{"id":1006653,"date":"2022-04-04T00:23:04","date_gmt":"2022-04-04T04:23:04","guid":{"rendered":"https:\/\/myscena.org\/?p=1006653"},"modified":"2022-04-04T00:25:51","modified_gmt":"2022-04-04T04:25:51","slug":"1006653","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/1006653\/","title":{"rendered":"Critique CD: Made for Opera (Deutsche Grammophon, 2022)"},"content":{"rendered":"<blockquote><p><b><i>Made for Opera<br \/>\n<\/i><\/b><span style=\"font-weight: 400;\">Nadine Sierra, soprano, Paolo Fanale, t\u00e9nor, <\/span><span style=\"font-weight: 400;\">Veta Pilipenko, mezzo-soprano, <\/span><span style=\"font-weight: 400;\">Capella Cracoviensis, Orchestra Sinfonica <\/span><span style=\"font-weight: 400;\">Nazionale della RAI; Riccardo Frizza, chef.<br \/>\n<\/span><span style=\"font-weight: 400;\">Deutsche Grammophon, 2022<\/span><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1006660 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Nadine Sierra est l\u2019une des sopranos les plus en demande en ce moment (hors contexte pand\u00e9mique, \u00e9videmment). <\/span><span style=\"font-weight: 400;\">La chanteuse am\u00e9ricaine nous revient avec un album regroupant trois grands compositeurs et des sc\u00e8nes enti\u00e8res d\u2019op\u00e9ra. Au programme, des extraits <\/span><span style=\"font-weight: 400;\">de <\/span><i><span style=\"font-weight: 400;\">La Traviata <\/span><\/i><span style=\"font-weight: 400;\">de Verdi, <\/span><i><span style=\"font-weight: 400;\">Lucia di Lammermoor <\/span><\/i><span style=\"font-weight: 400;\">de Donizetti et <\/span><i><span style=\"font-weight: 400;\">Rom\u00e9o et Juliette <\/span><\/i><span style=\"font-weight: 400;\">de Gounod.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le monde de l\u2019op\u00e9ra est plein de sopranos. Qu\u2019est-ce qui fait la singularit\u00e9 de Nadine Sierra\u00a0? Certainement, son sens de l\u2019expression dramatique et en particulier son sens du <\/span><i><span style=\"font-weight: 400;\">pathos <\/span><\/i><span style=\"font-weight: 400;\">lorsque la partition l\u2019exige, le large spectre de ses nuances allant du <\/span><i><span style=\"font-weight: 400;\">forte<\/span><\/i><span style=\"font-weight: 400;\"> au plus subtile <\/span><i><span style=\"font-weight: 400;\">pianissimo<\/span><\/i><span style=\"font-weight: 400;\">, son art du <\/span><i><span style=\"font-weight: 400;\">glissando<\/span><\/i><span style=\"font-weight: 400;\"> (plus complexe qu\u2019il n\u2019y para\u00eet), sa virtuosit\u00e9 explosive et ses notes suraigu\u00ebs. Dans <\/span><span style=\"font-weight: 400;\">la cadence finale de <\/span><i><span style=\"font-weight: 400;\">Sempre libera<\/span><\/i><span style=\"font-weight: 400;\">, Nadine Sierra ex\u00e9cute une remarquable pirouette vocale jusqu\u2019au contre-mi b\u00e9mol. Plus tard dans une sc\u00e8ne parl\u00e9e de cette m\u00eame <\/span><i><span style=\"font-weight: 400;\">Traviata<\/span><\/i><span style=\"font-weight: 400;\">, on reconna\u00eet de parfaites intonations en italien.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mais si l\u2019on s\u2019interroge d\u2019embl\u00e9e sur la signature vocale de Nadine Sierra, c\u2019est qu\u2019il n\u2019y a rien d\u2019\u00e9vident qui la classe \u00e0 part. Le fait de chanter un r\u00e9pertoire d\u00e9j\u00e0 entendu de la bouche des plus grandes sopranos de l\u2019histoire est un pari risqu\u00e9 qui, dans ce cas-ci, ne s\u2019av\u00e8re pas gagnant sur toute la ligne.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Made for Opera Nadine Sierra, soprano, Paolo Fanale, t\u00e9nor, Veta Pilipenko, mezzo-soprano, Capella Cracoviensis, Orchestra Sinfonica Nazionale della RAI; Riccardo Frizza, chef. Deutsche Grammophon, 2022 Nadine Sierra est l\u2019une des sopranos les plus en demande en ce moment (hors contexte pand\u00e9mique, \u00e9videmment). La chanteuse am\u00e9ricaine nous revient avec un album regroupant trois grands compositeurs et<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/justin-bernard\/1006653\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1006662,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,399],"tags":[47949,47897,47950,47947,47951,47948],"class_list":{"0":"post-1006653","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-opera-fr","9":"tag-capella-cracoviensis-fr","10":"tag-nadine-sierra-fr","11":"tag-orchestra-sinfonica-nazionale-della-rai-fr","12":"tag-paolo-fanale-fr","13":"tag-riccardo-frizza-fr","14":"tag-veta-pilipenko-fr","15":"type-critique-de-disque","16":"volume-volume-27","17":"issue-vol-27-issue-6-fr","18":"section-en-couverture"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-1-e1649046124958.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-1-e1649046124958-300x151.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Made-for-Opera-cmyk-1-e1649046124958.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006653"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1006653"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1006662"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1006653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1006653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1006653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}