{"id":1006399,"date":"2022-04-03T13:48:25","date_gmt":"2022-04-03T17:48:25","guid":{"rendered":"https:\/\/myscena.org\/?p=1006399"},"modified":"2022-04-03T13:48:59","modified_gmt":"2022-04-03T17:48:59","slug":"critique-cd-mistress-moon-canadian-edition-leaf-music-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-mistress-moon-canadian-edition-leaf-music-2022\/","title":{"rendered":"Critique CD: Mistress Moon: Canadian Edition (Leaf music, 2022)"},"content":{"rendered":"<blockquote><p><b><i>Mistress Moon: Canadian Edition<br \/>\n<\/i><\/b>Jennifer King, piano<br \/>\nLeaf music, 2022<\/p><\/blockquote>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1006219 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/1200x1200bf-60-cmyk.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Jennifer King aime nous faire d\u00e9couvrir des joyaux de notre terroir national. Pour son projet le plus r\u00e9cent, l\u2019interpr\u00e8te a choisi des \u0153uvres pour piano seul de huit compositrices et compositeurs canadiens parmi lesquels figurent Kevin Lau, Sandy Moore, Richard Gibson, Amy Brandon et Jean Coulthard. Ces noms ne vous disent peut-\u00eatre rien encore, mais sachez qu\u2019ici le tout est plus grand que la somme de ses parties.<\/p>\n<p>Comme son nom l\u2019indique, l\u2019album <i>Mistress Moon <\/i>prend pour th\u00e8me la lune, la nuit \u00e9toil\u00e9e et l\u2019espace au-del\u00e0. Il nous invite \u00e0 repenser notre rapport \u00e0 la nature, \u00e0 retrouver une forme de sagesse ancestrale. La pand\u00e9mie nous a forc\u00e9s \u00e0 changer nos habitudes de vie. Elle nous a aussi mis face \u00e0 la fragilit\u00e9 du monde. \u00c0 travers l\u2019album, Jennifer King dit vouloir nous aider, \u00e0 sa mani\u00e8re, \u00e0 tourner la page. On ne peut qu\u2019\u00eatre charm\u00e9 par le calme et la douceur m\u00e9ditative qui se d\u00e9gagent de ses interpr\u00e9tations au piano. Certes, le langage musical moderne nous met bien souvent en dehors de notre zone de confort, il apporte son lot d\u2019angoisses, mais il peut aussi \u00eatre enivrant lorsque le rythme s\u2019acc\u00e9l\u00e8re. Nombreux sont les moments o\u00f9 la musique atteint des sommets de vitalit\u00e9. On peut le dire, l\u2019album respire le renouveau.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mistress Moon: Canadian Edition Jennifer King, piano Leaf music, 2022 Jennifer King aime nous faire d\u00e9couvrir des joyaux de notre terroir national. Pour son projet le plus r\u00e9cent, l\u2019interpr\u00e8te a choisi des \u0153uvres pour piano seul de huit compositrices et compositeurs canadiens parmi lesquels figurent Kevin Lau, Sandy Moore, Richard Gibson, Amy Brandon et Jean<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-mistress-moon-canadian-edition-leaf-music-2022\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1006411,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17277],"tags":[46167,28797],"class_list":{"0":"post-1006399","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-canadienne","9":"tag-jennifer-king-fr","10":"tag-piano-fr-2","11":"type-critique-de-disque","12":"volume-volume-27","13":"issue-vol-27-issue-6-fr","14":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Capture-d\u2019e\u0301cran-2022-04-03-a\u0300-13.47.06.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Capture-d\u2019e\u0301cran-2022-04-03-a\u0300-13.47.06-300x217.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/04\/Capture-d\u2019e\u0301cran-2022-04-03-a\u0300-13.47.06.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006399"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1006399"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006399\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1006411"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1006399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1006399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1006399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}