{"id":1006205,"date":"2022-03-31T00:33:12","date_gmt":"2022-03-31T04:33:12","guid":{"rendered":"https:\/\/myscena.org\/?p=1006205"},"modified":"2022-04-01T14:15:50","modified_gmt":"2022-04-01T18:15:50","slug":"critique-cd-amata-dalle-tenebre","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-amata-dalle-tenebre\/","title":{"rendered":"Critique CD: Amata Dalle Tenebre (Deutsche Grammophon, 2021)"},"content":{"rendered":"<blockquote><p><b><em>Amata Dalle Tenebre (Deluxe edition)<\/em><br \/>\n<\/b>Anna Netrebko, soprano; Orchestre du Th\u00e9\u00e2tre de la Scala de Milan; Riccardo Chailly, chef.<br \/>\nDeutsche Grammophon, 2021<\/p><\/blockquote>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/amata-dalle-tenebre.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1006214 size-medium alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/amata-dalle-tenebre-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/amata-dalle-tenebre-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/amata-dalle-tenebre-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/amata-dalle-tenebre-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/amata-dalle-tenebre-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/amata-dalle-tenebre.jpg 720w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Cela faisait d\u00e9j\u00e0 5 ans qu\u2019Anna Netrebko n\u2019avait pas sorti d\u2019album solo. Pour son grand retour \u00e0 l\u2019enregistrement, la soprano russe a choisi d\u2019accompagner son nouveau disque, intitul\u00e9 <i>Amata Dalle Tenebre<\/i>, d\u2019un film musical r\u00e9alis\u00e9 durant ses s\u00e9ances \u00e0 La Scala de Milan. Il s\u2019agit plus pr\u00e9cis\u00e9ment d\u2019une s\u00e9rie de quatre vid\u00e9oclips en autant d\u2019airs d\u2019op\u00e9ra o\u00f9 on la voit chaque fois endosser le costume d\u2019un personnage diff\u00e9rent sur la sc\u00e8ne du th\u00e9\u00e2tre italien\u00a0: Aida dans l\u2019op\u00e9ra \u00e9ponyme de Verdi, Lisa dans <i>Pique Dame <\/i>de Tcha\u00efkovski, Didon dans <i>Didon et \u00c9n\u00e9e <\/i>de Purcell et Isolde dans <i>Tristan et Isolde <\/i>de Wagner. Pour ces clips, entrecoup\u00e9s d\u2019extraits d\u2019entrevues, Anna Netrebko a fait appel \u00e0 la r\u00e9alisatrice Elena Petitti di Roreto.<\/p>\n<p>Avec les ann\u00e9es d\u2019exp\u00e9rience, la voix de la soprano a gagn\u00e9 en \u00e9paisseur et pris de l\u2019ampleur dans le registre grave, ce qui lui permet aujourd\u2019hui d\u2019aborder des r\u00f4les comme ceux que nous venons de mention-ner. Sa prestation vocale d\u2019Aida est particuli\u00e8rement saisissante de ce point de vue. Dans certains passages, on dirait presque qu\u2019elle fait r\u00e9sonner une voix de mezzo, bien diff\u00e9rente de celle \u00e0 laquelle nous sommes habitu\u00e9s. Son timbre de soprano demeure heureusement intact dans le registre plus aigu.<\/p>\n<p>Le reste de l\u2019album comprend des extraits d\u2019autres op\u00e9ras de Wagner et de Verdi, mais aussi des airs de R. Strauss, Cilea et Puccini.<\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_65113\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/iB79qEAFLAI?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amata Dalle Tenebre (Deluxe edition) Anna Netrebko, soprano; Orchestre du Th\u00e9\u00e2tre de la Scala de Milan; Riccardo Chailly, chef. Deutsche Grammophon, 2021 Cela faisait d\u00e9j\u00e0 5 ans qu\u2019Anna Netrebko n\u2019avait pas sorti d\u2019album solo. Pour son grand retour \u00e0 l\u2019enregistrement, la soprano russe a choisi d\u2019accompagner son nouveau disque, intitul\u00e9 Amata Dalle Tenebre, d\u2019un film<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/justin-bernard\/critique-cd-amata-dalle-tenebre\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1006326,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,399],"tags":[47803,35134],"class_list":{"0":"post-1006205","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-opera-fr","9":"tag-anna-netrebko-fr","10":"tag-riccardo-chailly-fr","11":"type-critique-de-disque","12":"volume-volume-27","13":"issue-vol-27-issue-6-fr","14":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/Capture-d\u2019e\u0301cran-2022-04-01-a\u0300-14.10.57-1024x437.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/Capture-d\u2019e\u0301cran-2022-04-01-a\u0300-14.10.57-300x128.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2022\/03\/Capture-d\u2019e\u0301cran-2022-04-01-a\u0300-14.10.57-1024x437.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006205"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1006205"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1006205\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1006326"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1006205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1006205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1006205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}