https:\/\/slippedisc.com\/<\/a><\/p>\r\n<\/blockquote>","protected":false},"excerpt":{"rendered":"Depuis que l’Adagio de Samuel Barber et l’Adagietto de Gustav Mahler sont devenus les \u0153uvres standards du deuil public et de la consolation \u2212 la premi\u00e8re dans les ann\u00e9es 1940, la seconde dans les ann\u00e9es 1970 \u2212 la recherche d’une offre alternative de contemplation orchestrale sombre, mais pleine d’espoir, a fait son chemin. Lorsque l’Orchestre<\/p>\n
Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":1000003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[47128,47129],"class_list":{"0":"post-1000031","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-james-macmillan-fr","9":"tag-pittsburgh-symphony-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/11\/external-content.duckduckgo.com_.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/11\/external-content.duckduckgo.com_-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/11\/external-content.duckduckgo.com_.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1000031"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1000031"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1000031\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1000003"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1000031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1000031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1000031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} ![\"\"](\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/11\/external-content.duckduckgo.com_.jpg\")
<\/a>L’ex\u00e9cution de la quatri\u00e8me symphonie de Brahms est accompagn\u00e9e de notes \u00e9tonnamment utiles de Honeck, expliquant ses d\u00e9cisions interpr\u00e9tatives sur les tempos et l’\u00e9quilibre. En legato, par exemple, l’ancien violoniste de l’Orchestre philharmonique de Vienne modifie sa pratique normale consistant \u00e0 faire en sorte que les cordes s’inclinent ensemble en faveur de mouvements d’archet plus rapides, produisant un son multicouche plus conforme \u00e0 la riche texture de Brahms.<\/p>\r\n