\" height=\"229\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk.jpg 416w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk-150x150.jpg 150w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><\/a>En 2017, Infusion Baroque a publi\u00e9 la s\u00e9rie Virtuosa, une collection de vid\u00e9os mettant en lumi\u00e8re la carri\u00e8re musicale de quatorze femmes des 18e et 19e si\u00e8cles. Toujours impr\u00e9gn\u00e9 de la volont\u00e9 de mettre en valeur les r\u00e9alisations des compositrices face au sexisme, Infusion Baroque a sorti son nouvel album Virtuosa. Les 14 \u0153uvres de l\u2019album, provenant de six compositrices diff\u00e9rentes, montrent la flexibilit\u00e9 tonale de l\u2019ensemble : dans leur interpr\u00e9tation du Trio avec piano en sol mineur, op. 17 de Clara Schumann, ils contrastent les instruments pour instiller \u00e0 l\u2019auditeur un sentiment d\u2019incertitude \u2013 le clavecin intermittent et staccato fournit une tension que le violon legato cherche constamment \u00e0 r\u00e9soudre. En revanche, leur interpr\u00e9tation de la Sonate en si b\u00e9mol majeur, op. 11 d\u2019H\u00e9l\u00e8ne Liebmann r\u00e9unit le clavecin et les instruments \u00e0 cordes pour une exp\u00e9rience ludique et harmonieuse. Ce contraste marque une diff\u00e9rence dans le statut social des compositrices, mais les \u0153uvres sont toutes li\u00e9es par la respiration calme et rythm\u00e9e des interpr\u00e8tes. Ce d\u00e9tail donne vie aux \u00e9motions th\u00e9\u00e2trales des \u0153uvres, comme pour sugg\u00e9rer que toutes les compositrices pr\u00e9sent\u00e9es, quel que soit leur statut social, \u00e9taient unies dans leurs luttes.<\/p>\n<p>M\u00eame si c\u2019est un plaisir d\u2019\u00e9couter l\u2019album au complet, les \u0153uvres dans lesquelles la fl\u00fbtiste Alexa Raine-Wright prend la place principale sont les plus m\u00e9morables. <em>Sonate<\/em> <em>pour<\/em> <em>fl\u00fbte<\/em> <em>en<\/em> <em>fa<\/em> <em>majeur<\/em>, compos\u00e9e par Anna Amalia, princesse de Prusse, est un exemple. Son p\u00e8re tyrannique, qui pensait que de telles activit\u00e9s \u00e9taient une perte de temps, lui ayant interdit d\u2019\u00e9tudier l\u2019art, Amalia jouait du clavecin, du violon et de la fl\u00fbte en secret. Raine-Wright s\u2019assure de ne pas trop en faire dans son interpr\u00e9tation de la sonate pour fl\u00fbte de la princesse en jouant \u00e0 un faible volume avec un son doux mais plein d\u2019entrain, dont la combinaison \u00e9voque les id\u00e9es de r\u00e9bellion et de gratification personnelle. Pendant ce temps, la <em>Sonate<\/em><em> pour fl\u00fbte en la majeur <\/em>a \u00e9t\u00e9 compos\u00e9e par Wilhelmine von Bayreuth, la s\u0153ur a\u00een\u00e9e d\u2019Amalia. La fl\u00fbtiste maintient son volume et sa douceur afin de sugg\u00e9rer le secret partag\u00e9 dans leurs \u00e9tudes musicales par les deux s\u0153urs, mais le tempo plus rapide et le rythme fluctuant transmettent la libert\u00e9 v\u00e9cue par Bayreuth \u00e0 cause du soutien de son mari.<\/p>\n<p>Deux autres aspects m\u00e9morables de <em>Virtuosa<\/em> sont la soprano Ariadne Lih, dont la voix compl\u00e8te avec expertise le violon pour une majestueuse interpr\u00e9tation de <em>Paratum<\/em> <em>cor<\/em> <em>meum<\/em>, et <em>Versailles<\/em> de Linda Catlin Smith, dont l\u2019atmosph\u00e8re m\u00e9lanco- lique est diff\u00e9rente de toutes les autres \u0153uvres de l\u2019album.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Virtuosa Alexa Raine-Wright, fl\u00fbte; Sallynee Amawat, violon; Andrea Stewart, violoncelle; Rona Nadler, clavecin Leaf Music, 2022 En 2017, Infusion Baroque a publi\u00e9 la s\u00e9rie Virtuosa, une collection de vid\u00e9os mettant en lumi\u00e8re la carri\u00e8re musicale de quatorze femmes des 18e et 19e si\u00e8cles. Toujours impr\u00e9gn\u00e9 de la volont\u00e9 de mettre en valeur les r\u00e9alisations des<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/zenith-wolfe\/cd-review-virtuosa\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":25515,"featured_media":1011538,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17038,17273],"tags":[35124,45568,46170,49049],"class_list":{"0":"post-1011580","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-critiques-de-disques-et-livres","9":"category-musique-de-chambre","10":"tag-infusion-baroque-fr","11":"tag-leaf-music-fr","12":"tag-leaf-music-fr-2","13":"tag-virtuosa-fr","14":"type-critique-de-disque","15":"volume-volume-27","16":"issue-vol-27-issue-8-fr","17":"issue-vol-27-issue-7-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/06\/Virtuosa-Infusion-baroque-cmyk.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1011580"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/25515"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1011580"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1011580\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1011538"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1011580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1011580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1011580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}