{"id":1000604,"date":"2021-12-19T14:53:18","date_gmt":"2021-12-19T18:53:18","guid":{"rendered":"https:\/\/myscena.org\/?p=1000604"},"modified":"2022-02-03T15:58:27","modified_gmt":"2022-02-03T19:58:27","slug":"giorgia-fumanti-mystic-vega2-2021","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/giorgia-fumanti-mystic-vega2-2021\/","title":{"rendered":"Giorgia Fumanti: Mystic (Vega2, 2021)"},"content":{"rendered":"\r\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\r\n<p><em><strong>Mystic<\/strong><br \/><\/em>Giorgia Fumanti, voix; Stefano Galante, piano; Galante Media Orchestra<br \/>\u00c9tiquette: Vega2 (2021)<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\" style=\"font-size: 18px;\">Giorgia Fumanti a d\u00e9j\u00e0 plus d\u2019une douzaine d\u2019albums \u00e0 son actif. Soutenue par ses producteurs de toujours, son g\u00e9rant de mari Maurice Velenosi et Stefano Galante qui assure \u00e9galement la direction musicale avec elle, la chanteuse italienne propose ici un r\u00e9pertoire de chansons et de pi\u00e8ces instrumentales cultes arrang\u00e9es sp\u00e9cialement pour sa voix de soprano.<\/p>\r\n\r\n\r\n\r\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/Capture-d\u2019e\u0301cran-2021-12-19-a\u0300-13.28.11.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1000607 size-medium alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/Capture-d\u2019e\u0301cran-2021-12-19-a\u0300-13.28.11-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/Capture-d\u2019e\u0301cran-2021-12-19-a\u0300-13.28.11-300x300.png 300w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/Capture-d\u2019e\u0301cran-2021-12-19-a\u0300-13.28.11-100x100.png 100w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/Capture-d\u2019e\u0301cran-2021-12-19-a\u0300-13.28.11-150x150.png 150w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/Capture-d\u2019e\u0301cran-2021-12-19-a\u0300-13.28.11.png 498w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>L\u2019album allie plusieurs grands classiques p\u00eale-m\u00eale tels que le <i>Libertango <\/i>de Piazzola, le <i>Bolero <\/i>de Ravel, l\u2019<i>Adagio <\/i>d\u2019Albinoni, <i>O Fortuna <\/i>de Orff et <i>Nessun Dorma <\/i>de Puccini. \u00c0 cela s\u2019ajoutent d\u2019autres classiques plus pr\u00e8s de notre temps comme <i>Now we are free<\/i>, extrait du film <i>Gladiator<\/i> (2000), l\u2019<i>Hallelujah <\/i>de Cohen et <i>Papa can you hear me <\/i>de Legrand.<\/p>\r\n<p>Chacune des pi\u00e8ces semble avoir \u00e9t\u00e9 retravaill\u00e9e beaucoup en studio de sorte que le produit final sonne tr\u00e8s bien &#8211; trop bien peut-\u00eatre? &#8211; et ne contient pas la moindre imperfection ou presque. La voix de Giorgia Fumanti resplendit dans toute sa beaut\u00e9, si \u00e9lev\u00e9e que l\u2019on croirait entendre une voix d\u2019ange. D\u2019ailleurs, \u00e0 travers tout l\u2019album, on ressent une attention particuli\u00e8re port\u00e9e \u00e0 la puret\u00e9 vocale, musicale, et ainsi une approche assez religieuse &#8211; spirituelle, diraient certains &#8211; alors que le r\u00e9pertoire ne l\u2019est pas toujours. Par moments, cela semble un peu d\u00e9sincarn\u00e9 et manqu\u00e9 de personnalit\u00e9, mais le charme irr\u00e9sistible des m\u00e9lodies op\u00e8re n\u00e9anmoins.<\/p>\r\n<p>La plupart des \u0153uvres sont d\u2019une tr\u00e8s grande qualit\u00e9 musicale \u00e0 la base, ce qui bien s\u00fbr rehausse la qualit\u00e9 de l\u2019album. Comment peut-on rester insensible \u00e0 un arrangement vocal de l\u2019intermezzo extrait de l\u2019op\u00e9ra <i>Cavalleria rusticana <\/i>de Mascagni? De plus, cette pi\u00e8ce pleine de lyrisme se pr\u00eate parfaitement bien \u00e0 la voix. On ne peut pas en dire autant du <i>Bol\u00e9ro<\/i> de Ravel dont on pr\u00e9f\u00e8rera toujours la version orchestrale. Dans <i>Libertango<\/i>, on peut reprocher aux voix du ch\u0153ur qui accompagnent Giorgia Fumanti d\u2019\u00eatre pass\u00e9es un peu trop au traitement informatique.<\/p>\r\n<p>Bref, un album tr\u00e8s harmonieux, polic\u00e9, qui ravira certainement ceux qui aiment entendre la musique classique dans des arrangements et orchestrations plus <i>pop<\/i>. Je pense aussi \u00e0 ceux qui appr\u00e9cient les com\u00e9dies musicales ou des musiques de films \u00e9piques \u00e0 grand renfort de voix. Un CD dont on imagine qu\u2019il serait une bonne initiation \u00e0 la musique classique pour beaucoup de jeunes.<\/p>\r\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Mystic\" width=\"100%\" height=\"380\" style=\"[object Object]\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/album\/5he7Oyggn4ZuSRZMFv90FB?utm_source=oembed\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>MysticGiorgia Fumanti, voix; Stefano Galante, piano; Galante Media Orchestra\u00c9tiquette: Vega2 (2021) Giorgia Fumanti a d\u00e9j\u00e0 plus d\u2019une douzaine d\u2019albums \u00e0 son actif. Soutenue par ses producteurs de toujours, son g\u00e9rant de mari Maurice Velenosi et Stefano Galante qui assure \u00e9galement la direction musicale avec elle, la chanteuse italienne propose ici un r\u00e9pertoire de chansons et<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/justin-bernard\/giorgia-fumanti-mystic-vega2-2021\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":1000605,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17251,399],"tags":[36287,47231,47232],"class_list":{"0":"post-1000604","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-vocale","9":"category-opera-fr","10":"tag-giorgia-fumanti-fr","11":"tag-maurice-velenosi-fr","12":"tag-stefano-galante-fr","13":"type-critique-de-disque","14":"volume-volume-27","15":"issue-vol-27-issue-5-fr","16":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/IMG_5101-1024x683.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/IMG_5101-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/12\/IMG_5101-1024x683.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1000604"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1000604"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1000604\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1000605"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1000604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1000604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1000604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}