{"id":1006210,"date":"2022-03-31T14:29:29","date_gmt":"2022-03-31T18:29:29","guid":{"rendered":"https:\/\/myscena.org\/?p=1006210"},"modified":"2022-04-01T01:18:17","modified_gmt":"2022-04-01T05:18:17","slug":"critique-cd-winterreise-leaf-music-2022","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-winterreise-leaf-music-2022\/","title":{"rendered":"Critique CD: Winterreise (Leaf music, 2022)"},"content":{"rendered":"

Winterreise
\n<\/i><\/b>Nathaniel Watson, baryton; Michael McMahon, piano
\nLeaf music, 2022<\/p><\/blockquote>\n

\"\"<\/a>La maison de disques canadienne Leaf music<\/i> fait para\u00eetre un nouvel enregistre-
\nment du Winterreise<\/i>, cycle monumental de m\u00e9lodies de Schubert compos\u00e9 seulement un an avant la mort du compositeur.<\/p>\n

Ici, c\u2019est le baryton Nathaniel Watson, accompagn\u00e9 par Michael McMahon, qui nous m\u00e8ne \u00e0 travers ce voyage solitaire, 24 lieder magnifiquement mis en musique par Schubert d\u2019apr\u00e8s des po\u00e8mes de Wilhelm M\u00fcller.<\/p>\n

Le point positif de l\u2019album est ind\u00e9niablement la qualit\u00e9 de la diction allemande. On sent que Nathaniel Watson conna\u00eet tr\u00e8s bien le Winterreise <\/i>et c\u2019est un r\u00e9el plaisir de le red\u00e9couvrir gr\u00e2ce \u00e0 lui. De plus, la partition de piano est bien mise en valeur par la captation de Leaf Music. Michael McMahon est un fin connaisseur de ce r\u00e9pertoire et cela s\u2019entend. Les subtilit\u00e9s de son jeu, sa douceur autant que ses emportements dramatiques sont \u00e0 saluer.<\/p>\n

Malheureusement, la voix du baryton manque de fra\u00eecheur. Son vibrato est souvent trop appuy\u00e9, ce qui lui donne une certaine lourdeur. Par ailleurs, dans les passages plus rapides qui n\u00e9cessitent de la virtuosit\u00e9, on peut regretter que les notes ne soient pas assez bien articul\u00e9es.<\/p>\n

C\u2019est la premi\u00e8re fois que l\u2019on observe cela sur un enregistrement de la sorte, mais d\u00e8s la premi\u00e8re pi\u00e8ce, on entend distinctement une tourne de page. Au montage, davantage de sons parasites venant du piano ou du chanteur auraient pu \u00eatre enlev\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":"

Winterreise Nathaniel Watson, baryton; Michael McMahon, piano Leaf music, 2022 La maison de disques canadienne Leaf music fait para\u00eetre un nouvel enregistre- ment du Winterreise, cycle monumental de m\u00e9lodies de Schubert compos\u00e9 seulement un an avant la mort du compositeur. Ici, c\u2019est le baryton Nathaniel Watson, accompagn\u00e9 par Michael McMahon, qui nous m\u00e8ne \u00e0 travers<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1006290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17253],"tags":[47813,47812],"class_list":{"0":"post-1006210","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-melodie","9":"tag-michael-mcmahon-fr","10":"tag-nathaniel-watson","11":"type-critique-de-disque","12":"volume-volume-27","13":"issue-vol-27-issue-6-fr","14":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/Nathaniel1-copy-1024x683-1-e1648790261374.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/Nathaniel1-copy-1024x683-1-300x200.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/Nathaniel1-copy-1024x683-1-e1648790261374.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006210"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1006210"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006210\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1006290"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1006210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1006210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1006210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}