{"id":1007998,"date":"2022-04-20T16:22:54","date_gmt":"2022-04-20T20:22:54","guid":{"rendered":"https:\/\/myscena.org\/?p=1007998"},"modified":"2022-04-20T16:22:54","modified_gmt":"2022-04-20T20:22:54","slug":"communique-appel-de-projets-compositeurs-librettistes-pour-operactuel-works-in-progress-2022-de-chants-libres","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/communique-appel-de-projets-compositeurs-librettistes-pour-operactuel-works-in-progress-2022-de-chants-libres\/","title":{"rendered":"Communiqu\u00e9 : Appel de projets compositeurs \/ librettistes pour OPER\u2019ACTUEL | WORKS IN PROGRESS 2022 de Chants Libres"},"content":{"rendered":"<p><b>Montr\u00e9al &#8211; OPER\u2019ACTUEL <\/b><b><i>| Works in progress <\/i><\/b>est un \u00e9v\u00e9nement phare de Chants Libres, compagnie lyrique de\u00a0 cr\u00e9ation qui participe \u00e0 l\u2019\u00e9mergence d\u2019op\u00e9ras nouveaux mais \u00e9galement familiarise les jeunes chanteurs et\u00a0 sensibilise les publics d\u2019ici \u00e0 ces nouvelles formes d\u2019expression musicale. La 7e \u00e9dition se tiendra sous la\u00a0 direction artistique de <b>Marie-Annick B\u00e9liveau <\/b>en coproduction avec <b>l\u2019Ensemble Paramirabo<\/b>, l\u2019un des\u00a0 ensembles de musique nouvelle les plus novateurs et accomplis au Canada. Les \u0153uvres s\u00e9lectionn\u00e9es seront pr\u00e9sent\u00e9es au Th\u00e9\u00e2tre Rouge du Conservatoire de musique de Montr\u00e9al le 27 et 28 ao\u00fbt 2022 sous\u00a0 la direction musicale de <b>Jean-Micha\u00ebl Lavoie.<\/b><b>\u00a0<\/b><\/p>\n<p><b><i>I<\/i><\/b><b><i>nt\u00e9ress\u00e9 par l\u2019\u00e9criture d\u2019une nouvelle forme d\u2019op\u00e9ra ?<\/i><\/b><b><i>\u00a0<\/i><\/b><\/p>\n<p>Instrumentation impos\u00e9e :<\/p>\n<table>\n<tbody>\n<tr>\n<td>1 \u00e0 4 voix : 2 voix de femmes, 2 voix d\u2019hommes<\/p>\n<p>0 \u00e0 6 instruments : fl\u00fbte, clarinette, violon, violoncelle, piano et percussion<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Des interrogations ? \u00c9crivez-nous : marie-annick@chantslibres.org<\/p>\n<p><b>Sou<\/b><b>mettez votre projet<\/b> <b>au plus tard le <\/b><b>15 MAI <\/b><b>2022\u00a0\u00a0<\/b><\/p>\n<p><b>D\u00e9tails et formulaire d\u2019inscription en ligne <\/b><a href=\"https:\/\/chantslibres.org\/fr\/appel-de-projets-operactuel-works-in-progress-2022-soumissions\/\"><b>ICI<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al &#8211; OPER\u2019ACTUEL | Works in progress est un \u00e9v\u00e9nement phare de Chants Libres, compagnie lyrique de\u00a0 cr\u00e9ation qui participe \u00e0 l\u2019\u00e9mergence d\u2019op\u00e9ras nouveaux mais \u00e9galement familiarise les jeunes chanteurs et\u00a0 sensibilise les publics d\u2019ici \u00e0 ces nouvelles formes d\u2019expression musicale. La 7e \u00e9dition se tiendra sous la\u00a0 direction artistique de Marie-Annick B\u00e9liveau en coproduction<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/communique-appel-de-projets-compositeurs-librettistes-pour-operactuel-works-in-progress-2022-de-chants-libres\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":1008002,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922],"tags":[35330,31928],"class_list":{"0":"post-1007998","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"tag-chants-libres-fr-2","9":"tag-jose-acquelin"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Capture-d\u2019\u00e9cran-2022-04-20-162024-1024x577.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Capture-d\u2019\u00e9cran-2022-04-20-162024-300x169.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Capture-d\u2019\u00e9cran-2022-04-20-162024-1024x577.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1007998"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1007998"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1007998\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1008002"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1007998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1007998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1007998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}