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This page is also available in / Cette page est également disponible en: English (Anglais)

Xenia Hanusiak is a cultural journalist and critic, essayist, poet, writer for stage, and festival curator whose work is published and performed across the globe. Informed by her practice as an opera singer and scholar, Xenia has given the world and country premieres of some of the most influential composers of our time including Kaija Saariaho, John Harbison, Elena Kats-Chernin and Zhang Xiaofu for some of the world’s leading festivals including the Next Wave Festival, (New York), Kennedy Center (Washington), Singapore Arts Festival, Gruppo Aperto Musica Oggi (Florence) and Beijing Music Festival. She holds a PhD in Creative Writing & Literature and, is a visiting scholar at Columbia University (New York), Peking University and Kookmin University (Korea). Her works for the stage include: the play Ward B; Un_labelled (Elena Kats-Chernin, Young Peoples’ Chorus of New York City); the libretto A thousand doors, a thousand windows (Melbourne International Arts Festival, Singapore Arts Festival); Earth Songs (Homart Theatre) and the dramatic monologue, The MsTaken Identity (Adelaide Festival of Arts/Australian String Quartet). Recent journalism publications include contributions on Laurie Anderson, Marina Abramovic, Anri Sala, Philippe Parreno, singers Dawn Upshaw, Kiri Te Kanawa, Leonard Cohen, composers Tan Dun, Nikko Mulhy, Lisa Gerrard and writers Clarice Lispector and Rita Dove.26 articles


Carol Xiong is ever-interested in connecting disparate cultures and human experiences. She holds a Master of Music from the Unversité de Montréal, a Bachelor of Music from the Eastman School of Music, as well as an ARCT from the Royal Conservatory of Music. She is currently pursuing her DEPA in piano performance at the Université de Montréal. You may find out more about her here: http://www.carolxiong.com26 articles


Camilo Lanfranco is Assistant Manager at La Scena Musicale. Cradled to sleep by live music events, Camilo grew up surrounded by different rhythms, sounds and musical philosophies. These expressions soon led him to focus on Cultural Interactions in the Arts, specifically Cinema and New Media. He holds an Hon. Bachelors in Sociology and Economics from the University of Toronto and he is a current MA Film Studies student at l’Université de Montréal. He is also the founder of MUSI Magazine (2008-2011) and producer of several documentaries.24 articles


An-Laurence Higgins est une jeune musicienne passionnée par tous les arts avec un intérêt marqué pour la musique contemporaine et électronique. Elle étudie présentement la guitare classique à l’Université de Montréal et s’implique dans divers projets de création, car elle croit fortement au caractère essentiel de la musique et des arts contemporains. Parallèlement à ses activités de musicienne, An-Laurence écrit pour La Scena Musicale et enseigne la guitare. / An-Laurence Higgins is a passionate young musician with a particular interest for contemporay and electronic music. She is currently studying classical guitar at the Université de Montréal and participate in various creation projects, because she strongly believes in the essential nature of contemporary music and arts. Besides her music studies, she is writing for La Scena Musicale and teaching guitar.23 articles



* Marc Chénard est rédacteur responsable de la section jazz du magazine depuis 2000. Il est journaliste de carrière spécialisé en jazz et en musiques improvisées depuis 35 ans. Ses écrits ont été publiés en anglais, français et allemand dans sept différents pays. *Marc Chénard has been the jazz editor of this publication since year 2000. He is a dedicated writer in the fields of jazz and improvised music for about 35 years. His writings have appeared in English, French and German in seven different countries.20 articles






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