{"id":1006211,"date":"2022-03-31T14:41:02","date_gmt":"2022-03-31T18:41:02","guid":{"rendered":"https:\/\/myscena.org\/?p=1006211"},"modified":"2022-04-01T01:36:52","modified_gmt":"2022-04-01T05:36:52","slug":"critique-cd-luc-beausejour-mozart-analekta-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-luc-beausejour-mozart-analekta-2022\/","title":{"rendered":"Critique CD: Luc Beaus\u00e9jour. Mozart (Analekta, 2021)"},"content":{"rendered":"

Luc Beaus\u00e9jour\u00a0: Mozart<\/em>
\n<\/b>Luc Beaus\u00e9jour, pianoforte.
\nAnalekta, 2021<\/p><\/blockquote>\n

\"\"<\/a>Tr\u00e8s actif sur la sc\u00e8ne musicale en tant que claveciniste, Luc Beaus\u00e9jour ne se cantonne pas \u00e0 un seul clavier. En 2016, il avait sorti un album de \u00ab\u00a0moments baroques\u00a0\u00bb au piano moderne. Cette fois, il choisit de jouer des sonates c\u00e9l\u00e8bres de Mozart ainsi que la Fantaisie en r\u00e9 mineur<\/i> tout aussi r\u00e9put\u00e9e au pianoforte. Si ces \u0153uvres ont r\u00e9sist\u00e9 \u00e0 l\u2019\u00e9preuve du temps, c\u2019est certainement gr\u00e2ce au g\u00e9nie du jeune prodige. Ne serait-ce que par le r\u00e9pertoire, on est d\u00e9j\u00e0 conquis. L\u2019originalit\u00e9 de l\u2019album vient de l\u2019instrument, contemporain de l\u2019\u00e9poque de Mozart, mais rarement utilis\u00e9 de nos jours.<\/p>\n

Fid\u00e8le \u00e0 la p\u00e9riode dite classique, Luc Beaus\u00e9jour ne se laisse pas emporter par des \u00e9lans romantiques. Il faut dire qu\u2019\u00e0 mi-chemin entre le clavecin et le piano, la sonorit\u00e9 plus s\u00e8che du pianoforte ne permet pas de tels \u00e9panchements. Cela dit, dans la Sonate no 11<\/i> \u00ab\u00a0Alla Turca\u00a0\u00bb, on aurait aim\u00e9 que Beaus\u00e9jour varie davantage son interpr\u00e9tation au moment de r\u00e9p\u00e9ter tel ou tel motif. Dans la Sonate no 13<\/i>, d\u00e9j\u00e0 annonciatrice du style beethov\u00e9nien \u00e0 venir, le pianiste parvient \u00e0 produire de meilleurs contrastes.<\/p>\n

Les subtilit\u00e9s du jeu pianistique auraient \u00e9t\u00e9 mieux servies par une captation au plus pr\u00e8s de l\u2019instrument. Or, les sonorit\u00e9s du pianoforte semblent venir d\u2019assez loin. Elles finissent donc par trop se r\u00e9pandre dans l\u2019espace.<\/p>\n","protected":false},"excerpt":{"rendered":"

Luc Beaus\u00e9jour\u00a0: Mozart Luc Beaus\u00e9jour, pianoforte. Analekta, 2021 Tr\u00e8s actif sur la sc\u00e8ne musicale en tant que claveciniste, Luc Beaus\u00e9jour ne se cantonne pas \u00e0 un seul clavier. En 2016, il avait sorti un album de \u00ab\u00a0moments baroques\u00a0\u00bb au piano moderne. Cette fois, il choisit de jouer des sonates c\u00e9l\u00e8bres de Mozart ainsi que la<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1006295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17261,17038],"tags":[17886],"class_list":{"0":"post-1006211","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-classique-fr","8":"category-critiques-de-disques-et-livres","9":"tag-luc-beausejour","10":"type-critique-de-disque","11":"volume-volume-27","12":"issue-vol-27-issue-6-fr","13":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/luc-beausejour-analekta-420x420-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/luc-beausejour-analekta-420x420-1-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/luc-beausejour-analekta-420x420-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006211"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1006211"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006211\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1006295"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1006211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1006211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1006211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}